《雲端下的聲林》王福瑞聲音裝置個展

ꕥ 展期 Duration：2010/08/14 (六) – 2010/09/12 (日)

ꕥ 開幕 Opening：2010/08/14 (六) 15:00 

ꕥ 地點 Venue：台北數位藝術中心

ꕥ 地址 Address：111台北市士林區福華路180號；近捷運淡水線芝山捷運站二號出口

ꕥ 展覽介紹

執行長序

「數位」是現代生活中無法切割的部分，且顯然成為當下的代名詞，藝術發展離不開時代背景，「數位藝術」儼然成為二十一世紀的顯學。數位藝術富親和力的特質，實踐在創新的表現形式上，減少了與觀眾的距離，更改變了藝術的特質，打破既定的觀念。聲音藝術在數位藝術的領域內的定義上有了更深層的探討，機械與電子技術也重新定位了創作的本質。我們樂見台灣數位藝術的蓬勃發展，台北數位藝術中心也一直致力於整合各界資源，展現共同參與的積極意義，並提供交流平台，開創出創意激盪與觀念碰撞之台灣數位藝術新視野。

延續雙個展相互映照的展出模式，台北數位藝術中心再度邀請到兩位傑出數位藝術家以及其作品，分別為台灣聲音藝術先鋒王福瑞的「雲端下的聲林」，以及專精於機械設計且熱愛電子技術的廖克楠的「數位印記」。王福瑞「雲端下的聲林」以無數聲點創造出虛擬的森林，傳達出這個時代當下的聲音；廖克楠的裝置作品則企圖喚起數位演進過程中，對於早期數位化已逝去的記憶。兩者在創作形式、理念探討甚至呈現的時空場域大不相同，但皆探討了數位在當下的意義，呈現出讓人著迷的空間，提供觀眾新穎的感官體驗。

展覽一次涵蓋聽覺與視覺層面，場域穿越時間軸橫跨過去到現在，倘若觀眾深入「雲端下的聲林」探尋聲音的更多面貌，跟隨「數位印記」緬懷與體驗箇中滋味，相信此趟美學之旅將讓您感受良多！

The “Digital” has become part and parcel of contemporary life. The development of Art is the production of long historical process in which “Digital Art” has become a popular subject in the 21st century. Digital art has a unique quality of attraction which reflects in its innovative form of expression. This can engage more audience, further change the quality of art, and can break the ideas that have been established for a long time. People have further discussed the definition of ‘sound art’ in the field of digital art. Similarly, mechanical and electronic technologies have also redefined the quality of creation. We love to see the speedy development of digital art in Taiwan. In this regards the Digital Arts Center, Taipei has been endeavouring to integrate the resources from all walks of life to give them one platform. The Center also provides a common platform for different ideas to inspire creative thinking and to produces a new perspective of Taiwanese digital art.

Extending the exhibiting style in which both artwork match with each other, Digital Art Center, Taipei once again invites two outstanding digital artists. These include the Taiwanese sound art pioneer Fujui Wang’s “Sound Forest Under The Cloud”, and Kehnan Liao’s “Digital Impression”. Mr. Liao is expert at mechanical design and loves for electronic technology. Mr. Wang’s “Sound Forest Under The Cloud” uses many acoustic points to create virtual forests that convey sound at once in this contemporary era. Mr. Liao’s installation artwork intends to remind people about the revolution of digital, especially the lost memories of early digitalization. Between these two artists, their creative style, the way they discussed about their ideas, showed time and space field are totally different from each other. However, they both discussed the meaning of digital art in the contemporary times. Their artwork shows a fascinating space, and provides audience a novel sensory experience.

This exhibition includes both audio and visual form at the same time. The space field shows the timeline from the past to present time. Audience further explore the different phases of sound in Mr. Wang’s “Sound Forest Under The Cloud”, and thinking about and experience its taste about “Digital Impression”. I believe this trip will become a great aesthetic experience for you.

