折衷異響 ECLECTIC X b!as 

演出地點：台北數位藝術中心 一樓展間

演出時間、場次與演出者：

第一場：2014年11月28日（五）Nov. 28(Fri.) 19:00-21:30
演出者︱CBMI (TW)
演出者︱TESTAV+Scott Allen (JP)
演出者︱HH (TW)

第二場：2014年11月29日（六）Nov. 29(Sat.) 15:00-17:30
演出者︱王新仁Hsin Jen Wang (Aluan) (TW)
演出者︱賴宗昀 Tsung-yun Lai (TW)
演出者︱Drowsiness+中山晃子Akiko Nakayama (JP)

第三場：2014年11月29日（六）Nov. 29(Sat.) 19:00-21:30
演出者︱王福瑞Fujui Wang (TW)
演出者︱Doraptron（伊東篤宏Atsuhiro Ito＋一楽儀光Yoshimitsu Ichiraku）(JP)
演出者︱Galcid＋齋藤久師Hisashi SAITO (JP)
演出者︱Galcid＋齋藤久師Hisashi SAITO (JP)＋Doraptron (JP)

免費入場 Admission free

因場地大小限制，將採取人數管制，請及早入場

主辦單位：台北市文化局、財團法人數位藝術基金會

策劃單位：在地實驗、ALONOAR
承辦單位：台北數位藝術中心

🔈演出介紹

「將臺灣的聲音留下軌跡，並向國際發聲。」

新媒體藝術中，「聲音」是最具穿透性的重要媒介之一。近年來，台灣聲音藝術與各領域融合，生成更多元與創新的發展。結合各種類型的聲音藝術形式，使聲音再次被定義，解構、重組，擺脫過去的制約與束縛，意圖以更自由的方式打破一般大眾對聲音藝術媒材以及表現手法的想像疆界。

繼2003年台灣首次聲音藝術重要展演活動《異響/Bias》引介國際上極具代表性的聲音藝術演出後，《折衷異響2014》透過日本聲音藝術創作者伊東篤宏與台灣聲音藝術家王福瑞、姚仲涵牽線，以帶有混種概念的聲音藝術場景，帶來台日正在發展或成熟的最新聲音創作演出，以在台日新媒體藝術界、電子音樂界長時間活躍以及深具潛力的新興藝術家，透過有如示範演出(showcase)的概念，與台灣在地藝術家共同展演、交流。

由日本策劃的《折衷》，透過巧妙搭配各類影像與聲音創作形式，融合而成新的混種型態，而台灣提出的《異響》，則呈現在多元創作發展下，改變聲音藝術原有的深具藝術/學術性的演出型態，如結合DVJ概念，以音像(Audio visual)創作為主的演出形式，則邀請台灣聲響藝術家姚仲涵和葉廷皓組成的數位音像團體HH，融合聲音藝術與電子音樂，搭配即時影像，創造特殊的空間感知體驗，以及使用電腦及時運算，以遊戲般的方式，將聲音產生的過程視覺化的音像創作者王新仁；日本方面則是由新銳聲音創作者TESTAV與VJ Scott Allen合組的Audiovisual數位音像團體，以及結合電吉他應用類比與現場手工繪製影像的drowsiness與中山晃子的奇幻組合；類比影像方面，則由台灣新生代創作者賴宗昀為代表，因其獨立電影製作背景，運用電影般的影像敘事風格，帶來具旅程路徑感的音像演出。除以電腦運算為主的音像演出外，類比式的合成器也是近年來改變電子音樂場景的重要元素之一，透過日本90年代在夜店有極大影響力的音樂創作者齋藤久師與與新型態女子合成器團體galcid的演出組合，盼能活絡類比合成器的音樂場景。此外，如同《異響》對於新聲音加入的期待，台灣新興跨域創作團體CBMI，則以濃厚的次文化人文精神，為觀眾帶來極具戲謔感的感官體驗。最後，將呈現台日兩國重量級演出者的最新作品，台灣由極具代表性的聲音藝術開創者王福瑞代表，日本則以長年在國際數位藝術圈活躍的一樂儀光與知名日光燈噪音創作者伊東篤宏，帶來結合雷射光與日光燈噪音的最新雙人組合。

我們希望透過《折衷異響2014》，帶來台日最前衛的新媒體藝術創作者精彩的演出，試圖在不同的類型中連結、實驗極端的可能性。承如日方所提出的《折衷》概念，這些演出者分別代表了文化互相交集之下的平衡點，同時，也承續的台灣《異響》的精神，對於未知的實驗性的永遠充滿的好奇的態度與視野，一方面引介國際上極具代表性的演出，一方面則試圖對在地的藝術家提出更多的可能性與挑戰，將創作能量匯集於臺北，連結國際，向國際發聲。

🔈Performance Introduction

Keeping track of the sounds in Taiwan, and promote them on the international stage.

