台灣數位藝術中心

《時空頓點》台灣錄像藝術展

Pause in Time and Space-Taiwan Video Art Exhibition

➽ 展期 Duration：2013/10/05 (六) – 2013/11/03 (日)

➽ 地點 Venue：台北數位藝術中心

➽ 地址 Address：111台北市士林區福華路180號；近捷運淡水線芝山捷運站二號出口

➽ 展覽介紹

「空間」與「時間」相互模塑。在當代影視藝術中，「空間」的感知乃是藉由場景的時間序列所建立；而「時間」則是藉由將自身擠進空間的經驗中而得以豐碩。然而，在當代社會中，藉由數位媒體科技的引導，讓人們觀影經驗中的時間感知可以是加速、減緩、反轉、與物理時間並進，或產生皺摺。場景的併置在觀影者的心中產製出關聯性的影像意涵；同樣的，不同的時序亦可以被擠壓在同一個影像文本的區間。因此，不同的情感感知也附著於空間的位置，或上、或下、或前、或後。毋庸置疑地，正如維希留（Paul Virilio）指出，當代影像科技所造就的速度感是種權力的象徵，無論如何，征服便是領先；抓住速度，便是掌控權力，維希留稱此種因速度所產生的權力支配形式為「速度政權」（dromocratie）。

簡言之，速度政權清除所有事物／景物；同時也消除人與人之間的社會關係。在「速度即是環境」的景況中，意味著時空距離的感知被數位媒體科技改寫。維希留把「加速」視為是科技進展的核心要點，從時間面向來說，資訊的傳遞時間縮短到極致；從空間的面向來說，幾乎所有物理空間都可以透過傳播科技到達，「彼地」，因而彼地也轉化為「此地」。意即：當代媒體科技決定性地改變人們對時間與空間的觀念，此改變更是一種致命性地對時間與空間感的磨滅；以致，時空感知不再是人們慣常性的認知。本展以「頓點」做為命題，闡述「頓點」做為敘事暫時凝結之景況，轉折後每個敘事、場景，或位置的方向都不盡相同，而分岔路的前方又有什麼在等著人們？展出的作品以不同的「破敘事」策略，扭曲整體影像語藝（visual rhetoric）的完整性以及當時的語境，造成特異的停頓與綿延（Duree），透過參展作品對活動影像作為「流動詩學」的創造，讓觀者體驗特殊語段及語義的關係，以在影像實踐中展現時空的頓挫感。

➽ Exhibition Introduction

“Space” and “time” modify each other. In contemporary video art, perception of “space” is established by the chronological sequence of scenes. “Time”, meanwhile, is enriched by cramming it with spatial experience. In modern society, however, perception of time, as part of any video-viewing experience, can be accelerated or decelerated, reversed or dwelt upon, vaulted in each direction. The juxtaposition of scenes produces associative visual images in the mind of the viewers. Likewise, several sequences of time may be compressed into a single visual text. As a result, different emotional sensations are attached to spatial positions — moving upward, downward, frontward or backward. Undoubtedly, as demonstrated by Paul Virilio, the sense of speed created by modern video technology is a symbol of power. Conquest promises outright supersession; speed secures commanding power. Such command of power, obtained by speed, is what Virilio called dromocratie. Put simply, dromocratie sweeps away everything (scene). It also erases the social connections between people. Against a “speed-is-all” backdrop, perception of temporal and spatial distance is re-measured by digital media technology. Virilio considered “acceleration” as the core of technological advancement. On temporal dimensions, transmission of information is shortened to the extreme. On spatial dimensions, almost all physical spaces can be reached via communication technologies. “The other place” easily becomes “another place”. That is to say, modern media technology has decisively altered our perception of time and space, which has fallen victim to destructive obliteration. Consequently, our sense of time/space is no longer the same. Titled Pause in Time and Space, this exhibition explores “pause” as a temporary suspension of a narrative process. After each transition, every narrative, scene and position becomes somewhat different. What awaits us at the crossroads ahead? Adopting various “fragmentary narrative” strategies, all artworks distort the entirety of the visual rhetoric and narrative context, forming peculiar pauses or durées in different directions. Through the creation of “flowing poetry,” made possible in these artworks with moving images, viewers are able to read the distinct syntactic and semantic relations so as to feel the discontinuity in time and space.

➽ 關於藝術家

王俊傑Jun-Jieh Wang

1963年生於台北。畢業於德國國立柏林藝術學院（HdK Berlin），獲「卓越藝術家」最高文憑。1984年開始錄像藝術創作，為臺灣新媒體藝術的開創者之一。曾獲台新藝術獎（2009）、德國柏林電視塔藝術獎（1995）與雄獅美術新人獎（1984）。2000年獲日本「美術手帖」推選為「最受注目的100位藝術家之一」。王俊傑現居住與工作於台北，並任教於國立臺北藝術大學新媒體藝術學系副教授，兼藝術與科技中心主任。

選樣個展：
2011 「若絲計畫：愛與死」，新苑藝術，台北
2008 「微生物學協會：終曲－克里南特星」，伊通公園，台北
2008 「大衛計畫第三部：大衛天堂」，台北市立美術館，台北
2001 「微生物學協會：旅館計畫（神經指南）」，伊通公園，台北
1998 「聖光52在日本」，MOMA Contemporary，日本福岡
1998 「聖光52」，帝門藝術教育基金會，台北
1997 「極樂世界螢光之旅／商店版」，歌德學院愛克發藝術廊，香港
1997 「極樂世界螢光之旅／商展版」，資訊科學展示中心，台北
1994 「十三日羊肉小饅頭」，台北市立美術館，台北

選樣聯展：
2012 「杜象：手提箱及其它作品」，尤倫斯當代藝術中心，北京
2012 「創造對話語言者」，關渡美術館，台北
2012 「玩古喻今」，台北市立美術館，台北
2011 「單子主義」， Cité des arts，巴黎
2011 「後民國」，高雄市立美術館，高雄
2011 「Reflecting Glenfiddich」，The Fleming Collection，倫敦
2010 「數位之手」，國立台灣美術館，台中
2010 「台北當代藝術中心東京分部」，3331 Arts Chiyoda ，東京
2009 「Artist at Glenfiddich 09」，Glenfiddich Gallery， Dufftown
2009 「講．述」，國立台灣美術館，台中；中國美術館，北京
2006 「台灣美術發展1950-2000」，中國美術館，北京
2006 「疆界」，台北市立美術館，台北
2006 「巨視．微觀．多重鏡反－台灣當代藝術特展」，國立台灣美術館，台中
2006 「當代風景」，台北當代藝術館，台北
2005 「科光幻影」，鳳甲美術館，台北；國立臺灣美術館，台中
2005 「立異－九０年代台灣美術發展」，台北市立美術館，台北
2005 「樂透－可見與不可見」，台北市立美術館，台北
2004 「正言世代－台灣當代藝術展」，康乃爾大學強生美術館，美國
2004 「出神入畫-華人攝影新視界」，台北當代藝術館，台北
2002 「第五屆光州國際雙年展」，南韓光州
2001 「亞細亞散步」，水戶藝術館，日本
2000 「無法無天：2000台北雙年展」，台北市立美術館，台北
1999 「第三屆亞太當代藝術三年展」，昆士蘭藝廊，澳洲布里斯班
1999 「快鏡：中港台新錄像藝術」，澳門當代藝術中心，澳門
1999 「第一屆福岡亞洲藝術三年展」，福岡亞洲美術館，福岡
1999 「Spiral TV」，Spiral/Wacoal藝術中心，日本東京
1998 「蛻變．突破：新華人藝術」，P.S.1當代藝術中心，紐約
1998 「新身份」，三菱地所畫廊，日本福岡
1998 「台北雙年展：欲望場域」，台北市立美術館，台北
1998 「交通阻塞：看板計畫」，菲利德利希辦公室，德國柏林
1998 「你說／我聽」，台北市立美術館，台北
1997 「移動中的城市」，維也納分離主義藝術中心，維也納
1997「第二屆約翰尼斯堡雙年展」，南非約翰尼斯堡
1997「第四十七屆威尼斯雙年展」，普里奇歐尼宮，威尼斯
1998 「你說／我聽」，台北市立美術館，台北
1997 「移動中的城市」，維也納分離主義藝術中心，維也納
1997「第二屆約翰尼斯堡雙年展」，南非約翰尼斯堡
1997「第四十七屆威尼斯雙年展」，普里奇歐尼宮，威尼斯

﹉﹉﹉

袁廣鳴 YUAN Goang-Ming

1965 出生於台灣台北現居台北

學歷
1989 國立藝術學院，美術系學士
1993 獲德國DAAD獎學金
1994 德國法蘭克福新媒體藝術中心
1997 德國國立卡斯魯造型藝術學院，媒體藝術學系碩士

個展
2011 「在記憶之前」，耿畫廊，台北，台灣
2007 「逝去中的風景」，伊通公園，台北，台灣
2001 「人間失格」，伊通公園，台北，台灣

聯展
2013 「堂島河流雙年展」，Dojima River Forum, 大阪，日本
2012 「第七屆亞太當代藝術三年展」，昆士蘭美術館，布里斯本，澳洲
「How Physical—Yebisu International Festival for Art & Alternative
Vision」，東京都寫真美術館，東京，日本
2011 「2011亞洲藝術雙年展」，國立台灣美術館，台中
「中國影像藝術1988-2011 」，民生現代美術館，上海，中國
2008 「我們的未來：尤倫斯基金會收藏展」，尤倫斯當代藝術中心，北京
「台灣美術雙年展2008－家」，國立台灣美術館，台中
「新加坡雙年展2008－Wonder」，新加坡
2005 「第二屆廣州三年展」，「別樣：一個特殊的現代實驗空間」，廣東美術館，廣州
2004 「利物普雙年展」，泰德美術館，利物普，英國
「正言世代展」，強生美術館，康乃爾大學，美國
「奧克蘭三年展: Public/Private」，奧克蘭美術館，奧克蘭，紐西蘭
「New Contemporary Chinese Photography」，Enrico Navara Gallery，巴黎，法國
2003 「心感地帶」，第50屆威尼斯雙年展，普里奇歐尼宮，威尼斯，義大利
「幻影天堂-中華當代攝影展」，布拉格國家美術館，捷克
2002 「台北雙年展2002：世界劇場」，台北市立美術館，台灣
「第二屆漢城國際媒體藝術雙年展 2002：Luna’s Flow」，漢城美術館，韓國
「釜山雙年展2002： Culture Meets Culture 」，釜山大都會美術館，韓國
「光州雙年展2002：止 ( Pause) 」，光州，韓國
2001 「01.01:Art in Technological Times」，舊金山現代藝術美術館，美國
「Translated Acts」，Haus der Kulturen der Welt，柏林，德國，Queens Museum of Art，紐約，美國（巡迴至Museo de Arte Carrillo Gil, 墨西哥，2002）
2000 「版塊位移」，列日當代美術館，比利時
1999 「台北雙年展：慾望場域」，台北市立美術館，台灣
1998 「ICC1997媒體藝術雙年展：傳播與無法傳播」，東京，日本
1997 「台北雙年展：台灣藝術主體性」，台北市立美術館，台灣
1996 「光州雙年展1995：資訊藝術」，光州，韓國
1995 「版塊位移」，列日當代美術館，比利時

﹉﹉﹉

黃博志 Huang Po-Chih

1980年生於台灣桃園，畢業於台北藝術大學科技藝術研究所。他過往創作以塗鴨及繪畫為媒材，現以聲音影像作品為主雖運用數位科技工具，作品仍然呈現「手工」的細膩質感。近來計劃的主題在於透過藝術資源進行自我組織，探討農業、經濟、民生消費與生產等等。並與台灣本土企業合作——如春一枝、可美特，試著利用商業消費模式展現新的藝術態度。