黃文浩 Huang,Wen-Hao

﹉﹉﹉

創作理念

「從音符的藝術到聲音的藝術，從聲音的藝術到噪音的藝術，再從後者轉變到生活與機器之間的無界與無名的呢喃。」— 賈克‧洪席耶（Jacques Rancière）

「雲端下的聲林」主要是透過聲音的創作，來傳達當下生活狀態與運算機器間的密切關係；這呼應人類早在遠古時代，便會透過敲擊所發出的聲音高低與大小，來對模仿自然界的聲音，並作為社會生活人與人之間的傳達。在數位資訊的當代，我們以0與1的形式來處理與傳遞電腦訊息；以透過大量光點的明、暗，使我們感知圖像訊息。而這最小單位（0與1，或明與暗）的構成與流動，也令人重新思考「聲音」創作的本質。「聲音」的組織與構成，可以回到一個以點狀聲音的創作狀態。若說具象音樂是由百萬音符所組成，此次展覽的聲音創作，則是由無數單位的點狀聲音、所形成大小分明的聲音層次。大量隨機的點狀聲音，無實體地透過空氣的振動，它像是我們在這時代意識感知與機器運算的流動，聽似如同在森林有無數聲點的互相流竄衍生。

以展出作品《聲泡》為例，是由透過喇叭與麥克風的聲音迴授，再經由單晶片微處理器來控制迴授的音量。透過隨機亂數以控制聲音的大小與中斷的頻率，產生如大自然昆蟲生物的發聲質。《聲點》則是由數百個喇叭所構成的作品，每個喇叭經由晶片運算而產生不同的音頻，有如數百個頻道的聲響在空間中迴盪。整個展覽其中一個作品透過聲音的分解開展成點狀聲音，另一作品則透過數百如點的發聲體，大量高速、亂數控制的聲音點之流射，使欣賞者進入超驗的意識流動狀態。

Concept

The shift from an art of notes to an art of sounds, from the art of
sound to the art of noises and from the latter to the boundless and
anonymous murmur of life and /or machines.— Jacques Rancière

Through the sound work, Sound Forest Under the Cloud delivers the message that addresses the relationship of contemporary life and computing machines. Through the tapping and hammering, our ancestors mimic the sound of the nature and using the rhythm as a way of communication. Now in the information technology era, we use 0 and 1 to deal with and to transmit all the data. Through switching light on and off, we sense the image and receive the message. The omposition
of 0 and 1 transforms the way of sound creation, that sound is composed by switching sound on and off. As the concrete music is composed by millions of notes, in this exhibition Sound Forest Under the Cloud the sound work is created by different volume of sound layers which randomly composed of countless sound dots. The vibration in the air transmitting flow of our sense in this technology era, it sounds like the wind blow through the woods.

One of the artwork “Sound Bulb” is based on the feedback of speaker and microphone, the volume and the sound breaking up controlled randomly by the microcontrollers, creates the sound like the insects’ sound. “Sound Dot” is composed by hundreds of speakers with different rhythm from each speaker. Overall in this project you can hear a variety of sound creation, include one work is through the decomposition of sound into millions of sound dots, the other is composed millions of different volume and rhythm of sound dots into sound flowing, which transmitting into our sub-consciousness.