“Sound” is one of the most penetrating media in new media arts. In recent years, the sound arts in Taiwan have incorporated various disciplines to generate a more diverse and innovative development. In combining various forms in sound art, sounds are redefined, deconstructed, and reorganized. Extricating themselves from burden of the past, these sounds go beyond what the public can imagine on the media and expression of sound arts.

Preceded by the introduction of prominent sound art performances in the international sound art exhibition “Bias” in 2003, “Compromise Bias 2014” introduced sound artists Atsuhiro Ito from Japan as well as Fu-jui Wang and Chung-han Yao from Taiwan. They hybridize various scenes in sound art and present developing or developed performances. These active and potential Sino-Japan artists in new media art and electronic music bring sound art showcases to interact with local artists in Taiwan.

Organized by artists in Japan, “Compromise” combines audio and visual forms of art into a whole new hybridized form of art, while “Bias,” organized by artists in Taiwan, transforms the artistic/academic forms of performance into a DVJ form, an audio-visual performance. Sound artists from Taiwan include Chung-han Yao and Ting-hao Yeh, the duo in the digital audio-visual group HH/Taipei, which incorporates sound art and electronic music to create a special spatial perception with real-time images. Another sound artist from Taiwan, Aluan Wang, visualizes the game-like process of generating sound with real-time computing. Artists from Japan include an audio-visual digital group of cutting-edge composers TESTAV and VJ Scott Allen, as well as a magic combination of Akiko Nakayama and Drowsiness with electric guitar analog and on-site hand drawing. Lai Tsung-yun, a young artist from Taiwan, presents a performance of analog images. As an independent filmmaker, Lai adopts the visual narration in film-making, putting forward a journey-like audio-visual performance. In addition to audio-visual performances via computing, analog synthesizer is also a key element to transform electronic music. The combination of Hisashi Saito, a famous composer of pub music, and Galcid, a new female group of synthesize music, can be expected to perk up the scenes of synthesized music. Moreover, as “Bias” welcomes new works, this event welcomes the new crossover group CBMI to present an ironic sensual experience with a strong subculture spirit. Last but not the least, the latest master pieces is presented by Wang Fujui, the pioneering sound artist from Taiwan, and a Japanese duo of Yoshimitsu Ichiraku, an active artist in international digital art, and Atsuhiro Ito, a composer of fluorescent light noises. They will collaborate a presentation of laser beam and fluorescent light noises as a duo.

Through “Compromise Bias 2014,” we hope to introduce excellent performances of avant-garde new media artists and explore the possibility of combining different genres. The artists try to strike a balance between different cultures, just like “Compromise” proposed by Japanese artists. Following the spirit of “Bias,” we stay hungry for unknown experiment, introducing representative performances from abroad on the one hand, and challenging local artists with more possibilities on the other, so as to converge the creative power in Taiwan and connect with international artists.

🔈場次一

演出節目 1

CBMI (TW)

色 流 聲 濫
靈 空 肉 幻

Flooding lusts and sounds
Transient flesh and soul

跨域團體CBMI組成於2010年，專注於新媒體裝置、聲像、劇場創作。
2014年始，CBMI展開聲光創作計畫：「業力引爆」。自對佛道、民俗、新興信仰的觀察為始，關注業、慾的矛盾與指向，再現慾業交雜的虛妄與真實。

CBMI, the interdisciplinary group established in 2010, focus on new media art device, audio-visual arts and theater arts.In 2014, CBMI has initiated their audio-visual creative project of “Exploding Karma.” Starting from the observation on Buddhism, customs, and emerging beliefs, CBMI focus on the contradiction and trend of karma and lust, and represent the real and surreal world of entwined lust and karma.