個展
2011 《清水里147 號》新苑藝廊，台北，台灣

聯展
2006 《慢》台北當代藝術館，台北，台灣
2007 《假動作2》華山文化園區，台北，台灣
2008 《半影：台灣當代藝術展》南澳大學美術館，澳洲
2009 《軟抗爭》VT Artsalon，台北，台灣
2010 《第八屆台新藝術獎》高雄市立美術館，高雄，台灣
2010 《台灣當代藝術論壇雙年展》UrbanCore Café& Bookshelf，台北，台灣

﹉﹉﹉

蘇匯宇 Su Hui-Yu

國立台灣師範大學美術系畢業，國立台北藝術大學美術創作碩士班畢業後，蘇匯宇持續活躍於當代藝術領域，將創作主題放在探討影像、媒體與日常生活交織後的複雜現象上，並將個人網站命名為「The TV Kid」，以顯示其個人創作與「看電視」的高度關連性。蘇匯宇曾先後於台北、北京、紐約、柏林、巴黎、馬德里、洛杉磯、首爾等地展出。其2007年個展「槍下非亡魂」與2010年個展「使蒂諾斯家庭實境秀」皆獲台新藝術獎年度五大視覺藝術入圍。此外，蘇匯宇曾獲ACC「國巨科技藝術獎」獎助，於2009年前往紐約駐村。個人創作官網：www.suhuiyu.com

學歷
2003 國立台北藝術大學美術創作碩士
2998 國立台灣師範大學美術學系學士

節錄展覽
2011　當代國際錄像藝術對話，國立台灣美術館，台中，台灣
活彈藥，台北當代藝術館，台北，台灣
2010 食托邦—第二屆台灣國際錄像藝術展」，鳳甲美術館，台北，台灣
「2010台北雙年展」─ 「藝術家電影院」，台北市立美術館，台北，台灣
「MID_E 國際當代藝術展」，Arteleku當代藝術中心，聖塞瓦斯蒂安，西班牙
「第三屆VIDEOHOLICA國際錄像藝術節」，瓦爾那，保加利亞
「今日•當代台灣」，慶南道立美術館，慶南道，韓國
「冷熱面─台灣當代錄像藝術」，拉馬大學蒂詩曼美術館，休士頓，美國。
「形塑生活」，聖荷西美術館，聖荷西，美國
2009 「反復─兩岸四地青年藝術家作品展」，北京全藝社，北京，中國
2008 「幻影劇場」，亞洲藍點藝術博覽會特展，首爾藝術中心，首爾，韓國

獲獎記錄
2008 ACC國巨科技藝術獎

駐村經驗
2009 Harvestworks數位藝術中心，紐約，美國
2008 文建會視覺人才交流計畫，十八街藝術中心，洛杉磯，美國
2004 文建會視覺人才交流計畫，十八街藝術中心，洛杉磯，美國

﹉﹉﹉

陳志建 Chen Chih-Chien

1979 年出生於台灣雲林，國立台北藝術大學科技藝術研究所畢業，現為藝術團體「豪華朗機工」四位成員之一，作品主要圍繞於「時間」議題。「時間」一直是許多國內外藝術家所關注的重點，但在陳志建的作品裡，於挪開影像手法及程式技術之後，以一種略帶憂傷而沈靜的美感被表達出來，置身於他所創造出來的影像空間之中，時間不再以線性的方式流動，空間也跳脫出格式化的規範，讓觀眾將大腦中所儲存過的、潛意識或非潛意識中的記憶經驗重新經過拼貼組合。透過運動拍攝裝置及視覺切割的程式，他將時空濃縮於二維影像空間，轉換時差片段為記憶片段。他作品中經常一閃而過的浮光掠影，可能是某個城市的一角、某個自然風景的切片、或甚至是某個建築的部分，從中我們彷彿可以＂聽到＂時間流動的聲音，＂摸到＂空間錯置的稜角。
首次發表作品於2004年C04台灣前衛文件展(台北)，2006 年以作品換日線獲得台北美術獎。曾參與“漢城新媒體藝術節”(首爾)、“SlowTech”(台北)“數碼演義”(香港)、“台灣藝術新世代”(上海/北京)、“Ongoing-台灣新媒體藝術”展 (紐約)、“Move On Asia 2009”(首爾)等聯展，並於伊通公園及在地實驗等舉辦個展。

學歷
2003 私立東海大學景觀設計學系學士畢業
2007 國立台北藝術大學科技藝術研究所碩士畢業

個展
2010 「時間流產」，伊通公園，台北
2009 「流水席」，新苑藝術，台北
2005 「後視徑」，在地實驗-媒體實驗室，台北

聯展
2011 「1+1-兩岸四地交流計畫」，何香凝美術館，深圳 / 香港藝術中心，香港 / 關渡美術館，台北
「超時空要塞」，關渡美術館，台北
2010 冷熱面─台灣當代錄像藝術」，蒂詩曼美術館，德州波蒙特市，美國
2009 「台灣藝術新世代」，上海美術館，上海
「Move On Asia 2009」，Gallery LOOP，首爾
2008 「Room 19」，關渡美術館，台北
「異態」，台北數位藝術中心，台北
「尋找馬緯度」，明日博物館，台北
「第三屆台北數位藝術節-超介面」，台北當代藝術館，台北
「科光幻影2008-對話之外」，鳳甲美術館/臺灣國立美術館，台北/台中
「城市之眼」，台北當代藝術館，台北
「數碼演義」，香港藝術館，香港
2007 「隨插即用數位創作展」，國立台灣美術館，台中
「臺澳新媒體藝術展」，關渡美術館，台北
「Ongoing -Taiwan New Media art」，Allison Residence，紐約，美國
2006 「2006台北美術獎」，台北市立美術館，台北
「漢城新媒體藝術節」，NEMA Exhibition，首爾
「慢」，台北當代藝術館，台北
「非黑之境」，華山創意文化園區，台北
2005 「溫州街藝術季2-心感地圖」，溫州街，台北
2004 「CO4台灣前衛文件-展幻想與物，」，華山創意文化園區，台北

獎項
2007 「第三屆科技藝術專案」，國家文化藝術基金會
2006 「台北美術獎」，台北市立美術館
「世安美學獎」，財團法人世安文教基金會
「美術創作卓越獎」，國立台北藝術大學

﹉﹉﹉

林冠名 LIN, Guan-Ming

1981年生於臺灣臺北

學歷
2010 國立臺北藝術大學，科技藝術研究所碩士班（媒體藝術組）畢業

個展
2012 STAR，伊通公園，臺北
2011 N年後，關渡美術館，臺北
2008 無影，也趣藝廊，臺北
靜默突襲，臺北當代藝術館，臺北
2005 一個永不沉下的條件，在地實驗，臺北
重要聯展
2012 心動EMU，臺北當代藝術館，臺北
替身術Ⅱ，許氏文化館（香港中文大學新亞書院），香港，中國
台灣製造，I/O Gallery，香港，中國
O度平面，南海藝廊，臺北
再見不尋常小事，藝譔堂，臺北
2011 九大生AQA計劃的現代美術展：台灣與日本─現在我在這裡的意思，Galley artlier，福岡，日本
VIDEONALE－當代國際錄像藝術對話，國立臺灣美術館，臺中
日常掃描－新媒體藝術典藏展，國立臺灣美術館，臺中
2010 白駒過隙‧山動水行─從劉國松到新媒體藝術，臺北市立美術館，臺北
臺灣當代藝術論壇雙年展，台北當代藝術中心，臺北
感官拓樸：台灣當代藝術體感測，廣東美術館，中國
冷熱面──臺灣當代錄像藝術巡迴展，Dishman Art Museum，Lamar University，德州，美國
第11屆法國圖爾「亞洲電影節」，Cinémas Studio，圖爾（Tours），法國
2009 冷熱面──臺灣當代錄像藝術巡迴展，Donna Beam Fine Art Gallery，University of Nevada，拉斯維加斯，美國
非20℃──臺灣當代藝術的「常溫」影像展，何香凝美術館，深圳，中國
非常頻道，臺灣新藝，臺南
第七屆桃源創作獎，桃園縣政府文化局，桃園
激情心靈，臺北市立美術館，臺北
2008 2008臺北美術獎，臺北市立美術館，臺北
那光，金枝藝術，苗栗
遊戲競技場，牛棚藝術村12號藝術公社，香港，中國
非20℃──臺灣當代藝術的『常溫』影像展，國立臺灣美術館，臺中
假動作2008，新苑藝術，臺北
2007 2007巴黎DIVA藝術博覽會，Le Louvre des Antiquaires，巴黎，法國
立體視鏡──國際影像藝術展，北京全國農業展覽館（新館），北京，中國
主線歸零──臺灣年輕藝術家群展，CANS藝術新聞上海罐子書屋，上海，中國
Art Party──福岡．臺北現代美術交流展，福岡市立美術館，福岡，日本
Urban Nomad Project / Scope Basel 2007，巴塞爾，瑞士
假動作Ⅱ，華山文化園區中2-A館（果酒倉庫），臺北
2006 2006臺北美術獎，臺北市立美術館，臺北
度──Co6臺灣前衛文件展，國立臺灣美術館，臺中
打開當代──後文件，華山文化園區中5館（再製酒作業場），臺北
跳板的兩端──面對面，也趣藝廊，臺北
假動作，南海藝廊，臺北
2005 2006臺北美術獎，臺北市立美術館，臺北
度──Co6臺灣前衛文件展，國立臺灣美術館，臺中
打開當代──後文件，華山文化園區中5館（再製酒作業場），臺北
跳板的兩端──面對面，也趣藝廊，臺北
假動作，南海藝廊，臺北
2004 Co4臺灣前衛文件展──媒體痙攣，大趨勢畫廊，臺北
華山論劍──第三屆藝術家博覽會，華山創意文化園區四連棟，臺北
2003 我愛因斯坦，華山藝文特區果酒倉庫，臺北
2002 再造近況，國立臺北藝術大學南北畫廊，臺北

獲獎
2009 第七屆桃源創作獎──優選，桃園縣政府文化局，桃園
2008 2008臺北美術獎，臺北市立美術館，臺北
2006 2006世安美學獎──世安藝術創作贊助，造型藝術纇，臺北
2004 2004世安美學獎──世安藝術創作贊助，造型藝術纇，臺北
作品典藏
2008 在記憶中（國立臺灣美術館，臺中）
反覆、軌跡和延異中（國立臺灣美術館，臺中）