﹉﹉﹉

藝術家簡介

王福瑞

簡歷

1993 成立台灣首一實驗音樂廠牌NOISE，發行刊物、卡帶、CD
1995 以「精．神．經」為名，開始實驗聲音/影像創作 (於舊金山)
1998 架設Noise@Taiwan網站
2000 在地實驗[媒體實驗室](EtatLab)成員
2001 策劃「靜電暴動/Staic Riot」/「台北實驗電子音樂2001」
2003 「Agora」網路藝術城邦的參與規劃執行
2003 策劃「異響/Bias」台灣首一聲音藝術展
2003 策劃「出聲/Sono」實驗電子音樂表演
2004 「漫遊者」國際數位藝術大展策展團隊成員
2005 「異響/Bias」國際聲音藝術展策展團隊成員及國際評審
2005 國立台北藝術大學藝術與科技中心, 數位藝術實驗室主持人
2006 國立台北藝術大學藝術與科技中心, 電腦音樂實驗室主持人
2006 「2006台北數位藝術節」 顧問及「台北數位藝術獎」評審
2007 「玩開-2007台北數位藝術節」 策展人及「台北數位藝術獎-聲音藝術」評審
2008 策劃「超響/TranSonic2008」聲音藝術展演
2008 「超介面-2008台北數位藝術節」 策展人及「台北數位藝術獎-聲音藝術」評審
2009 策劃「超響/TranSonic2009」聲音藝術展演
2009 策展「超響-發聲體」聲音藝術展
2010 國立台北藝術大學藝術與科技中心, 未來聲響實驗室主持人

主要展出

2000 「雜訊」，錄影裝置；「驅動城市2000：創意空間連線」展，華山藝文特區，台北
2001 「黃色潛水艇」(EtatLab)，複合媒材；台北當代藝術館，台北
2001 「關節反射」，互動影像/聲音裝置；在地實驗，台北
2001 「破浪」，聲音作品; AO:Audio Ony Sound Gallery , MAAP 2001, 澳大利亞
2001 「抹去的風景」(EtatLab)，錄影裝置；高雄國際貨櫃藝術節，高雄
2002 「Hear You Can’t Hear」，網路影音作品；參與”Devolve Into II” 國際影音串流計劃；奧地利ORF Klangtheater Wien 和德國Intermedium 2 @ ZKM Karlsruhe
2002 「潛行者」，互動影像裝置；在地實驗，台北
2002 「In Between」(EtatLab)，互動影像裝置；Total Museum，韓國
2002 「T-Art」(EtatLab)，互動影像裝置; 伊通公園, 台北
2003 「T-Art」(EtatLab)，互動影像裝置; 台北國際藝術村, 台北
2003 「飛點」，單頻道錄影；在地實驗，台北
2004 「睛魚」(EtatLab)，互動影像裝置；台北縣政府，台北縣
2004 「出水荷吟」，聲音裝置；關渡花卉藝術節，台北
2004 「雜訊」，錄影裝置；媒體城市，台北當代藝術館，台北
2004 「祥瑞之光」，互動裝置；Co4，鳳甲美術館，台北
2005 「祥瑞之光」，互動裝置；Co4，交大藝文中心，台中
2005 「曾經通過的片刻」，單頻道錄影；當代公民，蘭州派出所，台北
2005 「iPure/純境」，互動聲音裝置；後石器時代，世貿，台北
2005 「睛魚」(EtatLab)，3頻道錄影；世貿，台北
2005 「iPure/純境」，互動聲音裝置；DiVA數位與錄像藝術博覽會，科隆，德國
2005 「睛魚」(EtatLab)，2頻道錄影；DiVA數位與錄像藝術博覽會，科隆，德國
2005 「睛魚」(EtatLab)，12頻道錄影裝置；國立台灣美術館，台中
2005 「iPure/純境」，互動聲音裝置；元智大學藝術中心，桃園縣
2005 「彈．動」，錄影裝置；元智大學藝術中心，桃園縣
2006 「彈．動」，單頻道錄影；The 9th Annual Activating the Medium Festival，舊金山，美國
2006 「凝光流影」，Led光動力裝置；台北23，台北市立美術館，台北
2007 「超越0~20Hz」，聲音裝置；Boom-台澳新媒體藝術展，關渡美術館，台北
2007 「睛魚」(EtatLab)，錄影裝置；粉樂町 II，台北
2007 「睛魚」(EtatLab)，2頻道錄影裝置；意在言外，北京索卡藝術中心/ 臺北索卡藝術中心，北京/台北
2007 「iPure/純境」，互動聲音裝置；上海藝術博覽會，上海，中國
2008 「異光」，戶外建築投影；國立台灣美術館數位方舟，台中
2009 「聲泡」，聲音裝置；台灣當代藝術圖檔，法國國立高等藝術學院藝廊，法國
2009 「聲碟」，聲音裝置；發聲體，新苑藝術，台北
2010 「聲泡」，聲音裝置；清邁聲林，夏可喜畫廊，台北
2010 「聲碟」，聲音裝置；香港國際藝術展(新苑藝術)，香港
2010 「悸動靜態」，數位影像；國立陽明大學藝文中心，台北

