台灣數位藝術中心

聲態｜王福瑞個展

𓃑 展期 Duration：2014/11/08(六)~2014/12/28(日)

𓃑 開幕 Opening：2015/11/08 14:00

𓃑 地點 Venue：台北數位藝術中心

𓃑 地址 Address：111台北市士林區福華路180號；近捷運淡水線芝山捷運站二號出口

𓃑 展覽介紹 𓃑

我想像聲音如天空浮雲不斷地隨著時間推前，同時間又不斷地結合和分離，湧現和消逝，難以具體表達甚麼意義，但我享受這些過程。

聲音是無形的，在空間中空氣分子的振動，聲音不是媒體，當我們將聲音視為媒體，聲音就被記錄、傳遞、轉換，聲音以不同的面貌、方式呈現。錄製的聲音，將聲音與原本的場域抽離，透過電流和喇叭播放，聲音早已透過自身轉換而成為發聲體，另一方面，聲音也跨域不同媒體相互結合。

聲音本身作為一個媒體，不管是自我發展、觸發另一媒體或異質交融，它來自時間、空間進展的過程，無論聲音是主體或客體，我們從進展的過程中去發掘聲音的各種可能性。「聲態」主要呈現一連串聲音實驗過程的狀態，從聲音自主的發聲裝置，及其衍生的電子噪音樂器，運用聲音頻率來探覺影像的可能性，透過光與物理振動的聲響空間，視覺與聽覺的異質性。試著以一個開放的態度，單純且當下直覺，運用非傳統制式想法，探究聲音未知的可能性。

“錯誤”提醒我們科技的掌控是一種幻想，同時揭示數位工具被建造的人們視為唯一的完美，精準和高效。新的技術經常被偶然的發現，或由一個預知的技術或實驗失敗所發現。 –Kim Cascone

𓃑 Exhibition Introduction 𓃑

I imagine the sound that changes over time as the clouds drifting in the sky, merging and separating, appearing and disappearing. It shows hardly concrete meanings. However, I enjoy the whole process of imagination.

Sound is invisible. It is not a medium but a vibration through a medium such as air or water. However, if we regard sound as a medium, we can therefore record, transmit, transform, and present it in different forms and ways. Recorded sound is detached from the place where it was produced. The sound per se is then transformed into a sound object through the electrical currents and the set of speakers. In addition, the sound is combined with other media in an interdisciplinary manner.

As a medium, whether self-developed, catalytic, or heterogeneously blended, sound evolves with the changes of time and space. A subject or an object, whatever sound may be, the artist tries to find the possibilities for sound from its evolution. The State of Sound seeks to present the state of a series of sound experiments ranging from the automatic sound devices to the derivative electronic instruments. The exhibition also explores the possibility for images through audio frequency, the sound space created by light and physical vibration, and the heterogeneity between auditory and visual senses. Adopting an intuitive, open-minded attitude, the artist tries to explore unknown possibilities for sound with his unconventional ideas.

“[F]ailure”… remind[s] us that our control of technology is an illusion, and reveal[s] digital tools to be only as perfect, precise, and efficient as the humans who build them. New techniques are often discovered by accident or by the failure of an intended technique or experiment.
–Kim Cascone

𓃑 關於藝術家 𓃑

王福瑞 Fujui Wang

台北藝術大學「藝術與科技中心 (Center of Art and Technology)」未來聲響實驗室主持人。主要專長為聲音藝術、互動藝術。1993年成立台灣第一個實驗音樂廠牌和刊物「Noise」，2000年加入「在地實驗」，是台灣媒體藝術發展中少數以團體實驗室方式進行數位藝術的實驗、實踐與探討，是早期少數以即時互動為主的創作實驗團體，並推動「異響 /Bias」聲音藝術展與「台北數位藝術獎」聲音藝術類別，將聲音藝術推展成國內數位藝術具有特色的領域。近年策展「台北數位藝術節」，2008年起策劃「超響」聲音藝術展演，帶動國內新一波數位藝術發展。近十多年來一直致力於聲音藝術、數位藝術的創作與推廣。

主要展出
2013 「城市閃爍IV 」，聲音裝置；The Leap藝術空間，柏林，德國
2013 「2013 亞洲時基：新媒體藝術節—微型城市」，聲音裝置；NARS藝術基金會，紐約，美國
2013 「超傳波－王福瑞聲音藝術個展」，聲音裝置個展；台北當代藝術館，台北
2013 「伏噪－王福瑞九○年代聲音文件展」，文件個展；立方空間，台北
2013 「中國聲音藝術大展」聲音裝置；上海，中國
2013 「無河不流有河必流」，聲音裝置；關渡美術館，台北
2014 「造音翻土－戰後台灣聲響文化的探索」，聲音裝置；北師美術館，台北
2014 「聲活－王福瑞個展」，聲音裝置個展；兜空間，台南
2014 「來賭藝術Artroulette 4」，聲音裝置；雲清藝術中心，台北
2014 「Art Basel-Hong Kong」(就在畫廊)，聲音裝置；香港
2014 「重回類比之詩」，聲音裝置；MOT，台北
2014 「台灣報到─2014台灣美術雙年展」，聲音裝置；國立台灣美術館，台中