﹉﹉﹉

王雅慧 Wang Yahui

1973出生於台灣，現居創作於台北

學歷
2004 碩士，科技藝術研究所，國立台北藝術大學，台北，台灣
1998 藝術學士，國立師範大學美術系，主修油畫，台北，台灣

聯展
2012 「移動中的邊界：台灣—以色列，跨文化對話」，赫茲利亞當代藝術博物館，特拉維夫，以色列
2011 「國際錄像藝術對話」，國立台灣美術館，台中，台灣
「Thinking Cool」，TKG+，台北，台灣
「Things on Strings」，小山登美夫藝廊，東京，日本
「窗口」，耿畫廊，台北，台灣
「台灣響起-超隱自由／難以名狀之島」，布達佩斯藝術館‧路德維格現代美術館，布達佩斯，匈牙利
2010 「台北國際雙年展」，台北市立美術館，台北，台灣
「雙盲實驗」，誠品畫廊，台北，台灣
「未來的視野 – The APT 全球藝術收藏」，荔空間，北京，中國
「旅人記憶-北美館典藏作品展」，台北市立美術館，台北，台灣
「隱形陌生人-當我的客人」，TamTam 8 藝術空間，柏林，德國
「數位之手」，國立台灣美術館，台中，台灣
「六本木藝術之夜」，森大樓（森美術館策展），東京，日本
「Visit to a Small Planet」，Gyeongnam 美術館，Changwon市，南韓
「第十一屆圖爾亞洲電影節」，Les Studio Theatre，圖爾，法國
2009 「Post – Flux 2009」，Brussels Bozar，布魯塞爾，比利時
「非日常：隱力場」，鳳甲美術館，台北，台灣
「台灣當代藝術圖檔」，巴黎高等美術學院藝廊，法國
「日常的史詩：台灣當代錄像展」，拿坡里當代美術館，義大利
「激情心靈」，台北市立美術館，台北，台灣
「Move on Asia」，Loop Gallery，首爾，南韓
2008 「Pulse 邁阿密當代藝術博覽會」，邁阿密，美國
「ARTFAIR 21」，科隆，德國
「第六屆城市行動藝術節-城市之眼」，台北當代藝術館，台灣
「王雅慧與黃博志：選自 Penumbra：臺灣當代藝術」，當代攝影藝術中心，墨爾本，澳洲
「軌道之外影展」，龐畢度藝術中心，法國
「探索電影-新龍門客棧-第37屆鹿特丹國際影展」，荷蘭
「Penumbra – 台灣當代藝術」，Samstag Museum Galleries，阿德雷得，澳洲
「泡沫紅茶-台灣藝術當代演繹」，國立摩拉維亞美術館，捷克
2007 「新媒體藝術節07」，Hardcore Art Contemporary Space，邁阿密，美國
「台灣數位藝術新浪潮」，雀兒喜美術館，紐約
2006 「第六屆上海雙年展 – 超設計」，上海，中國
「空場」，關渡美術館，台北，台灣
2005 「LAK-KA-PID LAK-KA-PERD – 看不見的城市」，Chulalonkorn大學，曼谷
「仙那度變奏曲」，台北當代美術館，台灣
2003 「25小時-巴塞隆那國際錄影藝術節」，EI Raval Sports Pavilion，巴塞隆納，西班牙
2002 「亞洲城市網絡」，漢城美術館，首爾，南韓
「台北雙年展：世界劇場」，台北市立美術館，台灣
「台北美術獎」，台北市立美術館，台灣

﹉﹉﹉

丁建中 Ding Chien-Chung

丁建中，1983年生於台北，畢業於台北藝術大學新媒體藝術研究所。近期作品關注在裝置結構、動力機械與空間之關係，藉由重複性的運動建構一種週而復始的閱讀過程，將生活中微觀的細部、片斷，放大至深刻、巨大的經驗感受。作品曾獲得「台北美術獎」優選、「桃源創作獎」、「國美館青年典藏」、「台北藝術博覽會-新人推薦特區」等，2012年受邀至法國MAISON LAURENTINE – 自然與森林藝術節駐村展出，並於香港、東京、馬德里、紐約、北京等地展出。

學歷
2012 台北藝術大學新媒體藝術研究所（碩士）

駐村
2012 洛宏汀之家／法國香檳區

展覽
2013 「青年藝術100」／798藝術區／中國北京
「2013亞洲時基：新媒體藝術節 – 微型城市」／紐約NARS藝術基金會／美國紐約
「圓地打轉」／東海大學藝術中心／台灣台中
「數位織造 – Digital Fabrications」／西園29服飾創作基地／台灣台北
2012 「MADATAC 04西班牙當代新媒體與音像藝術節」／Centro Centro／西班牙馬德里
「THE AVANT／GARDE DIARIES TAIPEI」／華山文創園區／台灣台北
「空場下的迴道 – 丁建中個展」／新苑藝術／台灣台北
「101年全國美術展」／國立台灣美術館／台灣台中
「軟實力 – 形態與趨向」／大趨勢畫廊／台灣台北
「自然與森林藝術節」／洛宏汀之家／法國香檳區
「2010-2011台北數位藝術獎動態影像類作品回顧展」／DAC 台北數位藝術中心／台灣台北
「Hong Kong ArtWalk 2012」／世界畫廊／香港
「2012 新媒體藝術卓越獎」／關渡美術館／台灣台北
「TOKYO FRONTLINE 2012」／3321 Arts Chiyoda／日本東京
2011 「PHOTO TAIPEI 2011」／神旺大飯店／台灣台北
「台北美術獎」／台北市立美術館／台灣台北
「運動体」／DAC 台北數位藝術中心／台灣台北
「第十六屆大墩美展」／大墩文化中心／台灣台中
「Made In Taiwan – 新人推薦特區」台北國際藝術博覽會／台北世貿展覽館／台灣台北
「微共鳴 – 後居所的未定」／寶藏巖國際藝術村／台灣台北
「空屋 1.5」／DAC 台北數位藝術中心數位圍牆／台灣台北
「空屋 2」／國立台灣美術館時光天井電視牆／台灣台中
「觀。點」／桃園縣政府文化局／台灣桃園
「小奇觀」／國立台灣美術館數位藝術方舟／台灣台中
「超光速年代」／台北當代藝術館戶外電視牆／台灣台北
2010 「串 – 第五屆台北數位藝術節」／萬華剝皮寮／台灣台北

典藏
2011 國立台灣美術館青年藝術家作品購藏計畫／台灣台中

獲獎、補助
2013 「台新藝術獎 – 視覺藝術類第四季提名」／台灣台北
2012 「101年全國美術展」／新媒體藝術類／銅獎／台灣台中
「2012 新媒體藝術卓越獎」／獲選／台灣台北
「台北市政府文化局101-1美術類補助」／獲選／台灣台北
2011 「台北美術獎」／優選／台灣台北
「國家文化藝術基金會2011-2美術類創作補助」／獲選／台灣台北
「Made In Taiwan – 新人推薦特區」台北國際藝術博覽會／獲選／台灣台北
「大墩美展」／數位藝術類／入選／台灣台中
「桃源創作獎」／桃源獎／台灣桃園
國立台灣美術館「數位藝術創作案徵選」／獲選／台灣台中
國立台灣美術館「數位藝術策展案徵選」／獲選／台灣台中
2010 「台北數位藝術獎」／數位音像類／入選／台灣台北

﹉﹉﹉

陳文祺 Chen Wenchi

國立台北藝術大學美術系BFA，美國紐約長島大學視覺與表演研究所MFA，現任實踐大學媒體傳達設計學系專任助理教授，曾任國立台南藝術大學材質創作與設計學系、國立台北藝術大學美術系．中山大學劇場藝術系、實踐大學時尚設計學系兼任助理教授。

個展展歷：《物自體》陳文祺個展台北市立美術館、2011年《非思》非常廟藝文空間、2010年《非思》台北藝博、2009年《社亂》東門美術館、2008年《社亂》新苑藝術中心、鏡花水月系列1、2台東鐵道藝術村261倉庫、2007年鏡花水月2《不是戀人》非常廟藝文空間、2006年《鏡花水月》關渡美術館、2006年《社亂》第五號機非常廟藝文空間、2004年《肉體是靈魂的監獄》系列2、3、4 新苑藝術中心、2002年《AM.FM 我的生活》淡水藝文中心、2000年《肉體是靈魂的監獄》全系列中研院生圖美學空間、1999年《肉體是靈魂的監獄》系列 2 台灣國際視覺藝術中心、1999年《肉體是靈魂的監獄》系列 1 義大利國家攝影博物館、義大利Aldila 畫廊。

作品在台灣、美國、義大利、日本、韓國、瑞士、德國、西班牙、俄羅斯、中國等地參與多次聯展，進行跨領域整合創作與設計。國立台灣美術館2005、2010年度購藏、關渡美術館、義大利國家攝影博物館、國內外畫廊與私人收藏。

設計作品發表：2011年高雄春天藝術節數位多媒體設計、2010年工研院創意中心委製《涅盤》展場設計、2008年台北國際畫廊博覽會主題館設計、2008年金曲獎最佳兒童音樂劇CD包裝設計、2007年文建會藝文空間設計委託案、2006年非常廟空間設計、2006 年北美館法國龐畢度中心新媒體藝術特展書店空間設計、2006年台北藝術大學藝大書店空間設計、2005年台北電影公園電影主題區設計、網站規劃設計、2005年台北國際書展主題館設計、2005年台北縣宗教藝術節互動裝置藝術、1999年紐約 space 122 《玻璃鐘罩裡的紅翼蝴蝶》影像設計、美國哥倫比亞大學《安蒂岡尼》影像等設計。
曾獲國家文化藝術基金會87年度美術類創作獎助、88、89年度美術類展覽補助、台北市立美術館第26屆台北獎得主並策劃2012 台北漢字藝術節剝皮寮數位藝術區、2005台北國際書展主題館、2002高雄市立美術館《創作論壇》、2000台北市立美術館《非常廟》大展。擔任2004-06. 4A自由創意獎、台北市萬華國中公共藝術、台北市立動物園動物防疫舍公共藝術、2003數位內容創意設計競賽、行政院新聞局設計比賽等相關專業評審。

創作自述：近十年來作品以觀察身邊人性面貌與自身生命的體驗，探討新柏拉圖主義發散下的肉體與靈魂的哲思觀點，以影像文件談論愛、慾、死亡的議題。創作以後行為藝術影像為手法，以靜態與動態影像及錄像藝術為創作表現本次展出作品則以更為沉靜的生命關注來認知自體與物我之間的時空存在議題。

﹉﹉﹉

王瑞茗Wang, Jui-Ming

學歷
國立台灣藝術大學多媒體動畫藝術研究所碩士
國立雲林科技大學視覺傳達設計系學士

經歷
2006 蘇荷兒童美術館互動式多媒體光碟參與部分設計
2006 取得中華民國正式志工資格
2005 台灣藝術大學50週年校慶海報參與部分設計
2005 買辦國際股份有限公司設計師
2004 北區職訓局企畫案
2004 魅惑主題咖啡設計總監（整體CIS規劃與設計）
2004 魅惑主題咖啡牆壁彩繪
2004 參與台北市城市行動佈展
2000 仕品規劃設計公司形象設計部實習

展覽經歷
2010 〈雙生TWINS〉建國科技大學數位媒體設計展
2009 〈雙生TWINS〉跨界創新數位藝術特展於國立科學工藝博物館展出
2008 〈雙生TWINS〉參展異態-數位藝術創作成果展於台北數位藝術中心展出
2007 〈雙生TWINS〉參展板橋435藝文特區
2006 〈雙生TWINS〉參展日本長野第一屆國際錄像藝術節
2006 〈雙生TWINS〉參展台北國際數位藝術節於中山堂光復廳展出
2006 國立台灣藝術大學多媒體動畫藝術學系系展〈水墨的趣味〉(小組作品)
2005 國立台灣藝術大學多媒體動畫藝術學系系展〈I〉(小組作品)
2005 國立台灣藝術大學多媒體動畫藝術學系系展〈真實‧虛擬〉
2005 新世紀國際數位圖像研討會（SIGGRAPH）互動式多媒體藝術作品發表展出
2004 新世紀國際數位圖像研討會（SIGGRAPH）2D動畫作品發表展出
2004 台北市城市行動之〈關乎老者〉攝影作品於敦南誠品藝文中心展出
2004 世貿新一代展出〈文字慾〉互動式多媒體作品
2002 世貿新一代展出〈Yes No Restaurant〉2D動畫與錄像作品
2000 世貿新一代展出〈NEXT〉3D動畫作品
2000 國父紀念館展出〈NEXT〉3D動畫作品

獲獎經歷
2006 台北國際數位藝術節〈雙生TWINS〉音像藝術類入選
2006 數位內容學院動畫作品〈衍PROPAGATE〉入選
2006 南瀛美展〈Touch Art接觸藝術〉視覺設計類入選
2006 國立台灣藝術大學多媒體動畫藝術學系系展〈水墨的趣味〉(小組作品) 多媒體設計類特優
2005 國立台灣藝術大學多媒體動畫藝術學系系展〈I〉(小組作品) 科技藝術類第二名
2005 國立台灣藝術大學多媒體動畫藝術學系系展〈真實‧虛擬〉數位藝術類第二名
2002 國科會之『綠』的創意比賽〈孔明捷〉新型腳踏車停車架創作榮獲佳作
2000 藍色沙龍電腦寫生比賽第二名