主要演出

1998 在地實驗網路電視台，台北
1999 「精神經/Ching-Shen-Ching」，互動實驗影像/聲音演出，台北
2000 「Recombinant Noize」，台北
2000 「黑戲/Black Theatre」，PDA互動實驗影像/聲音演出，台北
2000 「不可思議騷音」/「台北實驗電子音樂2000」，互動實驗影像/聲音演出，台北
2001 「靜電暴動/Staic Riot」/「台北實驗電子音樂2001」，互動實驗影像/聲音演出，台北
2001 「Studie I」，在地實驗，台北
2002 「電子原音反擊」-台中首次噪音藝術祭，台中
2002 「Taipei Electronic Arts Phenomena」，華山藝文特區，台北
2003 「出聲/Sono」，台北國際藝術村，台北
2003 「腦天氣藝術祭/ Weatherbrain」，自強284，台北縣
2004 「台北聲納/ Sounding Taipei 2004」，紅樓，台北
2004 「蓮荷藝術季」，苗栗
2004 「第二屆腦天氣藝術祭/ Weatherbrain 2004」，華山藝文特區，台北
2006 「牯嶺街小劇場百周年祭1906~2006」，摧光瘓音，牯嶺街小劇場，台北
2008 「超響TranSonic 2008」，牯嶺街小劇場，台北
2008 「Mini-Midi」，北京
2009 「超響TranSonic 2009」，台北數位藝術中心，台北
2009 「Night of Anger」，倉庫藝文中心，台北
2009 「深呼吸」，國立台灣美術館，台中
2010 「Sound Effects Seoul, Taiwan 2010」，台北當代藝術中心，台北
2010 「60X60」，台北當代藝術中心，台北

實驗聲響作品

1997 “Killng Me Softly With Noise” 選輯, Noise/Taiwan
1998 “Soundtracks for Bride of Sevenless” 選輯, Auscultare Research/USA
1999 “1,2,3,0” mini-CD, Noise/Taiwan
2001 “Studie I ” mini-CD, Noise/Taiwan
2003 “Poise” CD
2004 “異響/Bias” CD/Dvd選輯
2004 “One Love” CD選輯
2008 “SoundWave Communication” CD

實驗影像作品

1998 「死景」
1999 「花影」，入選台北電影節
2000 「雜訊」，入選公視「映象2000」
2000 「深夢」，入選公視「映象2000」
2000 「精神經」實驗影音作品集VCD
2001 「雜訊」，iMages Festival影展參展，加拿大
2002 「轉啊轉」
2003 「WaterDrome」，「Bias異響」聲音藝術展，台北
2003 「飛點」
2005 「曾經通過的片刻」

Links

http://www.soundwatch.net
http://www.kunstradio.at/BIOS/wangbio.html
http://www.kunstradio.at/2002A/26_05_02.html#dv
http://hosting.zkm.de/intermedium/d/programm/veranstaltungen/veranstaltung_0