主要演出
2013 「Battle Of Transparency 透明之戰」，The Soup，東京，日本
2013 「Soundroom」，SuperDeluxe，東京，日本
2013 「Depopulate 02 / White Fungus」，立方計劃空間，台北
2013 「New Sonic Adventures VOL.3」，香港城市大學邵逸夫媒體中心，香港
2013 「13 Release Event #2 / White Fungus」，THE LAB藝術空間，舊金山，美國
2013 「秋田昌美Ｘ轟音台北」，The WALL，台北 2013 「城市閃爍IV 」，The Leap藝術空間，柏林，德國
2013 「2013 亞洲時基：新媒體藝術節—微型城市」，Residency Unlimited 藝術中心，紐約，美國
2013 「2013紐約皇后美術館雙年展」，皇后美術館，紐約，美國
2013 「RADIO 433 PRESENTS NIÚ ZHĀNG ZHĪ / 牛樟芝」，奧地利林茲電子藝術中心，林茲，奧地利
2014 「透明再生」，交通大學演藝廳，新竹
2014 「Depopulate 03 / White Fungus」，寶藏巖，台北
2014 「失聲祭LSF78」，噪咖/數位藝術中心，台北
2014 「Hyper Transmission in Schizophrenia Taiwan 2.0」，Collegium Hungaricum Berlin，柏林，德國
2014 「Hyper Transmission in Transmediale 2014」，世界文化宮/Haus der Kulturen der Welt，柏林，德國
2014 「Depopulate 04 / White Fungus and N.K.」，N.K.藝術空間，柏林，德國
2014 「Hyper Transmission」, Antena, 芝加哥, 美國
2014 「聲聞 VOL.9」, 外灘美術館, 上海, 中國
2014 「Depopulate 05 / White Fungus」, 435 Art Zone, 新北市

實驗聲響作品
1997 “Killng Me Softly With Noise” 選輯, Noise/Taiwan
1998 “Soundtracks for Bride of Sevenless” 選輯, Auscultare Research/USA
1999 “1,2,3,0” mini-CD, Noise/Taiwan
2001 “Studie I ” mini-CD, Noise/Taiwan
2003 “Poise” CD
2004 “異響/Bias” CD/Dvd選輯
2004 “One Love” CD選輯
2008 “SoundWave Communication” CD

實驗影像作品
1998 「死景」
1999 「花影」，入選台北電影節
2000 「雜訊」，入選公視「映象2000」
2000 「深夢」，入選公視「映象2000」
2000 「精神經」實驗影音作品集VCD
2001 「雜訊」，iMages Festival影展參展，加拿大
2002 「轉啊轉」
2003 「WaterDrome」，「Bias異響」聲音藝術展，台北
2003 「飛點」
2005 「曾經通過的片刻」

𓃑 About the Artist 𓃑

Links
http://www.soundwatch.net
http://www.kunstradio.at/BIOS/wangbio.html
http://www.kunstradio.at/2002A/26_05_02.html#dv
http://hosting.zkm.de/intermedium/d/programm/veranstaltungen/veranstaltung_0

Contact
fujuiwang@gmail.com
Facebook https://www.facebook.com/Soundwatch

Fujui Wang

Fujui Wang, Head of the Trans-Sonic Lab in center for art and techology of Taipei National University of the Arts, specializes in sound Art and Interactive Art. Fujui Wang is the pioneer of Sound Art in Taiwan, who established the first experimental sound zine/label NOISE/Taiwan in 1993.

In 2000 Wang joined ETAT and initiated BIAS Sound Art Exhibition and Sound Art Prize in the Digital Art Awards Taipei. His arts activities contribute to enhancing Sound Art as a new genre in Taiwan’s art scene. He has curated The Digital Art Festival Taipei and “TranSonic” sound art festival. Fujui Wang is dedicated to making and promoting Sound Art and Digital Art creativity in more than a decade.