演出節目 2

TESTAV+Scott Allen (JP)

TESTAV

現為唱片廠牌與多媒體頻道77ROMANCE的主辦人、舞曲樂團WOZNIAK團長、DALLJUB STEP CLUB和OUTATBERO、Techno樂團Beat maker Yuta Hoshi成員。2013年冬季起，開始以東京的夜店為中心，在各地進行表演。透過現場收錄合成器、甚至場地的雜音，將每個聲音做為最基本建構元素，真誠、冷靜地將音樂在被送入耳中之前，精準的穿過聽眾的心。近年並於知名樂器公司Roland擔任合成器和鼓機新產品的測試研究員。

http://yutahoshi.tumblr.com/

TESTAV is the founder of the record brand and multimedia channel 77ROMANCE, the leader of WOZNIAK, and a member of DALLJUB STEP CLUB, OUTATBERO, and a Techno group Beat maker Yuta Hoshi. He has performed pubs in Tokyo among other places since the winter of 2013. By collecting the synthesizer and even noises on site, TESTAV composes with each sound, thrusting his music into the audience’s heart in a sincere and calm way. He has worked as a testing researcher of new synthesizers and drum machines for Roland, a renowned musical instruments corporation.

Scott Allen

現為新媒體藝術家、VJ、創意程式設計師。
2008年開始藉著擔任Wozniak的VJ作為契機，開始演出，以即時接受到的聲音為關鍵，透過程式控制即時產生的影像進行表演。此外，他也在演出中透過張貼在社群網路的文章，或藉由智慧型手機的操作與介入而產生的影像進行表演。

http://scottallen.ws/

Scott Allen is a new media artist, VJ, and creative programmer.
In 2008, he started his career as a VJ for Wozniak. He performs by programming an instantaneous image prompted by real-time sounds. In addition, he also performs with the image generated by posting on the social network, or operating and intervening of a smart phone.

演出節目 3

HH (TW)

HH / Taipei，成立於2013年，由姚仲涵與葉廷皓兩位聲響藝術家共同創作，
從實驗聲響走向電子音樂，以創作者身分自行混種之Audio-Visual團體。 聲音創作以強烈的節奏為主體，將噪音組織發聲，混種於聲音藝術與電子音樂之間。視覺則以聲音數值即時驅動影像流變，企圖用視覺創造特殊的空間感知體驗，形成不同感官之間的轉換與互補。

http://hh-live.net/

HH Taipei was established in 2013 by sound artists, Chung-han Yao and Ting-hao Yeh. They collaborated as an Audio-Visual duo, exploring the possibilities of transforming experimental noises into electronic music. They use strong beats as main feature of their composition, reorganize noises, and hybridize them into something between sound art and electronic music. They also use volume data to drive the transformation of images real-time and attempt a special spatial perception by visual means, resulting changes and complements between different senses.

姚仲涵

1981年生於台北，國立臺北藝術大學科技藝術研究所藝術碩士畢業，擅長聲音及空間裝置藝術。2005年發起聲音組織「i/O Lab.」，策劃台灣年輕創作者的演出計畫如「南海啥聲」、「失聲祭」、「聯音計畫」、「混種現場」，致力推廣台灣聲音藝文化的向下紮根，為台灣十分活耀之聲音藝術家。

Born 1981 in Taipei, Taiwan. YAO devoted himself to sound, installations and live performances. His works showed the dialogue between lights and sounds, trying to evoke the sense of the bodies of audiences. As an active emerging sound artist, YAO founded “i/O Lab.” to organize sound performance events including “Nan-Hai Sound”, “Lacking Sound Festival”, “U*SOUND” and “On Site” since 2005. These events gave young sound artists a stage, also brought more audiences into this field in Taiwan.

葉廷皓

國立臺北藝術大學科技藝術研究所藝術碩士畢，作品多聚焦在聲音與影像之間的關聯，並且大量參與台灣聲音場景活動，如超響、失聲祭。為台灣少數兼具程式影像與後製動畫能力之藝術家。除了個人作品之外，近年也參與舞蹈與劇場製作，作品遍及香港、柏林、巴黎、波士頓與葡萄牙。現為i/O Lab.、一當代舞團與HH成員。

Yeh holds Master of Fine Arts from the Centre of Arts and Technology, Taipei National University of the Arts. His works showing the relationship between sound and visual also participated in many Taiwan sound scene such as TranSonic , Lacking Sound Festival. He is one of the very few Taiwanese artists who are capable of image programming , post- production and animation. Besides his own work, he has been participating in dancing and theatrical production throughout Hong Kong , Berlin , Paris ,Boston and Lisbon. He is currently a member of i/O Lab, YiLab and HH.