個人相關創作
2008 〈孿生Identical〉2D動畫
2007 〈衍PROPAGATE〉實驗動畫
2006 〈雙生TWINS〉錄像藝術
2006 〈子宮〉互動式媒體藝術
2006 〈水墨的趣味〉互動式媒體藝術
2006 〈Touch Art接觸藝術〉視覺設計
2005 〈科技與數位藝術〉互動式媒體藝術
2005 〈I〉互動式媒體藝術
2005 〈真實‧虛擬〉數位藝術與攝影作品
2004 〈文字慾〉多媒體創作
2002 〈孔明捷〉新型腳踏車停車架創作
2002 〈Yes No Restaurant〉2D動畫與錄像作品
2000 〈NEXT〉3D動畫作品

﹉﹉﹉

黃翊 Huang Yi

極富潛力的年輕編舞家，編舞之外，錄像、攝影、裝置創作，都是他涉獵的領域。擅長結合層次豐富的影像與細膩的肢體展現，「在影像和舞蹈的穿梭中展示出深不可測的底蘊和舞蹈潛力，」是林懷民口中「可怕的孩子」。

2007年由羅曼菲舞蹈獎助金補助的舞蹈影像作品《轉 – SPIN》，獲國立台灣美術館推薦，應邀於法國 Enghien-Les-Bains Centre des Arts 國際科技藝術節演出，2010年版本《SPIN2010》入圍台新藝術獎。2007年與驫舞劇場合作製作《速度》獲台新藝術獎。2010年以作品《低語》獲丹麥跨界連結舞團舉辦之第3屆國際編舞大賽第2名。2011年於舞蹈家許芳宜推薦下，獲選為美國舞蹈雜誌「25 to Watch」最受矚目舞蹈工作者。

2008年起，應邀為雲門舞集 2 春鬥編作《身．音》、《流魚》、《浮動的房間》、《交響樂計劃壹 – 機械提琴》等舞作。

➽ About the Artist

Jun-Jieh Wang

Jun-Jieh Wang was born in Taipei in 1963, he graduated from the HdK Art Academy in Berlin, completing a master class. He is one of the countryʼs few noted media artists, a pioneer of video art in Taiwan. He received the Hsiung-Shih New Artists Award in 1984, the Berlin Television Tower Award in 1996 and Taishin Arts Award in 2009. Jun-Jieh Wang is currently associate professor at the Department of New Media Art at Taipei National University of the Arts, Taiwan and Director of Center for Art and Technology.

Selected Solo Exhibitions:
2011 “Project Rrose : Love & Death”, Galerie Grand Siecle, Taipei
2008 “Project David III: David’s Paradise”, Taipei Fine Arts Museum, Taip
2008 “The Final: Cullinan +”, IT Park, Taipei
2001 “Microbiology Association: Hotel Project (Bibless)”, IT Park, Taipei
1998 “Aura 52 in Japan”, MOMA Contemporary, Fukuoka
1998 “Aura 52”, Dimension Endowment of Art, Taipei
1997 “Neon Urlaub / Agency Version”, Agfa-Gallery, Goethe Institut, HongKong
1997 “Neon Urlaub / Expo Version”, Information Science & Technology
Exhibition Center,Taipei
1994 “Neon Urlaub / Expo Version”, Information Science & Technology
Exhibition Center,Taipei
Selected Group Exhibitions:
2012 -“Marcel Duchamp: the Valise and Related Works”, Ullens Center for Contemporary Art, Beijing
2012 “Creators of Dialogue”, Kuandu Museum of Fine Arts, Taipei
2012 “Time Games, Contemporary Appropriations of the Past”, Taipei Fine Arts Museum, Taipei
2011 “Monad-ism”, Cité des arts, Paris
2011 “Republic without People”, Kaohsiung Museum of Fine Arts, Kaohsiung
2011 “Reflecting Glenfiddich”, The Fleming Collection, London
2010 “Digital Hand”, National Taiwan Museum of Fine Arts, Taichung
2010 “Taipei Contemporary Art Center-Tokyo Branch”, 3331 Arts Chiyoda, Tokyo¬¬
2009 “Artists at Glenfiddich 2009”, Glenfiddich Gallery, Scotland
2009 “7th Taishin Arts Award”, Museum of Contemporary Art, Taipei
2009 “Speak”, National Taiwan Museum of Fine Arts / National Museum of China, Beijing
2006 “A Glimpse of Contemporary art in Taiwan”, Museum of Contemporary Art, Taipei
2006 “Altered States”, Taipei Fine Arts Museum
2005 “Vision and Beyond”, Hong-Gah Museum / National Taiwan Museum of Fine Arts
2005 “Lots o’Lotto: Seen and Unseen”, Taipei Fine Arts Museum
2004 “Contemporary Taiwanese Art in the Era of Contention”, Johson Museum of Art, Ithaca
2004 “Spellbound Aura-The New Vision of Chinese Photography “, Museum of Contemporary Art, Taipei
2002 “5th Kwangju Biennial-Pause”, Kwangju, S. Korea
2001 “Promenade in Asian: Cute”, Contemporary Art Gallery, Art Tower Mito, Japan
2000 “The Sky is the Limit: 2000 Taipei Biennial”, Taipei Fine Arts Museum, Taipei
2000 “A Sparkling City”, Panchiao Railway Station, Taipei
2000 “Centrifugal Vision: Video Circle 2000”, HKUST Center for the Arts, HK
1999 “The 3rd Asia-Pacific Triennial of Contemporary Art”, Queensland Art Gallery, Australia
1999 “Fast Forward: New Chinese Video Art”, Centro de Arte Contemporanea de Macau
1999 “The First Fukuoka Asian Art Triennale”, Fukuoka Asian Art Museum, Fukuoka
1999 “Spiral TV”, Spiral/Wacoal Art Center, Tokyo
1998 “Inside Out: New Chinese Arts”, P.S.1 Contemporary Art Center, New York; San Francisco Museum of Modern Art
1998 “The New Identity”, Art Gallery Artium, Fukuoka
1998 “Taipei Biennial: Site of Desire”, Taipei Fine Arts Museum, Taipei
1998 “Traffic Jam: A Billboard Project”, Friedrichstrasse, Berlin
1997 “Cities on the Move”, Secession, Vienna; CAPC Musée, Bordeaux
; P.S.1 Art Center, New York; Louisiana, Denmark; Hayward Gallery, London
1997 “The 2nd Johannesburg Biennial”, Johannesburg
1997 “The 47th Biennial di Venezia”, Palazzo delle Prigioni, Venice

﹉﹉﹉

YUAN Goang-Ming

Born in Taipei, Taiwan, 1965
Resides in Taipei

Education
1989 B.F.A. in Fine Arts, National Institute of the Arts, Taipei, Taiwan
1993 DAAD Germany ExchangeScholarship
1994 Studied at the Institute of Media Arts, Frankfurt/ Main, Germany
1997 Diploma in Media Arts, Staatliche Hochschule fuer Gestaltung Karlsruhe, Germany

Solo Exhibitions
2011 Before Memory, TKG+ Gallery, Taipei, Taiwan
2007 Disappearing Landscape, IT Park Gallery, Taipei, Taiwan
2001 Human Disqualified, IT Park Gallery, Taipei, Taiwan
1998 The Reason for Insomnia, IT Park Gallery, Taipei, Taiwan
1992 Out of Position, IT Park Gallery, Taipei, Taiwan
Group Exhibitions
2013 Dojima River Biennale 2013: Little Water, Dojima River Forum
2012 7th Asia Pacific Triennial of Contemporary Art (APT7), Gallery of Modern Art and Queensland Art Gallery, Brisbane, Australia
How Physical-Yebisu International Festival for Art & AlternativeVision, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
2011 Asian Art Biennial, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Moving Image of China 1988-2011, Minsheng Art Museum,Shanghai, China
Contemporary Value: A Processing History, Ever HarvestGallery, Taipei
Unsealed Files: The 3rd Anniversary of VT Artsalon, VT Artsalon, Taipei
2008 Singapore Biennale 2008: Wonder, Singapore
HOME-Taiwan Biennial 2008, National Taiwan Museum of Fine Arts
Our Future: The Guy & Myriam Ullens Foundation Collection, Ullens Center for Contemporary Art, Beijing
2005 The Second Guangzhou Triennial，Beyond: an extraordinary space of experimentation for modernization， Guangdong Museum of Art，China
2004 LiverpoolBiennial, Liverpool, UK
Contemporary Taiwanese Art in the Era of Contention,Herbert F. Johnson Museum of Art, Cornel University, NY, USA
The 2ndAuckland Triennial :PUBLIC/PRIVATE,Auckland Art Gallery Toi O Tämaki, New Zealand
New Contemporary Chinese Photography，Enrico Navara Gallery，Paris，French
2003 Limbo Zone, The 50thInternational Art Exhibition of the Venice Biennale, Italy
Fantasy of Heaven — Chinese Contemporary Photography, Prague Fine Art Museum, Czech Republic
2002 Taipei Biennial 2002: Great Theatre of the World, Taipei Fine Arts Museum, Taiwan
The 2nd Seoul internationalmedia art biennale: Luna’s Flow, Seoul Museum of Art, Seoul, Korea
Busan Biennale 2002:Culture Meets Culture: Busan Metropolitan Art Museum, Busan, Korea
Gwangju Biennale 2002:Pause, Gwangju, Korea
2001 01.01.01: Art in Technological Times, San Francisco Museum of Modern Art, San Francisco, USA
Translated Acts, Haus der Kulturen der Welt, Berlin, Germany, Queens Museum of Art, New York, USA
2000 Continental Shift/ Voyage Between Cultures/, Liege Museum of modern Art, Liege, Holland
1998 Continental Shift/ Voyage Between Cultures/, Liege Museum of modern Art, Liege, Holland
1997 Continental Shift/ Voyage Between Cultures/, Liege Museum of modern Art, Liege, Holland
1996 Continental Shift/ Voyage Between Cultures/, Liege Museum of modern Art, Liege, Holland
1995 Continental Shift/ Voyage Between Cultures/, Liege Museum of modern Art, Liege, Holland

﹉﹉﹉

Huang Po-Chih

Huang Po-Chih was born in Taiwan in 1980. His past works are mainly paintings and graffiti. Now are sound/video worksthat shows the delicate quality of handiwork despite employing digital technology as the chief medium. Recently, he workson projects related to economic forces, conditions of democratic production and ideas of self-organisation. He tries touse the commercial expense way to demonstrate a new form of artistic attitude, and cooperates with many Taiwan localcompanies, such as Spring Trading Company and Comat.

Solo Exhibitions
2011 No.147, Ching-Shui Li, Galerie Grand Siecle, Taipei, Taiwan.

Group Exhibitions
2006 SlowTech, Museum of Contemporary Art Taipei, Taipei, Taiwan.
2007 FEIGNING MOVEMENT 2, Huashan Culture Park, Taipei, Taiwan.
2008 Penumbra: Contemporary Art from Taiwan, Anne & Gordon Samstag Museum of Art, Australia.
2009 SOFT Revolt, VT Artsalon, Taipei, Taiwan.
2010 The 8th Taishin Arts Award, Kaohsiung Museum of Fine Art, Kaohsiung, Taiwan.
2010 The 8th Taishin Arts Award, Kaohsiung Museum of Fine Art, Kaohsiung, Taiwan.

﹉﹉﹉

Su Hui-Yu

Su Hui-Yu was born in Taipei and received an M.F. A. degree from Taipei National University of the Arts in 2003. An active participant in the contemporary art world in Taiwan, Su has been exploring the effect of media and technology on human behavior and has created a series of performances entitled “TV Kid.”

Focusing on pop culture, violence in the media, reality TV, and the politics of fear, he has created staged video productions and still images that represent a sophisticated use of technology and an acute understanding of his contemporariesʼ response to their world. His work has received both national and international recognition and has been exhibited at the MID_E International Contemporary Art Exhibition in San Sebastian(2010), FEM Foundation in Madrid (2007); VT Artsalon in Taipei, Sparwasser HQ in Berlin, and the Cultural Centre of Taiwan in Paris (2006); and MOCA Taipei(2005). In 2009, Su was awarded the Asian Cultural Councilʼs Fellowship Award(ACC) to research activities in contemporary art, participate in an international residency program in New York City.