EXHIBITIONS

2013 “Urban Flashes IV”, Sound Installation; The Leap Art Space, Berlin, Germany
2013 “inToAsia: Time-based Art Festival 2013-MicroCities in NY”; The NARS Foundation, New York
2013 “Hyper Transmission”, Sound Installation; MOCA Taipei, Taipei
2013 “Lurking Waves: Fujui Wang / Collected Objects from the 90s”, Historical documents; The Cube, Taipei
2013 “Sound Art China”, Sound Installation; Shanghai, China
2013 “No One River Flows”, Sound Installation; Kuangdu Museum, Taipei
2014 “ALTERing NATIVism-Sound Cultures In Post-War TAIWAN”, Sound Installation; MoNTUE, Taipei
2014 “Sonic Living”, Sound Installation; DOU MAISON, Tainan
2014 “Artroulette 4”, Sound Installation; Elsa Art Gallery, Taipei
2014 “Art Basel-Hong Kong”, Sound Installation; Hong Kong
2014 “The Return of Analog Poetry”, Sound Installation; MOT, Taipei
2014 “YES, TAIWAN – 2014 Taiwan Biennial”, Sound Installation; National Taiwan Museum of Fine Arts, Taichung

PERFORMANCE

2013 “Battle Of Transparency”, The Soup, Tokyo, Japan
2013 “Soundroom”, SuperDeluxe, Tokyo, Japan
2013 “Depopulate 02 / White Fungus”, The Cube, Taipei
2013 “New Sonic Adventures VOL.3”, Run Run Shaw Creative Media Centre, City University of Hong Kong, Hong Kong
2013 “13 Release Event #2 / White Fungus”, THE LAB, San Francisco, USA
2013 “Merzbow in Taipei”, The Wall, Taipei
2013 “URBAN FLASHES IV”, The Leap Art Space, Berlin, Germany
2013 “inToAsia: Time-based Art Festival 2013-MicroCities in NY”, Residency Unlimited Art Center, New York, USA
2013 “Queens International 2013”, Queens Museum, New York, USA
2013 “RADIO 433 PRESENTS NIÚ ZHĀNG ZHĪ”, Ars Electronica Center, Linz, Austria
2014 “Transparent Regeneration”, Hsinchu
2014 “Depopulate 03 / White Fungus”, Treasure Hill, Taipei
2014 “Lacking Sound Festival LSF78”, Digital Art Center, Taipei
2014 “Hyper Transmission in Schizophrenia Taiwan 2.0”, Collegium Hungaricum Berlin, Berlin, Germany
2014 “Hyper Transmission in Transmediale 2014”, Haus der Kulturen der Welt, Berlin, Germany
2014 “Depopulate 04 / White Fungus and N.K.”, N.K. Art Space, Berlin, Germany
2014 “Hyper Transmission”, Antena, Chicago, USA
2014 “SAVAKA VOL.9”, Rockbund Art Museum, Shanghai, China
2014 “Depopulate 05 / White Fungus”, 435 Art Zone, New Taipei City

Audio Works
1997 “Killing Me Softly With Noise” CD Compilation, Noise/Taiwan
1998 “Soundtracks for Bride of Sevenless” CD Compilation, Auscultare Research/USA
1999 “1,2,3,0” mini-CD, Noise/Taiwan
2001 “Studie I ” mini-CD, Noise/Taiwan
2003 “Poise” CD
2004 “Bias” CD/Dvd Compilation
2004 “One Love” CD Compilation
2008 “SoundWave Communication” CD

Video Works
1998 “DeathDrome”
1999 “FlowerDrome” selected by Taipei Film Festival
2000 “Deep Dream” selected by “Image 2000” program of Public TV
2000 “Ching-Shen-Ching” VideoCD
2001 “Noise Drome” selected by iMages Festival, Canada
2002 “Whirling”
2003 “WaterDrome”, “Bias” Sound Art Festival, Taipei
2003 “Flying Dots”
2005 “Ever Passing Moment”

Links
http://www.kunstradio.at/BIOS/wangbio.html
http://www.kunstradio.at/2002A/26_05_02.html#dv
http://hosting.zkm.de/intermedium/d/programm/veranstaltungen/veranstaltung_09

Contact
fujuiwang@gmail.com
Facebook https://www.facebook.com/Soundwatch

𓃑 作品介紹 1

噪聲管

〈噪聲管〉一場即興式的機器噪音表演，機器從錯誤運算中自我解放與生成，管內的晶片震盪受電流雜訊干擾，連續發出不同音頻的噪音，同時電流也擾動本身晶片的運算，像是機器毫無止盡般地自我擾亂，持續以毫無規則與無止盡的演變著，這隨機並非數位運算而是受類比電流雜訊的失控所制。

這場噪音表演在玻璃管內散發能量的波動與振盪，雜訊音頻不斷地共鳴、迴響與放送，能量不斷地來回反射在玻璃管，也不斷激起自我內爆與變異，呈現一種巨量且封閉的噪音訊息，觸發著我們內在微隱的感官知覺。

𓃑 Work 1

Noise Tube

Noise Tube is a mechanical noise improvisation in which the machine generates and emancipates itself through false computing. Due to the disturbance of electrical noise, the vibrating chip in the tube continuously creates noise of different frequencies. Meanwhile, the random fluctuation in electrical signals also disturbs the function of the chip. The situation implies an endless self-disturbance of the machine, which evolves toward perpetual disorder. The randomness is caused by the uncontrolled state of electrical noise rather than digital computing.