﹉﹉﹉

🔈場次二

演出節目 1

王新仁 Hsin Jen Wang (TW)

動態中心3.0 (Dynamized Center 3.0)

因為每個宇宙都在自身的環繞裡自成天地，每個宇宙都集中於一個核心、一個胚胎、一個動態平衡的中心；這個中心強而有力，正因為它是一個想像的核心。

Because every universe is enclosed in curves, every universe is concentrated in a nucleus, a spore, a dynamized center. And this center is powerful, because it is an imagined center.

王新仁，畢業於台北藝術大學新媒體藝術學系碩士班，主要專長為多媒體影像設計、互動程式、網頁設計等。2010年後積極投入OpenLab Taipei的自由軟體推廣活動，在國立臺灣美術館、台北當代藝術館、DAC台北數位藝術中心，工研院創意中心、及多所大專院校都俱授課經驗。除了推廣自由軟體外，也幫劇團、舞團設計互動影像，目前則專注在AudioVisual的創作上。

http://www.dazegraffiti.com/

Hsin Jen Wang (Aluan) graduated from New Media Department, Taipei National University of the Arts , specializes in multimedia design. His creation is AudioVisual performances. Since 2010, Aluan is actively involved in the promotion of free software with OpenLab Taipei, and also designs interactive images for theater and dance performances.

演出節目 2

賴宗昀 Tsung-yun Lai (TW)

賴宗昀

Tsung-yun Lai 1988年出生，就讀台北藝術大學新媒體研究所。現為失聲祭策展人之一，曾以ET.Lab共同發起策劃跨領域展演《穴居者》計劃。創作以音像為始，對於生命狀態意義的追尋。近年來因大量接觸聲響表演後也開始了個人的演出計劃。

https://www.youtube.com/user/lty9623/videos

Born in 1988, Tsung-yun Lai is a grad student in Department of New Media Art, Taipei National University of the Arts. Currently, he is one of the curators of Lacking Sound Festival, an has initiated the Caveman Project, an interdisciplinary performance project with ET. Lab. He seeks the meaning of life in his works with audio-visual creation. In recent years, he has planned personal performance after attending plenty of audio-visual performances.

https://www.youtube.com/user/lty9623/videos

演出節目 3

Drowsiness+中山晃子Akiko Nakayama (JP)

Drowsiness

2011年3月由兩名電吉他手所組成。排除節奏或其他聲音，不使用鼓機與電腦，僅透過電吉他演奏出充滿律動感的音符。音樂作品於國內外的展覽或美術館、畫廊以及各企業影像中嶄露頭角，也積極地參與各種合作專案。曾與IKUE MORI、Cutsigh（AUDIO ACTIVE）、伊東篤宏、Nhhmbase、Jimanica等藝術家共同演出。2013年6月限量推出他們的第二張專輯「Indifference」。9月與當代藝術團體「in.out.project」共同於台灣進行巡迴演出。2014年11月，發行新專輯「Liberation」。

http://coin3trn.blogspot.jp/

Drowsiness was established in March 2011 by two guitarists. Without a drum machine or computer, they convey rhythmic melodies merely with electric guitars. Their compositions are highly recognized in exhibitions, museums, galleries, and commercial images home and abroad. They aggressively look for opportunities to cooperate in various projects. They have performed with Ikue Mori, Cutsigh（AUDIO ACTIVE）, Atsuhiro Ito, Nhhmbase, and Jimanica. Along with a contemporary art group in.out.project, Drowsiness had tour performances in Taiwan in September 2o14. They launched their new album Liberation in November, 2014.