Education
2003 MFA, Taipei National University of the Arts
1998 B. A. in Fine Art, National Taiwan Normal University, Taipei, Taiwan
Selected Exhibitions
2011　 Videonale- Dialogue in Contemporary Video Art, National Taiwan Museum of Fine Art, Taichung, Taiwan
Live Ammo, MOCA Taipei, Taipei, Taiwan
2010 Taipei Biennial- Artist Cinema, Taipei Fine Art Museum, Taipei, Taiwan
MID_E International Contemporary Art Exhibition，Arteleku， San Sebastian，Spain
3rd VIDEOHOLICA Video Art Festival, Varna，Bulgaria
The Contemporary Art of Taiwan, Gyeongnam Art Museum, Gyeongnam, Korea
Post adolescence,，National Taiwan Museum of Fine Art, Taichung, Taiwan; NTMoFA, Taipei, Taiwan
Extreme Sensibility-Taiwanese Contemporary Video Art, Dishman Art Museum of Lamar University, Houston, U.S.A
Plastic Life, San Jose Museum of Art, San Jose, U.S.A.
2009 「Extreme Sensibility-Taiwanese Contemporary Video Art, Donna Beam Art Gallery, University of Nevada, Las Vega, U.S.A
RECURRENCE – Exhibition of Young Artists from Cross-Strait Regions, AFA Beijing Contemporary Art Centre, Beijing, China
2008 Illusion Theater, Blue Dot Asia ,Seoul Art Center, Seoul, Korea

AWARD
2008 ACC, Yageo Tech-Art Award
ARTIST IN RESIDENC
2009 Harvestworks Digital Arts Center ,New York , USA
2008 awarded by Council for Cultural Affairs ,18th Street Arts Center , Los Angeles , USA
2004 awarded by Council for Cultural Affairs ,18th Street Arts Center , Los Angeles , USA

﹉﹉﹉

Chen Chih-Chien

Chih-Chien, Chen was born in Yulin, Taiwan in 1979 and graduated from the Graduate School of New Media Art, Taipei National University of the Arts. He is now a member of the art group – LuxuryLogico, and is specializing in video installation. His works concentrate on “time”, a topic which has been widely discussed by many foreign and Taiwanese artists. However, this issue is expressed with a fraction of sorrow and a sense of quiet beauty in Chen´s works without focusing on the means of representing the images and the techniques of programming. When one puts oneself in his space of images, time does not move in a lineal way and space steps out of the limit of formality, allowing the viewers to recreate their memories and experiences that they have stored in their brains, in their sub-conscious or unconscious in a different way. With the help of sport filming device and image cutting programs, he compresses time and space in a space of an image, translating differences of time into different pieces of memories. In his works, there are the momentary glimpses, such as a corner of a city, a slice of natural landscape, or even a part of a building. In these glimpses, we could “listen to” the movement of time, and “touch” the body of a misplaced space.
The first time Chen published his work was in 2004, in the group exhibition “Taiwan Avant-garde Documenta II – Fantasy and Obiect” (Taipei), then he won 2006 Taipei Arts Award with his work titled “Date Line”. He participated in group exhibitions “The 6th Seoul New Media Festival” (Seoul), “ SlowTech” (Taipei), “Digit@logue” (Hong Kong), “Super Generation@ TAIWAN” (Shanghai/Beijing), “Ongoing -Taiwan New Media” art (New York), and “Move On Asia 2009” (Seoul). He also had solo exhibitions at IT Park Gallery and ETAT Lab.

Education
2003 Graduate from Tung Hai University Taiwan, Bachelor degree in Landscape Archi
2007 Graduate from Taipei National University of Arts, Graduate School of Arts and Technology

Solo Exhibitions
2010 Miscarriage of Time, IT PARK Gallery, Taipei
2009 the flowing feast, Galerie Grand Siecle, Taipei
2005 Rear, ETAT, Taipei

聯展
2011 1+1:A Cross-Strait Four-Regions Artistic Exchange Project ,He Xiangning Art Museum, Shenzhen
Macross, Kuandu Museum of Fine Arts, Taipei.

2010 Extreme Sensibility-Taiwanese Contemporary Video Art ,Beaumont,Dishman Art Museum
2009 Move On Asia 2009,Gallery LOOP, Seoul
Super Gengration @ TAIWAN, Shanghai Art Museum, Shanghai.
2008 2008 Room 19, Kuandu Museum of Fine Arts, Taipei.
New Faces, Digital Art Center, Taipei.
Looking for Horse Latitude, MOT ARTS, Taipei.
Trans-3rd Digital Art Festival Taipei 2008, Museum of Contemporary Art, Taipei.
Beyond a dial logue, National Taiwan Museum of Fine Arts, Taichung.
Eye of the City, Museum of Contemporary Art, Taipei.
Beyond a dial logue, Hong-Gah Museum, Taipei.
Digit@logue, Hong Kong Museum of Art, Hong Kong.
2007 Plug and play, National Taiwan Museum of Fine Arts, Taichung.
Taiwan-Australia New Media Arts Exhibition, Kuandu Museum of Fine Arts, Taipei.
Ongoing -Taiwan New Media art, Allison Residence, New York.
Outstanding Art Prize of Fine Arts Department, Kuandu Museum of Fine Arts, Taipei.
2006 2006 Taipei Arts Award, Taipei Fine Arts Museum, Taipei.
The 6th Seoul New Media Festival, NEMA Exhibition, Seoul .
SlowTech, Museum of Contemporary Art, Taipei .
After Dark, Hua Shan Cultural and Creative Industry Center, Taipei.
2005 Mind Map – Wenzhou Arts Festival II, Wenzhou St, Taipei.
2004 Taiwan Avant-garde Documenta II – Fantasy and Obiect, , Hua Shan Cultural and Creative Industry Center, Taipei

Awards
2007 The 3rd NCAF Techno Art Creation Project, National Culture and Arts Foundation
2006 Taipei Arts Award, Taipei Fine Arts Museum
S-An Arts Award, S-AN Cultural Foundation
Outstanding Art Prize of Fine Arts Department, Taipei National University of the Arts

﹉﹉﹉

LIN, Guan-Ming

Born in 1981, Taipei, Taiwan

Education
2010 M.F.A., Graduate Institute of Arts and Technology, Taipei National University of the Arts, Taiwan
Solo Exhibitions
2012 STAR, IT Park, Taipei, Taiwan
2011 For Years and Years, Kuandu Museum of Fine Arts, Taipei, Taiwan
2008 Shadowless, Aki Gallery, Taipei, Taiwan
Silence Attacks, Museum of Contemporary Art Taipei, Taipei, Taiwan
2005 A Condition of Never Sinking, Etat Lab, Taipei, Taiwan
Selected Group Exhibitions
2012 Crush on EMU, Museum of Contemporary Art Taipei, Taipei, Taiwan
Stand-In Techniques Ⅱ, Hui Gallery(New Asia College, CUHK), Hong Kong, China
Made in Taiwan, I/O Gallery, Hong Kong, China
Zero Plan, Play Zero, Nanhai Gallery, Taipei, Taiwan
Turning a Blind Eye,Agora Art Space, Taipei, Taiwan
2011 fragile reality, Galley artlier, Fukuoka, Japan
Videonale: Dialogue in Contemporary Video Art,National Taiwan Museum of Fine Arts, Taichung, Taiwan
Scanning the Daily Lives－Highlights of New Media Arts from the National Taiwan Museum of Fine Arts Collection,National Taiwan Museum of Fine Arts, Taichung, Taiwan
2010 Time Unfrozen – From Liu Kuo-Sung to New Media Art, Taipei Fine Arts Museum, Taipei, Taiwan
Forum Biennial of Taiwanese Contemporary Art, Taipei Contemporary Art Center, Taipei, Taiwan
Sensory Topology – Bodily Perception of Taiwan Contemporary Art, Guangdong Museum of Art, Guangdong, China
Extreme Sensibility: Taiwanese Contemporary Video Art, Dishman Art Museum, Lamar University, Texas, U.S.A.
11e Festival de Cinéma Asiatique de Tours, Cinémas Studio, Tours, France
2009 Extreme Sensibility: Taiwanese Contemporary Video Art, Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, U.S.A.
Beyond 20 Degree Celsius: Exhibition of “Room-temperature Luminescence” from Taiwanese Contemporary Imaging Art, He Xiangning Art Museum, Shenzhen, China
Very Channel, Taiwan New Arts Union, Tainan, Taiwan
The 7th Taoyuan Creation Award, Cultural Affairs Bureau of Taoyuan County Government, Taoyuan, Taiwan
Mind as Passion, Taipei Fine Arts Museum, Taipei, Taiwan
2008 2008 Taipei Arts Awards, Taipei Fine Arts Museum, Taipei, Taiwan
Blink, Jin-Zhi Gallery, Miaoli, Taiwan
Play Stadium in 2008, 12 Cattle Depot Artist Village, Hong Kong, China
Beyond 20 Degree Celsius: Exhibition of “Room-temperature Luminescence” from Taiwanese Contemporary Imaging Art, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Feigning Movement 2008, Galerie Grand Siècle, Taipei, Taiwan
2007 Digital & Video Art Fair Paris 2007, Le Louvre des Antiquaires, Paris, France
Three Dimensional Viewing Mirror – International Visual Art Festival, Beijing National Agricultural Exhibition Center (new hall), Beijing, China
A Runaway Zero – Taiwan Emerging Artists, CANS Bookshop, Shanghai, China
Art Party – Fukuoka & Taipei Art Exhibition, Fukuoka Art Museum, Fukuoka, Japan
Scope Basel 2007 – Urban Nomad Project, Basel, Switzerland
Feigning Movement 2, M2-A Building, Huashan Culture Park, Taipei, Taiwan
2006 Do, Co6 Taiwan Avant-garde Documenta Ⅲ, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Open Contemporary Ⅹ – Post Document, M5 Building, Huashan Culture Park, Taipei, Taiwan
The Two Ends of the Springboard – Face to Face, Aki Gallery, Taipei, Taiwan
Feigning Movement, Nanhai Gallery, Taipei, Taiwan
2005 The Pendulum and the Past, Nan-Bei Gallery, Taipei National University of the Arts, Taiwan
Con-temporary Citizens, Lan-Zhou Police Station, Taipei, Taiwan
2004 Media Cramp, Co4 Taiwan Avant-garde Documenta Ⅱ, Main Trend Gallery, Taipei, Taiwan
Hua-Shan Round Table – The 3rd Artist fair, Si-Lian (Four-in-Row) Building, Hua-Shan Cultural and Creative Industry Center, Taipei, Taiwan
2003 I Love Instant, Fruit Wine Building, Hua-Shan Art District, Taipei, Taiwan
2002 Remaking Recent Developments, Nan-Bei Gallery, Taipei National University of the Arts, Taipei, Taiwan

Awards ＆ Honors
2009 Premium, The 7th Taoyuan Creation Award, Cultural Affairs Bureau of Taoyuan County Government, Taoyuan, Taiwan
2008 2008 Taipei Arts Award, Taipei Fine Arts Museum, Taipei, Taiwan
2006 2006
2006 S-An Aesthetics praise – Arts Creation Support, The Formative Arts Kind, Taipei, Taiwan
2004 2004 S-An Aesthetics praise – Arts Creation Support, The Formative Arts Kind, Taipei, Taiwan
Collections
2008 In the Memories of … (National Taiwan Museum of Fine Arts, Taichung, Taiwan)
Recurrence, Trace and Différence (National Taiwan Museum of Fine Arts, Taichung, Taiwan)