The fluctuation and vibration of energy, electrical noise, and audio frequencies continuously resonate, reverberate, and radiate in the tube. The power is increasing but remains encapsulated in the tube, which leads to the implosion and variation of sound. It conveys an overwhelming and closed message that triggers our innermost sensory perception.

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𓃑 作品介紹 2

噪聲器

〈噪聲器〉是一系列自製手工電子樂器、電路擾動、硬體駭客和類比錯誤的創作計畫，此裝置結合電路擾動的音頻振盪產生器與序列產生器，電子頻率的不確性與變化節奏相互干擾，能量在可控制與不可控制的流動狀態中，從原始科技的電子聲響解放。

𓃑 Work 2

Noise Machine

Noise Machine is a project consists of a series of home-made electronic instruments, circuit bending, hardware hackers, and analog errors. The installation combines a sequence generator with an audio oscillator under the influence of circuit bending. The uncertain electronic frequencies and the changing rhythms interfere with each other. Energy is therefore liberated from the electronic sound created by primitive technology when the flow of energy is not completely controllable.

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𓃑 作品介紹 3

聲影

聲音訊號連接電視的影像輸入，螢幕中的影像將隨著聲音頻率的波動產生抽象線條的圖案，過去創作者經常使用已經編排好的聲音作品，看著聲音與影像同步的聲音視覺。〈聲影〉則試著使用各種音頻的變化或混頻來產生各種影像的可能性，透過聲音來產生影像的錄影裝置，以影像創作為主並非聲音的創作，作品由聲生影，但無聲有影。

𓃑 Work 3

Seeing Sound

The audio signals are connected to the image input port of the television. The image on the screen shows various abstract linear patterns due to the vibration of audio frequency. Previously, creators tended to apply pre-set sound sequences to create synchronous sound and images. In Seeing Sound, the artist tries to create various possibilities for images through frequency variation or mixing. Accordingly, it is a visual installation that produces images with inaudible sound.

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𓃑 作品介紹 4

聲見

眼睛的形體讓我們聯結到窺視的意象，但這形體是一個發聲體，在空間中看似渺小且稀疏，但發出的聲音卻佈滿迴盪於整個空間。聲音來自裝置內的麥克風與喇叭靠近所產生的回授，接收的聲音與放大的聲音不斷地相疊層加產生共鳴，同時過程中不斷改變的音量大小，聲音有有如自然界昆蟲之鳴。

𓃑 Work 4

Sound Watch

In Sound Watch, the shape of an eye is reminiscent of the imagery of peeping. The “eye” is in fact an object that creates sound. The object appears tiny in the exhibition room. However, the sound it creates surprisingly resounds throughout the room. The sound represents the feedback generated by the approach of the microphone to the speaker. The superimposition of the received and enlarged sound makes immense resonance. Meanwhile, the continuously changing volume of the sound resembles the buzzing of insects.

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𓃑 作品介紹 5

聲光

細微的光如琴弦一道一道橫越黑暗空間，人的身體在有如巨大的聲音共鳴箱的空間中來回穿梭並撥動光弦，透過光與金屬彈簧彼此牽動觸發，一圈一圈彈簧擺盪讓聲音展開並擴散到整個空間。身體的移動是如此輕盈，但牽動空間殘響的共鳴卻是如此巨大。

𓃑 Work 5

Sound Light

The string-like rays of light puncture the darkness of the exhibition room. The viewers’ bodies shuttle between the giant resonance box and pluck the strings of light. The interaction among human bodies, light, and metal springs creates sound that echoes through the room. The gentle motion of human bodies can generate unexpectedly immense resonance.

𓃑 相關活動

開幕茶會:2014 / 11 / 08(六) 14:00

開幕座談：2014 / 11 / 08(六) 15:00　與談人│王柏偉

展覽地點：台北數位藝術中心
門票: 免費入場

Date：2014/11/08(Sat)~2014/12/28(Sun)
Opening Hours：10:00~18:00
Location：Digital Art Centre,Taipei
Tickets: Free Entry