中山晃子Akiko Nakayama利用充滿色彩與流動性的能量，將栩栩如生的畫作展現於眼前的藝術家。
在現場演出中畫出的「ALIVE PAINTING」，是與空間呼應，同時調和液體與素材的作品。以此作品為起點，積極參與音樂錄影帶製作，影像表演，裝置藝術等領域。 近年來，曾參與「灰野敬二生誕祭」、「鼓童」，以及由高平哲郎演出的「坂田明—平家物語」等演出，與日本樂團「9mm parabellum bullet」的PV（短版音樂錄影帶）製作等，不斷地提升自己演出的境界。

http://www.akiko.co.jp/akikoweb/top.html

She presents the audience vivid paintings with colorful and fluid power, creating “ALIVE PAINTING” on site, a work responding to the space and mixing liquid and materials in harmony. Starting from this work, she has actively participates in the recording of music video, performances with visual effects, and installation art. In recent years, Nakayama has sharpen her performance skills by taking part in Keiji Haino Birthday Concert, Kodo, Akira Sakata/ The Tale of the Heikei by Tetsuo Takahira, and the production of 9mm parabellum bullet’s PV, a short music video.

﹉﹉﹉

🔈場次三

演出節目 1

Galcid＋齋藤久師 Hisashi Saito (JP)

Galcid
自稱合成器女子二人組的galcid，喜愛瘋狂蒐集類比合成器，並於網路直播平台Ustream製作「合成器咖啡廳」節目，以淺顯易懂的方式解說合成器的魅力與基礎內容。雖然是兩個女生所創作的聲音，內容卻是跟少女一詞完全擦不上邊的重酸電子音樂，帶來無法預料、奇想一般的即興演出。看似沉穩的兩人卻能做出無法想像、充滿攻擊性的音樂，就連男人也自嘆不如。2013年12月於LIQUIDOMMUNE的表演，曾與石野卓球及FUMIYA TANAKA等知名DJ共同演出，更擴展了她們的演出實力。

http://www.neuronrecords.com/

Galcid, as what they address themselves, is a female synthesizer duo. They are crazy about synthesizers, and host a program “Synthesizer Café” on Ustream to explain the basis and charm of synthesizers in an easy way. Their works, though created by two girls, are indeed acid electronic music, far from feminine. Their improvised performance is unexpected like a fantasy. The seemingly composed duo can make aggressive music beyond imagination, and men are even put to shame by that. In December 2013, they have performed with famous DJs, like Takkyu Ishino and Fumiya Tanaka, in Liquidommune, further enhancing their capability.

齋藤久師 Hisashi Saito
1991年於日本唱片廠牌Victor Entertainment發表了出道作「GULT DEP」。參加過「Y Seth King」、松武秀樹率領的「Logic system」等團體，也曾參與將全世界的熱門歌曲製成8位元音樂的「8bit project」歐洲巡迴演出。曾以音樂團體「pulselize」為名，透過唱片品牌Neuron Records連續發行許多作品。最新發行的著作「DTM Techno 99」也廣受好評，並在合成器同好會「合成器酒吧」中擔任製作。目前以音樂創作者的角度深入參與Roland所製作的樂器「AIRA」的研發。

http://www.neuronrecords.com/

Hisashi Saito released his first album Gult Dep by Victor Entertainment. He has been a member of Y Seth King, Logic system led by Hideki Matsutake, and the European tour of 8bit project, which remixing hit songs worldwide into 8 bit music. Saito has also published many works in a row under the group of Pulselize by Neuron Records. His latest album DTM Techno 99 also received wide acclaim. Now he works as a producer in Synthesizer Café, a synthesizer club. As a composer, he also takes part in the development of AIRA, a musical instrument made by Roland.

演出節目 2

王福瑞 Fujui Wang(TW)

噪聲器 Noise Machine
《噪聲器》是一系列手工自製電子樂器、電路擾動、硬體駭客和類比錯誤的創作計畫，《噪聲器》是結合電路擾動的音頻振盪產生器與序列產生器，電子頻率的不確性與變化的節奏相互干擾，可控制與不可控制的流動狀態，從原始科技的電子聲響解放。

Noise machine is a creative project from handmade electronic musical instruments, current disturbance, hardware hacker, and analog errors. This project combines the disturbed current in frequency oscillator, with the disturbance between the uncertainty of electronic frequency and various rhythm, controllable and uncontrollable current, so that the work is freed by the electronic sounds made by primitive technology.