﹉﹉﹉

Wang Yahui

Bornin Taipei, Taiwan, 1973, currently lives and works in Taipei, Taiwan
Education
2004 M.A in Arts and Technology, Taipei National University of Arts, Taiwan
1998 B.A. in Painting, Department of Fine Arts, National Taiwan Normal University, Taipei

Solo Exhibitions
2012 Pick up a leaf when it falls, Tomio Koyama Gallery, Kyoto, Japan
2011 A day and a new day, National Central University Art Center, Taoyuan, Taiwan
2010 Handmade Fairytales,Cable Gallery, Helsinki, Finland
2009 Rainbow and Bow, Galerie Grand Siècle, Taipei, Taiwan
2008 The Tropical Work: Snowman,National Taiwan Museum of Fine Arts, Taichung, Taiwan
2007 I’ve been here before and will come again, Galerie Grand Siècle, Taipei, Taiwan
Selected Group Exhibitions
2012 Boundaries on the Move Taiwan –Israel a Cross-culture Dialogue, Herzliya Museum of Contemporary Art, Tel Aviv, IL
2011 Dialogue in contemporary video art, National Taiwan Museum of Fine Arts, Taichong
Thinking Cool, TKG+, Taipei, Taiwan
Things on Strings, Tomio Koyama Gallery, Tokyo
Window, TKG+, Taipei, Taiwan
Taiwan Calling, Ludwig Museum and the Art Hall, Budapest, Hungary
2010 Taipei Biennial 2010, Taipei Fine Arts Museum, Taipei, Taiwan
Double-blind Trail, Eslite Gallery, Taipei, Taiwan
Future Vision – The APT Global Art Collection, Li-Space, Beijing, China
Memory of a journey: Permanent collection of TFAM, Taipei Fine Arts Museum, Taiwan
Invisible stranger – Be my Guests, TamTam 8 Art Space, Berlin, Germany
The Digital Hand-Painting, Drawing, Filming, Digitalising, National Taiwan Museum ofFine Arts, Taichung, Taiwan
Roppongi Art Night, Mori Tower (curated by Mori Museum), Tokyo, Japan
Visit to a Small Planet, Gyeongnam Art Museum, Changwon City, South Korea
11th Asia Film Festival Tours, Les Studio Theatre, Tours, France
2009 Post – Flux 2009, Brussels Bozar, Brussels, Belgium
Non Daily – Hidden Force Fields, Hong-Gah Museum, Taipei, Taiwan
TaiwanPic.doc – Taiwan Contemporary Art, ENSB Paris, France
The Epic in the Everyday, Palazzo delle Arti Napoli, Italy
Mind as Passion, Taipei Fine Arts Museum, Taipei, Taiwan
Move on Asia, Loop Gallery, Seoul, South Korea
2008 Pulse Miami Contemporary Art Fair, Miami, USA
ARTFAIR 21, Cologne Germany
The 6th City on the Move Art Festival – Eye of the City, MOCA Taipei, Taiwan
WANG YA-HUI and HUANG PO-CHIH: Selections from Penumbra: Contemporary Art from Taiwan, Centre for Contemporary Photography, Melbourne, Australia
Hors Pistes Film Festival, Centre Pompidou, Paris, France
Exploding Cinema – New Dragon Inn – 37th International Film Festival Rotterdam, The Netherlands
Penumbra – Contemporary Art from Taiwan, Samstag Museum Galleries, Australia
Bubble Tea: Art of Taiwan and Its Contemporary Mutations, Moravian Gallery in Brno, Czech Republic
2007 The New Media Festival 07, Hardcore Art Contemporary Space, Miami, USA
New Wave of Taiwan Digital Art I, Chelsea Museum, New York, USA
2006 「6th Shanghai Biennale – Super Design, Shanghai Art Museum, China
Empty Fields, KDMOFA Taipei, Taiwan
2005 LAK-KA-PID LAK-KA-PERD – The Bangkok Invisible Landscapes, Chulalonkorn University, Bangkok
Variation Xanadu, MOCA Taipei, Taipei, Taiwan
2003 25hrs Barcelona International Video Art Show, EI Raval Sports Pavilion, Barcelona, Spain
City-Net Asia, Seoul Museum of Art, Seoul, South Korea
2002 City-Net Asia, Seoul Museum of Art, Seoul, South Korea
Taipei Biennial – Great Theatre of the World, Taipei Fine Arts Museum, Taipei, Taiwan
Taipei Arts Award, Taipei Fine Arts Museum, Taiwan

﹉﹉﹉

Ding Chien-Chung

Ding Chien-Chung, born in Taipei, 1983, and graduated in New Media Art department in TNUA, recently has been focusing on the relationship among installation, kinetic machines and space. Via repetitive movements, a recurred reading experience is reached and established; to go further, the repetitiveness can amplify daily tiny views into more intensified and tremendous experiences. His works have been honored by Taipei Arts Award and 9th Taoyuan Creation Award, collected by National Taiwan Museum of Fine Arts and exhibited at MIT (Made in Taiwan) special section of Art Taipei and so on. In 2012, he was invited by Maison Laurentine to do residency project and exhibit the works during D’abord les forêts/ Opus 3, which thereafter were toured among Hong Kong, Tokyo, Madrid, New York, Beijing and other places.

EDUCATION
2012 Taipei National University of the Arts／Department of New Media Art（MA）
RESIDENCE
2012 LA MAISON LAURENTINE／Champagne , France

EXHIBITIONS
2013 「Art Nova 100’s 」／Beijing 798 Art Zone , Beijing , China
「inToAsia: Time-based Art Festival 2013 – MicroCities 」／NARS Foundation space , New York , USA
「THE CIRCLE GAME」／Art Center of Tunghai University , Taichung , Taiwan
「Digital Fabrications」／Fashion Institute of Taipei , Taipei , Taiwan
2012 「MADATAC 04 Contemporary Advanced New Media Audiovisual Art Festival」／Centro Centro , Madrid , Spain
「THE AVANT／GARDE DIARIES TAIPEI」／Huashan 1914 , Taipei , Taiwan
「LOOPS IN THE VACANCY – A Solo Exhibition by DIN Chin-Chung」／Galerie Grand Siecle , Taipei , Taiwan
「2012 National Art Exhibition, ROC」／National Taiwan Museum of Fine Arts , Taichung , Taiwan
「Soft Power – The Intangible Indicator」／Main Trend Gallery , Taipei , Taiwan
「D’abord les forêts / Opus 3」／LA MAISON LAURENTINE／Champagne , France
「2010 – 2011 REVIEW of the Digital Audio-Visual Award」／Digital Art Center Taipei , Taiwan
「Hong Kong ArtWalk 2012」／Galerie Du Mond , Hong Kong
「Outstanding New Media Art Award 2012」／Kuandu Museum of Fine Arts , Taipei , Taiwan
「TOKYO FRONTLINE 2012」／3321 Arts Chiyoda , Tokyo , Japan
2011 「PHOTO TAIPEI 2011」／San Want Hotel , Taipei , Taiwan
「TAIPEI ARTS AWARDS」／Taipei Fin Arts Museum , Taipei , Taiwan
「Absolute Motion」／Digital Art Center Taipei , Taiwan
「The 16th Da Dun Fine Arts Exhibition」／Taichung City , Taiwan
「MADE in TAIWAN – Young Artist Discovery , ART TAIPEI」／Taipei , Taiwan
「Indistinct Sympathy」／Treasure Hill Artist Village , Taipei , Taiwan
「Vacant Room 1.5」／Digital Art Center Taipei , Taiwan
「Vacant Room 2」／The Skylight of National Taiwan Museum of Fine Arts , Taichung , Taiwan
「VIBRANCY」／The 9th Taoyuan Creation Award , Taoyuan , Taiwan
「Little Wonders」／Digital Ark of National Taiwan Museum of Fine Arts , Taichung , Taiwan
「THE AGE OF SUPERLUMINAL」／The Video Art Exhibition Series on MOCA Plaza , Taipei , Taiwan
2010 「Cluster」／5th Digital Art Festival Taipei , Taipei , Taiwan
COLLECTIONS
2011 「Collection Project for Young Taiwanese Artists」／National Taiwan Museum of Fines Arts , Taichung , Taiwan
AWARDS and ALLOWANCE
2013 「Taishin Arts Award – 4th Quarter Nominees of Visual Arts」／Taipei , Taiwan
2012 「2012 National Art Exhibition, ROC」／New Media Art／The Bronze Medal／Taichung , Taiwan
「Out Standing New Media Art Award 2012」／Selected／Taipei , Taiwan
「The Taipei City Department of Cultural Affairs , 101-1 FINE ART ALLOWANCE」／Selected／Taipei , Taiwan
2011 「TAIPEI ARTS AWARD」／Honorable Mention／Taipei , Taiwan
「National Culture and Arts Foundation , 2011-2 Creation Fund」／Selected／Taipei , Taiwan
「MADE in TAIWAN – Young Artist Discovery , ART TAIPEI」／Selected／Taipei , Taiwan
「The 16th Da Dun Fine Arts Award」／Digital Art／Selected／Taichung , Taiwan
「The 9th Taoyuan Creation Award」／Winner／Taoyuan , Taiwan
「Creation Project for Digital Art , National Taiwan Museum of Fine Arts」／Selected／Taichung , Taiwan
「Exhibition Plan for Digital Art , National Taiwan Museum of Fine Arts」／Selected／Taichung , Taiwan
2010 「The 5th Digital Art Festival Taipei」／Digital Audio-Visual／Selected／Taipei , Taiwan

﹉﹉﹉

Chen Wenchi

Chen Wen-Chi, Born in 1969 Taipei, Taiwan , Graduated from the Taipei National University of the Arts with a BFA degree in Art Theory in 1994 and the MFA degree from the Long Island University in 1999 . full-time faculty in the Department of Communication Design at the Shih Chien University. Currently as the full-time assistant professor in the department of Material Art at the Tainan National University of the Arts ,and the part-time assistant professor in the department of Fine Arts at the Taipei National University of the Arts .

Held the Solo Exhibition :”Thing in Itself” Chenwenchi Solo Exhibition Taipei Fine Arts museum.“FACE” VT Artsalon 2011 , “FACE” ART TAIPEI 2010, “Anomy” Licence Art Gallery 2009.“Anomy” Galerie Grand Siecle, Taipei 2008. Illusion 2“Amour”VT Artsaoln , Taipei 2007, ”Illusion”1.2 Taitung Railway Art Village 216 depot.”Illusion” Kuandu Museum of Arts Taipei, “Anomy” Camera no. 5 VT Artsaoln, Taipei 2006,“Flesh is the prison of the soul Ⅱ.Ⅲ.Ⅳ.” Galerie Grand Siecle, Taipei 2004, “AM‧FM My Life”Tamsui Center of Arts & Culture , Taipei 2001,“Flesh is the prison of the soul Ⅰ.Ⅱ.Ⅲ.Ⅳ.”Academic Sinica Sheng Tu Aesthetic Space, Taipei 2000.“Flesh is the prison of the soul II” International Visual Art Center, Taipei 1999 . “Flesh is the prison of the soul ”1 National Photography Museum , Brescia ,Italy and Aldila Gallery, Padova , Italy in 1999

Was invited in numerous group exhibitions in Taiwan, US, Italy,Japan, South Korea, Switzerland,Germany. Spain, Russia, China…etc. Works combined with the design and integration creations. the works collection White Rabbit Contemporary Chinese Art Collection, National Taiwan Museum of Fine Arts 2005,2010, Kuandu Museum of Arts, National Photography Museum, Aldila Gallery and private collection.