Contact

fujuiwang@gmail.com

Fujui Wang
Biography

1993 Founded the first noise/experimental music label “NOISE” in Taiwan, releasing fanzine, tapes, CD etc…　
1995 Starting “Ching-Shen-Ching” project for the Audio/Video creation
1998 Creating the website of NOISE@Taiwan,
2000 Member of EtatLab
2003 Organizing the first sound art exhibition “Bias” in Taiwan
2003 Teaching Max/Msp/Nato/Jitter, Pd/Gem at Taipei National University of the Arts(TNUA)
2005 Head of Digital Art Lab, Center for Art and Technology, TNUA
2006 Head of Computer Music Lab, Center for Art and Technology, TNUA
2007 Curator of the exhibition “Digital Art Festival Taipei 2007-Open Play”
2008 Organizing “TranSonic 2008” Sound Art Festival, Taipei
2008 Curator of the exhibition “Digital Art Festival Taipei 2008-Trans”
2009 Organizing “TranSonic 2009” Sound Art Festival, Taipei
2009 Curator of the exhibition “TranSonic-Sounding Objects”
2009 Curator of the exhibition “Digital Art Festival Taipei 2009-Funky Light”
2010 Head of Trans-Sonic Lab, Center for Art and Technology, TNUA

Exhibitions

2000 “NoiseDrome”, Video Installation; “Spin City 2000: Alternative Space On Line”, Whashang Art District, Taipei
2001 “Yellow Submarine”(Etat Lab), Mixed Media; “The Gravity of the Immaterial”, Moca Taipei, Taipei
2001 “Joints Reflex”, Interactive Sound/Video Installation, Etat , Taipei
2001 “Breaking Waves”; AO:Audio Only Sound Gallery , MAAP 2001, Australia
2001 “Erasing Scenery”(EtatLab), Video Installation; Kaohsiung International Container Arts Festival, Kaohsiung
2002 “Devolve Into II”, network project and Installation/ performance in collaboration with Peter Courtemanche and others. ORF Klangtheater Wien and Intermedium 2 at ZKM Karlsruhe
2002 “Stalker”, Interactive Video Installation; Etat, Taipei
2002 “In Between”(EtatLab), Interative Video Installation; Total Museum, Korea
2002 “T-Art”(EtatLab), Interactive Video Installation; IT Park, Taipe
2003 “T-Art”(EtatLab), Interactive Video Installation; Taipei Artist Village, Taipei
2003 “Break In Break”, Interactive Sound Installation/ Performance; Taipei Artist Village, Taipei
2003 “Flying Dots”, Video; EtatLab, Taipei
2004 “Eyes Fish”(EtatLab), Video Installation; Taipei County
2004 “Lotus Song from Deep Water”, Sound Installation; Taipei
2004 “NoiseDrome”, Video Installation; “Media City”, Moca Taipei, Taipei
2004 “Blissful Light”, Interactive Installation; “CO4 Taiwan Avant-Garde Documenta II-Lost Words”, Hong-Gah Museum, Taipei
2005 “Blissful Light”, Interactive Installation; ”CO4 Taiwan Avant-Garde Documenta II-Lost Words”, Hsinchu
2005 “Ever Passing Moment”, Video Installation; “Con-temporary Citizens”, Lan-Zhou Police Station, Taipei
2005 “iPure”, Interactive Sound Installation; “The Post-Stone Age:Taiwan Contemporary Young Artists Special Exhibition”, Art Taipei 2005, Taipei
2005 “Eyefish”(Etatlab), Video Installation; Art Taipei 2005, Taipei
2005 “iPure”, Interactive Sound Installation; DiVA Cologne, Germany
2005 “Eyefish”(Etatlab), Video Installation; DiVA Cologne, Germany
2005 “Eyefish”(Etatlab), Video Installation; National Taiwan Museum of Fine Arts, Taichung
2005 “iPure”, Interactive Sound Installation; Center For Arts, Yuan Ze University
2005 “Elastic Waves”, Video Installation; Center For Arts, Yuan Ze University
2006 “Elastic Impulse”, Video; The 6th Annual Activating the Medium Festival, USA
2006 “Catch You Can’t Catch”, Led Installation; Taipei Fine Arts Museum, Taipei
2007 “Beyond 0~20Hz”，Sound Installation; Boom: Taiwan-Australia New Media Arts Exhibition, Taipei
2007 “Eyefish”(Etatlab), Video Installation; Very Fun Park II, Taipei
2007 “Eyefish”(Etatlab), Video Installation; Beyond Language, Soka Art Center（Beijing）, Soka Contemporary Space (Taipei)
2007 “iPure”, Interactive Sound Installation; Shanghai Art Fair 2007, China
2008 “Blinding Light”, Outdoor Projection; National Taiwan Museum of Fine Arts, Taichung
2009 “SoundBulb”, Sound Installation; Art contemporain taïwanais, École nationale supérieure des beaux-arts, Paris, France
2009 “Sound Disk”, Sound Installation; Sounding Objects, Galerie Grand Siecle, Taipei
2009 “Light Construction”, Outdoor Projection; Museum of Contemporary Art Taipei, Taipei
2010 “SoundBulb”, Sound Installation; Whispering in ChiangMai Forest, Sakshi Gallery, Taipei
2010 “Sound Disk”, Sound Installation; Hong Kong International Art Fair (Galerie Grand Siecle), Hong Kong
2010 “Throbbing Stillness”, Digital Images; Art and Culture Center, National Yang Ming University, Taipei