The design works show : In 2011-Kaohsiung Arts Festival Digital Multimedia Design , 2010- Nibbāna Interior Design ITRI, 2008- ART TAIPEI Design Theme Pavilion, 2008-Golden Melody Award for Best Children’s Musical CD packaging design, 2007- Council for Cultural Affairs Arts space design outsourcing, 2006 – VT Artsalon interior design ,the bookstore space design of New Media Collection 1965-2005 Center Pompidou exhibition in the Taipei Fine Art Museum , TNUA bookstore interior design. In 2005- The subject area design in Taipei Movie Park,the website design of Taipei Movie Park ,the main hall design of Taipei International Book , Taipei county religion art festival interaction installment art. Besides these design works, the performing arts activities as following：the drama images designer in New York space 122 and the “Antigone” drama at the Columbia University in 1999.
Awards Assistant the fine arts grant in National Culture and Arts Foundation in 1998,and the fine arts exhibition grant in 1999 and 2000.The 26th Taipei prize award owner from Taipei Fine art museum . Has curated the animation film Festival and Manga “Cosplay”Art Festival at VT Artsalon in 2006, the subject hall of Taipei international book exhibition in 2005,”the creation forum” in Kaohsiung museum of Fine in 2002 in, the “Very Temple” exhibition in Taipei Fine Arts museum in 2000 .

Awards committee：the 4A free creativity prize of Taipei advertising from 2004-2006,the public art of Wan Hua junior high school and Taipei zoo public art, the NCHC Digital creativity design competition in 2003, “the Millennium symbolized, the slogan, the mascot figure select” competition from the Government Information Office and so on

My image works to observe over the past decade close to the human nature and the experience of their own lives and explore Neo- Platonism under the flesh and soul divergence a reflection point of view, My image documents to discussion love, desire and death issues. Creation to Image of Post-Performance Art as a means to still and motion images and video art for creative expression. The exhibited works while the more quiet life concern for recognition from the time and space between the body and the things I existential issues.

﹉﹉﹉

Huang Yi

Choreographer / Dancer / Videographer

MFA degree from the Graduate School of Dance Choreography, Taipei National University of the Arts (TNUA)

Choreographer of Cloudgate 2, Taiwan

2nd Prize of 3rd Cross Connection Ballet International Choreography Competition in Chopenhagen, 2010

1st Prize of 1st & 3rd Digital Performance Competition of Digital Arts Center, Taipei 2010, 2012

——————————————————————-

HUANG Yi is a young choreographer with much potential. In addition to choreography, he is also involved in video recording, photography and art installation. He is adept at incorporating multi- layered images and delicate body movement. LIN Hwai-min, founder of the Cloud Gate Dance Theatre, once said, “HUANG is an enfant terrible who reveals his unlimited potential in the interweaving of image and dance.”

His first work “Self” in 2004 was an instant success which won the silver medal of Taiwan’s National Creative Dance Competition. In the same year, he was invited by the NTCH’s New Idea Dance to present his new work. While chosen to attend the American Dance Festival in 2005 by the ChinLin Foundation for Culture and Arts as a representative from Taiwan, his work Messed was showcased in the student concert, and earned the praise of the Independent Weekly’s writer Byron Woods.

2007 work SPIN, sponsored by the LO Man-fei Dance Scholarship, was recommended by the National Taiwan Museum of Fine Arts to present at Enghien-Les-Bains Centre des Arts in France. In the same year, he collaborated with the Horse Dance Theater to produce Velocity, which was recognized by the Taishin Arts Award. His 2010 work Whisper won the Second Prize of the third Cross Connection Ballet International Choreography Competition in Copenhagen. His Symphony Project-I. Violin in 2010 won the First Prize of the Digital Art Performance Award of the Digital Art Festival, Taipei. His SPIN 2010 was shortlisted in the annual top ten performing art works by the Taishin Arts Award. In 2011, by the referral of HSU Fang-yi, he was selected as 25 to Watch by Dance Magazine in the US.

The Dance Company Cloudgate 2, Invited Huang Yi choreography new dance, 2008 [Body.Sound], 2009 [Wicked Fish], 2010 [Floating Domain], 2011 [Symphony Project – I. Mechanical Violin].

❖ 作品介紹 1

大衛計畫第三部：大衛天堂

王俊傑

形式：HD video, color, sound

年份：2008

長度：19’32”

「大衛計畫」錄像作品是藝術家王俊傑為紀念逝去友人而引發的系列創作，他先後發表了《無題200256》（Untitled 200256）（雙投影同步裝置，2004）與《狀態計畫 II》（Condition Project II）（三投影互動裝置，2005），《大衛天堂》則是本計畫最後一部作品。

本作品為一非敘事性動態影像，原作以五螢幕投影形式，企圖呈現人們內心深處難以言說、抽象而細微感知的部份。它以一個平淡無奇正面連續展開的居家空間為主要塲景，由戶外、室內、玄關、書房、客廳、浴室、臥房再到戶外，影片在介於現實與超現實的景象中緩慢推移，在一幕幕既真實又虛幻的日常生活場景中，呈現靈、魂、體共存於環境、時間、空間中的恍惚與不確定感。

❖ Work 1

Project David III : David’s Paradise

Jun-Jieh WANG

形式：HD video, color, sound

年份：2008

長度：19’32”

The film installations of “Project David” are a series of works created by artist Jun-Jieh Wang in memory of his friend who passed away. Previously, he showed Untitled 200256 (two-screen synchronous installation, 2004) and Condition Project II (three-screen interactive installation, 2005). David’s Paradise is the last work of the project. Featuring non-narrative moving images projected on five screens, it seeks to reveal the indescribable, abstract and subtle feelings at the bottom of people’s hearts. The main setting of the film is an ordinary living space that unfolds continuously frontally, from exterior to interior, doorway, study, living room, bathroom, bedroom, and back to the exterior again. The film moves slowly from realistic to surrealistic scenes. In a series of real and illusory everyday settings, it attempts to convey the ambiguity and uncertainty of the co-existence of spirit, soul and body in the environment, space and time.

﹉﹉﹉

❖ 作品介紹 2

逝去中的風景─蘇格蘭

袁廣鳴

逝去中的風景─蘇格蘭
形式：Single Channel Video
年份：20108

長度：06’28”

2007年的個展「逝去中的風景」我嘗試轉變創作的方向，記錄我的居家、環境、自然等「日常的片刻」。2008年夏天到了蘇格蘭格蘭菲迪(Glenfiddich)酒廠，位於僅有二千多人的鄉下道夫鎮(Dufftown)，終於了解一口威士忌需要長時釀造的深入含意。酒廠內的工作規律及平凡，環境極其自然，但負責所有藝術家駐村、外表如同龐克同時也是個專業鼓手的安迪 (Andy Fairgrieve) ，卻似乎是脫離整個穩定結構的一個關鍵人物，這些人事物讓我自然而然的銜接了上次個展對於「日常」及消長的概念。錄像作品中鏡頭穩定的直線來回飛越酒廠內的不同場景、安迪在打鼓、住處後方的森林、我在廚房洗碗、當地年輕人很high的跳著蘇格蘭舞、樂手吹著傳統的風笛等影像。

❖ Work 2

Disappearing Landscape-Scotland

Goang-Ming YUAN

形式：Single Channel Video
年份：20108

長度：06’28”

In the 2007 solo exhibition, “Disappearing Landscape,” I made a concerted effort to change my creative direction by recording “moments in daily life” from home, the environment and nature. In the summer of 2008, I was chosen as a resident artist at the Glenfiddich refinery in the town of Dufftown, with a population of around 2000. It was this experience that first made me aware of the care, attention and time it takes to distill whiskey. Although the work patterns at the distillery were ordinary, the surrounding environment was very much nature at its magnificent best. It was there that I met Andy Fairgrieve. He was in charge of the artist’s village, but looked like a punk rocker and, as I later discovered, also played rums in a band. He instantly struck me as a key character suitably detached from the stable structure that surrounded us.
The video work flies over different scenes at the distillery; Andy playing drums, the forest behind the dormitory area, me cleaning dishes in the kitchen, local youths dancing a highland fling, a musician playing the traditional bagpipes. In my mind, these people and events were naturally connected to the idea of “daily things,” growth and decline used in my last solo exhibition.

﹉﹉﹉

❖ 作品介紹 3

訪客

王雅慧

形式：Video, color, sound

年份：20107

長度：07’11”

這座舊公寓是我出生後第一個居住的地方，它位在台北的舊街裡。有著長長的形狀和中間透光的天井。外頭的景物隨著時間不斷地變化，屋子也不斷地累積生活的氣味。一朵小雲悠悠地穿過房子，時間與記憶似乎變成白日裡的夢境一樣。

是什麼引發著我們日常生活中的故事？我總是十分著迷於這些一般日常的物件如何在故事裡被轉化，然後這座舊公寓是我出生後第一個居住的地方，它位在台北的舊街裡。有著長長的形狀和中間透光的天井。外頭的景物隨著時間不斷地變化，屋子也不斷地累積生活的氣味。一朵小雲悠悠地穿過房子，時間與記憶似乎變成白日裡的夢境一樣。

❖ Work 3

Visitor

Ya-Hui WANG

形式：Video, color, sound

年份：20107

長度：07’11”

What makes a daily-life story? I am always obsessed with the way daily items are transformed in a story. This is an old apartment where I first lived after being born. Located in the historical district of Taipei, the building was built with a long rectangular shape and an open-air atrium. Scenes on the outside changed rapidly while the scent of daily life inside grew ever thicker. As a cloud slowly passed by, time and memory, under the light of the day, became dreamlike.

﹉﹉﹉

❖ 作品介紹 4

自畫像紅二號

黃博志

自畫像紅二號

形式： Single-channel video

年份：20047

長度：7′ 17”

在緊緊貼近掃描機玻璃時，我想著玻璃和我之間的距離究竟為何?
這段距離裡似乎充滿了無數無法填滿的縫隙，而縫隙裡是否充滿我所無法查覺的表象? 我也相信表皮的外在樣貌與內在心理存在著的第二道縫隙，是不是也有些什麼?

掃描機所呈現出種種不完美的缺陷，與這樣的真實細節對峙讓我害怕，一種對自我皮層認知「缺席」的恐慌以及印象「錯位」的焦慮。我想像「缺席」、「錯位」與現實間的落差所產生的縫隙裡的我，會是什麼樣貌，而或許掃描機的光穿透縫隙，可以映射出我的樣子。我並不試圖要縮小或是填滿縫隙，我揉合著如血、如肉般的紅色顏料融入其中，去遮蓋、溶解我所害怕的真實細節，融入那可能是一種扁平的劇場式隔離場景裡。

❖ Work 4

Self-Portrait No.2( RED )

Po-Chih HUANG

形式： Single-channel video

年份：20047

長度：7′ 17”

As my body clinched to the glass of the scanner, I could not help but ponder upon the meaning of distance. “What is the implication of the fleshly distance between the glass and I in spite of our closeness?” “Does any imagery that is beyond
senses exist in this obscure space?” Something exists betwixt the skin and the self, I believe.
I was frightened by the detailed imperfections which surfaced by means of the scanner. They engendered my panic toward the absence of my fleshly senses; my anxiety was aroused by the notion of displacement as well. I could not visualize the reflection of my figure produced by the radiation of the scanner, nor could I envision the image of a self that was given to birth by absence, displacement, and the fall from reality. However, I did not minimize or plaster the fissures produced by the distance between the glass and I. Instead, I integrated myself into the fissures by applying materials which are crimson and tangible in order to establish the effect of alienation. Such effect soothed my panic and anxiety toward the detailed imperfections.