Performance

1998 Etat Web TV
1999 “Ching-Shen-Ching”, Audio/Video Interactive Performance, Taipei
2000 “Recombinant Noize”, Taipei
2000 “Black Theatre”, Interactive Performance Using PDA, Taipei
2000 “Computer Generated Soundsphere Architect”, an experimental sound/image interactive performance in “Taipei Experimental Electronique Music Scene 2000”
2001 “Static Riot”, an experimental sound/image interactive performance in “Taipei Experimental Electronique Music Scene 2001”
2001 “Studie I”, an experimental sound performance in Etat Lab, Taipei
2002 “Electro-accoustic Combat”, Taichung First Noise Art Festival, Taichung
2002 “Taipei Electronic Arts Phenomena”, Whashang Art District, Taipei
2003 “Sono”, Taipei Artist Village, Taipei
2003 “Weatherbrain Festival 2003” , Taipei County
2004 “Taipei Sounding 2004”, Taipei
2004 “Lotus-Holland Art Festival”, Miaoli
2004 “Weatherbrain Festival 2004”, Whashang Art District, Taipei
2006 “The Centennial Festival of Guling St. Avant Garde Theatre 1906~2006”, “Blinding Light, Dumbing Sound”, Taipei
2008 “TranSonic 2008”, Taipei
2008 “Mini-Midi”, Bejing
2009 “TranSonic 2009”, Taipei
2009 “Night of Anger”, Taipei
2009 “Breathing Sounds”, National Taiwan Museum of Fine Arts, Taichung
2010 “Sound Effects Seoul”, Taipei Contemporary Center, Taipei’
2010 “60X60”, Taipei Contemporary Center, Taipei’

Audio Works

1997 “Killing Me Softly With Noise” CD Compilation, Noise/Taiwan
1998 “Soundtracks for Bride of Sevenless” CD Compilation, Auscultare Research/USA
1999 “1,2,3,0” mini-CD, Noise/Taiwan
2001 “Studie I ” mini-CD, Noise/Taiwan
2003 “Poise” CD
2004 “Bias” CD/Dvd Compilation
2004 “One Love” CD Compilation
2008 “SoundWave Communication” CD

Video Works

1998 “DeathDrome”
1999 “FlowerDrome” selected by Taipei Film Festival
2000 “Deep Dream” selected by “Image 2000” program of Public TV
2000 “Ching-Shen-Ching” VideoCD
2001 “Noise Drome” selected by iMages Festival, Canada
2002 “Whirling”
2003 “WaterDrome”, “Bias” Sound Art Festival, Taipei
2003 “Flying Dots”
2005 “Ever Passing Moment”

Links

http://www.kunstradio.at/BIOS/wangbio.html
http://www.kunstradio.at/2002A/26_05_02.html#dv
http://hosting.zkm.de/intermedium/d/programm/veranstaltungen/veranstaltung_09

Contact
fujuiwang@gmail.com

ꕥ 作品介紹 1

聲點 Sound Dots

聲音裝置 Sound Installation, 2010

作品說明 About Work：

《聲點》則是由數百個喇叭所構成的作品，每個喇叭經由晶片運算而產生不同的音頻，有如數百個頻道的聲響在空間中迴盪，透過數百如點的發聲體，大量高速、亂數控制的聲音點之流射，使欣賞者進入超驗的意識流動狀態。

“Sound Dot” is composed by hundreds of speakers with different rhythm from each speaker.

Overall in this project you can hear a variety of sound creation. It’s composed millions of different volume and rhythm of sound dots into
sound flowing, which transmitting into our sub-consciousness.

﹉﹉﹉

ꕥ 作品介紹 2

聲泡 SoundBulb

聲音裝置 Sound Installation, 2009

作品說明 About Work：
《聲泡》是由麥克風與喇叭隨機發出不同音量迴授(Feedback)的聲音裝置。由於在玻璃燈泡裡的小喇叭所發出來的聲音與小麥克風所收錄的音源是相同, 在不斷的收音與擴音的循環迴路，產生共鳴迴授。藉由單晶片微處理器、數位電阻和繼電器，來控制迴授的音量，透過隨機亂數控制聲音的大小與中斷的頻率，產生如大自然昆蟲生物的發聲，玻璃燈泡有如發聲的共鳴載體，不同形狀載體有不同的聲音。

過去人們經常運用聲音的高低來創作，在這作品只使用聲音的大小來創作，反而回歸自然的純樸。在這一個聲音不斷生成的迴圈，中斷所造成聲音的消失，反而是新的聲音生成，有如太極中陰陽的循環生成演化。

SoundBulb

Sound Bulb, the sound installation in which different volume of feedback sound generate through microphone and speaker randomly. The small speaker and tiny microphone is inside the same glass bulb. The sound from the small speaker is picked up by the tiny microphone, a “feedback loop” is created. The volume of the “feedback loop” is controlled by the microcontroller, digital resistor and relay randomly while the rhythm of sound/silence unconsciously formulates the soundscape of insect world. The bulb as a container varies different sono-signals by its shape.

Instead of mostly using the PITCH to compose sound work, sound bulb unconventionally by using just the VOLUME creates a purified soundscape of the nature. In the endless circles of sound generation inside the bulb, every moment of silence is the birth of new sound. The silence/sound are as the Yin/Yang of TAICHI, the two elements composing the whole universe.

ꕥ 活動紀錄

王福瑞創作論壇
2010/08/21(六) 14:00-16:00

王福瑞老師從1993年成立台灣第一個實驗音樂廠牌和刊物「Noise」成為國際實驗音樂網的一個據點開始說起，之後赴舊金山留學以「精‧神‧經」為名從事實驗聲音/影像創作，近年創作有「聲碟」、「聲泡」、「聲點」等作品，策劃及演出「超響」等聲音藝術表演，參與「臺北數位藝術節」、「異響/Bias」等策展，而「雲端下的聲林」聲音裝置個展傳達出從聲音藝術到噪音藝術，再從噪音轉變到生活與機器之間對話的當代聲響創作旨趣。

圖一：藝術家王福瑞分享其創作過程

圖二：現場民眾提問及分享觀展心得

圖三：聲點 Sound Dots 聲音裝置

圖四：聲泡 SoundBulb 聲音裝置

主辦單位：台北市文化局、財團法人數位藝術基金會
承辦單位：台北數位藝術中心

特別感謝: 財團法人樹火紀念紙文化基金會