﹉﹉﹉

❖ 作品介紹 5

空屋3

丁建中

空屋3

形式： Digital Audio-VIsual

年份：2012
長度：02’00”

「空屋系列」（Vacant Room SERIES）為近期關注在結構、運轉與空間中之關係，藉由機械運轉對應拍攝裝置所完成的錄像作品。影像中，我將旋轉凝結的光體當作一種空間的雕塑，透過光當中可塑與不安的本質，引導相對的本體構成狀態。光粒組成的光圈，與旋轉繞行的鏡頭，串聯彼此，成為壓縮後，高速移動的時間經驗。而旋轉所創造的重複性運動，不在每回路徑上的差異，而在自然時間的進程中，週而復始的累積、放大其創作者與觀者在身體經驗上的狀態與情緒。

而空屋系列作品計畫中，透過每次裝置結構的重新編制，以時鐘指針運轉的對應關係（時針、分針、秒針，相對光體運轉方式與鏡頭運轉之間的關係），探討結構運轉與光之間的可能。影像中，光與鏡頭高速移動的經驗裡，將原先的空間與光圈量體轉向一種感官上的變異，將其可測量性變得矛盾，成為不受意識控制的構成狀態。時間碎片高速併置、互相交纏，產生有如流體般喪失平衡性、以及陌生的重力經驗，擾動日常中的慣常體認與時間知覺。

❖ Work 5

Vacant Room 3

Chin-Chung DIN

形式： Digital Audio-VIsual

年份：2012
長度：02’00”

The Vacant Room series concerns the relationships among structure, rotation and space. In the video, the rotating light is treated as a sculpture of space which can be shaped by the malleability and variability of light itself. The tracks of light form a rotating light circle, captured by a revolving camera. The repetitive activity created by rotation matters not in the difference of tracks but in the disrupted stability and emotions of both the creator and observers evoked by the experience accumulated with the passing of time.
The Vacant Room series has attempted to investigate the possibilities between structure and light by resetting the device to simulate the corresponding relationship between moving clock hands i.e. the relationship between the light and the camera. The video shows the transformation of space and light into a sensational stimulation of uncertainty. The strings of light circles create imbalance against gravity and overthrow the common understanding of time and space.

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❖ 作品介紹 6

非思 2

陳文祺

年份：2011

長度：10’00”

猶如幽靈(spectrum)般的影像觀點投射於影像傳達的意向性(intentionality)，在行為場域中影像是模糊的客體，經由攝影後構成型體，在模糊中卻能辨識無礙，模特兒的身影參與了神秘的召喚儀式，如同死亡的微縮經驗下既非主體亦非客體而是種「奇遇」，這種之於主體意識覺醒的基礎上，是現象(phenomenon)反應個人的獨特意義和價值，返回事物本身的意識領域，對於創作過程角色的面向有按快門者、影像構成的參與者、情感流出的觀看者與影像顯像的執行，最後成為觀看者；這多重角色存在的狀態有別於純觀察者的角度，是創作者行為表徵(characterization)亦是沉默冥想，影像的面貌在此是精神層面留痕，無關真實世界的對應，在直觀中獲得對物與自我本質的認識。

視覺與感知的衝突在時間的證驗下呈現出認知的差異，時間無法被辨認而考驗著視覺的辯證，我們活在當下卻無法阻止每秒的流逝，認知如同影像紀錄了眼前靜止的時刻，卻無法理解¬真實的變化，我們在矛盾中經歷了每一時刻也勾起了內心的每一刻騷動；真實的世界在我們的內心中亦如被凝結的影像，相信了眼見卻無以為憑，凝視是內¬心無可理解的黑洞，他吸納了我們曾經所有的一切。

❖ Work 6

FACE 2

Wen-Chi CHEN

年份：2011

長度：10’00”

Moving like spectrum, the intentionality of image communication is projected on by image viewpoint. In action atmosphere, image is only a vague objective, but through the image capture, it constructs itself into forms. The forms although hidden in a haze, but still identifiable. The shadow of the model participates in a secret summon ritual, as a micro experience of death. The experience is neither subjective nor objective but an adventure of a kind based on the awakening of self-consciousness; within, the phenomenon reflects the personal unique meaning and values, and returns to self-consciousness of the object. During the creating process, the roles include the shutter hitter, the participants of the image composition, the emotion expressed spectator, and the image developer as the last spectators. The existence of the multiple roles is difference from the naïve spectator’s perspective. The characterization of artist’s action is also a silent meditation. The appearance of the image here is an imprint of psychological layer what is not corresponding to the real world, but an understanding of object and self-conscious through a direct view.
The conflict between visual and perception exposes the difference in the recognitions through the test of time. The time cannot be distinguished, and it exams the dialectic of visual. We live in a world of now, but we could not stop every second that past away. Our recognition is like a video camera to record the silent moment before our eyes, but it could not understand the real change. We experience every moment in this irony, and we also trigger every disturbance in our heart. The real world in our mind is like a frozen image. Even if we believe in what we see, we still do not have any evidence to back it on. The gaze is a black hole in our mind that could not be understood, it absorbs everything that we once had.

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❖ 作品介紹 7

流自慢Ⅱ

陳志建

形式： Video, color, silent

年份：20109

時間：07’05”

《流自慢Ⅱ》作品透過透過單純的時間觀看，陳述一段城市裡被忽略的時間。事件的氣候是陰霾狀態，空間停泊在一處荒廢的天台景色，而視點垂直，跟隨時空滑移，保持放空的姿態，也是種觀看的習慣，帆布寄生於天線上，無限飄盪，消磨生命，揮灑時間!

❖ Work 7

Flowing PrideⅡ

Chih-Chien CHEN

形式： Video, color, silent

年份：20109

時間：07’05”

By looking at “time” only, Flowing Pride II speaks of a neglected period of time in a city. Weather condition: hazy. “Space” is depicted as docking at a deserted rooftop. Seen from a vertical angle, “space” is drifting alongside “time space”. It maintains a “disengaged” status and a “disengaged” way of looking at its surroundings. A piece of canvas is attached to an antenna, flutters endlessly, portraying dwindling life and depleting time.

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❖ 作品介紹 8

Spin

黃翊

形式：電腦動畫

年份：20130

長度：08’00”

手持攝影機以及舞者為中心的概念是創作《Spin》最早的開端，《Spin2010》乃自2006年發展至2010年，編舞家黃翊以錄像製造明暗，創作出時空的流動感以及人與人之間變幻不居的互動。作品隨著每階段呈現也加入機械手臂規律的運轉，以及互動錄像裝置等科技媒材，展現各種交疊重新組合與變形，把不可能看到的動作細節變換放大至無限，帶領觀眾穿梭於舞者肢體之間。

❖ Work 8

Spin

Yi HUANG

形式： CG animation

年份：20130

長度：08’00”

Dancer Yi Huang is special choreographer of Cloud Gate Dance Theater 2 and his choreographed work Spin is a four-year experimental project combining technology with dance, focusing on the interrelationship between technology, dance and art to create a unique work. For the latest version of Spin, the human element was eliminated to provide a performance dominated by machines and technology and to minimize the involvement of emotions and personal life experiences. Such a display of artificial limbs combined with special visual effects created a more conceptual design for a totally new visual experience.

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❖ 作品介紹 9

在記憶中

林冠名

形式： Single channel video, slient

年份：2008

長度： 07’20”

如今，資訊已為我們所熟悉的事物劃出一道清晰界線，這一道界線如「信我得永生」般地宣判一切…
可以選擇「逃逸」，並非等同畏縮不前或背道而馳，不過是為了在宣判的夾縫中得以暢快…
對我而言，偶然發生在我眼前的事情總是比一切計畫完美來得美妙…
某日，在臺灣雲林與嘉義交界的河堤外海，偶然瞧見一只漁網飄蕩於海面之上，
這只漁網劃破風平浪靜，隨風盪漾在半空之中許久，接著又沒入大海…
內心的悸動為這只漁網所牽動，
在幾次飄蕩及沉沒的過程之後，不再復見蹤影，
面對一片寧靜的汪洋…
腦海不斷盈溢上一刻的遇見，內心反覆自問這是何等情狀？
飄蕩於空的是為何物？
顯然，漁網早已不以「漁網」現身在我眼前…
我選擇在這「是為何物」中逃逸一切宣判…
自由最終也不過如此。

❖ Work 9

In the Memories of …

Guan-Ming LIN

形式： Single channel video, slient

年份：2008

長度： 07’20”

Today, information draws a clear line for the known world. It dictates, as if it proclaimed, “believe, and you shall gain eternity.”
You may opt for “escape”, which is not seen as an act of cowardice or betrayal, but a desire for freedom between decrees.
For me, the unanticipated appeals greater than the expected.
One day, near the county borders between Yunlin and Jiayi (southern Taiwan), and beyond the river’s embankment, a fishing net floating above the sea caught my attention.
It swept the tranquil surface, hovered mid-air for some time, and eventually plunged into the sea.
My heart palpitated, solely for that fishing net.
After bouts of floating and the final dive, there were no signs of the net in sight, only a silent ocean left behind.
Fresh was the moment of the encounter that’d just passed. I asked myself repeatedly, what state of mind this is?
Apparently, the fishing net appeared not as a “fishing net”
I chose to escape the proclamation.
Freedom, it is merely so.

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❖ 作品介紹 10

雙生

王瑞茗

形式：電腦動畫

年份：2006

長度： 03’05”

〈雙生〉創作的主要架構由概念、系統、應用三個層次所構成，深入探討時間、速度與空間三者關係，作品拍攝站立於相對位置上之雙胞胎姐妹，運用錄像裝置的方式呈現於雙螢幕，並且嘗試以飛機飛行之路徑帶領觀者感官遊走於雙螢幕間。

試圖以此創作，讓大眾更加了解雙生成員，並在這處處充滿虛構與假象的世界中，提出介於擬像與真實之間的另一種凝視觀點。

此作品運用兩台投影機，將兩個大小一樣的畫面投射在相對應的牆面上，分別拍攝雙胞胎姐妹於草原中，一日光陰變化之影像，且都以闔眼站立不動之姿勢，平靜的與大自然融為一體，就在觀者一探究竟時，一架準備降落的飛機，前後穿越了兩相對應之螢幕，串起了雙胞胎的影像、環境與隱含從小一起長大、一起生活的種種經歷，是如此密不可分、缺一不可。

❖ Work 10

Twins

Jui-Ming WANG

形式： CG animation

年份：2006

長度： 03’05”

The creative framework of Twins contains three layers: concept, system and application. It probes the triangular relationship between time, speed and space. The twin sisters filmed standing in corresponding positions are projected on dual screens, between which viewers are guided by an airplane.
This artwork is an attempt to reveal lesser-known facts about twins. Meanwhile, it proposes a point of view between simulation and reality, perhaps quite fitting for a heavily fabricated and fake world.
Using two projectors, two videos of the same frame size are displayed on two opposing walls, showing two twin sisters on a lawn while capturing the change of light during the day. The sisters are both in a stand-still position, eyes closed, merged peacefully with nature. As viewers draw near, a plane in descending glides through the two corresponding screens, connects the two videos, including their backgrounds and the twins’ shared memories, showing how the two are inseparable and interdependent.

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❖ 作品介紹 11

恐怖的一天

蘇匯宇

形式： HD video, color, sound

年份：2006

長度：06’00”

恐怖電影（horror movie）自從問世以來，做為一種經典類型，已經持續影響著人們的世界觀與生活好幾個世代。而透過電影台的持續傳送，這些精心製作的影像不間斷地被傳送到每個家庭的螢幕裡。某個夜晚，由於藥物效果對知覺的影響，我毫無恐懼地看完了某支重播的恐怖片，當下竟毫無驚懼效果。然而隔日醒來，一切卻開始步步驚魂，彷彿我的日常生活也可以是一支恐怖電影。恐怖的聲音、運鏡與剪接，以及對恐怖的想像，此時已經嵌入了我們的生活，沒有更恐怖的事情即將發生，但是這一切卻彷彿是一種恐怖的慣性與標準程序。

❖ Work 11

A Horror Day

Hui-Yu SU

形式： HD video, color, sound

年份：2006

長度：06’00”

Since its inception, horror has been a classic film genre and continued to affect people’s worldview and life for generations. Delicately made images are delivered to every household’s TV via broadcast. One night, after taking medicine, which had blunted my senses, I finished watching a re-run horror, un-scared. It was the next morning that I felt consumed by fear. Life could be a horror film itself, I found. Horrifying sounds, camera moves, editing techniques and the viewer’s own imaginations have all invaded our life. Nothing more horrifying can occur, as if horror had become a habit, or a standard procedure.