王福瑞 Fujui Wang
台北藝術大學 「藝術與科技中心 (Center of Art and Technology)」未來聲響實驗室主持人。主要專長為聲音藝術、互動藝術。1993年成立台灣第一個實驗音樂廠牌和刊物「Noise」，2000年 加入「在地實驗」，是台灣媒體藝術發展中少數以團體實驗室方式進行數位藝術的實驗、實踐與探討，是早期少數以即時互動為主的創作實驗團體，並推動「異響 /Bias」聲音藝術展與「台北數位藝術獎」聲音藝術類別，將聲音藝術推展成國內數位藝術具有特色的領域。近年策展「台北數位藝術節」，2008年起策劃 「超響」聲音藝術展演，帶動國內新一波數位藝術發展。近十多年來一直致力於聲音藝術、數位藝術的創作與推廣。

http://soundwatchtw.blogspot.tw/

Fujui Wang, Head of the Trans-Sonic Lab in center for art and techology of Taipei National University of the Arts, specializes in sound Art and Interactive Art. Fujui Wang is the pioneer of Sound Art in Taiwan, who established the first experimental sound zine/label NOISE/Taiwan in 1993. In 2000 Wang joined ETAT and initiated BIAS Sound Art Exhibition and Sound Art Prize in the Digital Art Awards Taipei. His arts activities contribute to enhancing Sound Art as a new genre in Taiwan’s art scene. He has curated The Digital Art Festival Taipei and “TranSonic” sound art festival. Fujui Wang is dedicated to making and promoting Sound Art and Digital Art creativity in more than a decade.

演出節目 3

Doraptron (JP) （伊東篤宏 Atsuhiro Ito×一楽儀光Yoshimitsu Ichiraku ）

伊東篤宏Atsuhiro Ito
生於1965年。80年代後期開始從事視覺藝術工作，並於1998年開始在展覽中進行聲音演出。伊東所發明的聲音裝置「OPTRON」以日光燈管為主要材料，燈管也同時應用在他其他的藝術裝置上。至今伊東仍然致力於追求裝置的完美，並且從當代藝術的觀點探索聲音和音樂的可能性。 除了展覽與表演之外，伊東也參與許多樂團的演出，Optrum、Imai Kazuo TRIO、OFFSEASON等。Optrum曾於2006年發行專輯「Recorded」，伊東也於2009年自行成立公司－「GOTOBAI recordings」，發行個人表演DVD 「OPTVISION」。最近與德國電子音樂創作者Alva Noto與Byetone近年組成的電子音樂團體「Diamond Version」已於不同的國家進行多場演出，2011年發行由音樂廠牌BLACKSMOKER RECORDS推出的個人專輯「Midnight Pharmacist」。2013年6月開始，OPTRON與鼓手的兩人樂團「Optrum」的第二張專輯「Recorded 2」，則由unknownmix / headz發行。

www.gotobai.net
www.japanimprov.com/aito

Born in 1965, Atsuhiro Ito worked at visual art in the late 80s, and conducting audio performances in his exhibition as of 1998. He uses Optron fluorescent tubes to devise his sound machine, and he also applies the tubes to other art devices. Ito pursuits perfection of his devise, and explore the possibilities of sounds an music from the perspective of contemporary art. In addition to exhibition and performances, Ito also engages himself in bands, including Optrum, Imai Kazuo Trio, Offseason. Optrum realeased Recorded in 2006, and Into established his own company GOTOBAI recordings to release his personal DVD Optvision. Recently, he organized an electronic music group, Diamond Version with two Germany electronic music composers, Alva Noto and Byetone, and has toured many countries. Ito released his personal album Midnight Pharmacist by Blacksmoker Recordings. The band Optrum, now is a duo of OPTRON and a drummer, released its second album Recorded 2 by Unknownmix/headz as of June 2013.

一楽儀光Yoshimitsu Ichiraku
根據鼓而建立的電腦控制系統「DoraVideo」是身為鼓手的一樂儀光所創造的獨奏表演。2012年，因長期擔任鼓手造成腰痛而引退的他，隨著之後電子公司tkrworks長期開發的音樂影像即時REMIX樂器「DORAnome」出現而再度展開音樂生涯。不像一般樂器製作的音樂，他依據自身的理念創造出獨一無二的音樂。 藉著「DoraVideo」，一樂儀光在全世界的搖滾音樂祭、爵士音樂祭、媒體藝術祭、電影節、藝術節等活動受到許多好評。2005年在「ARS Electronica」得到當年數位音樂部門的榮譽提名Honorary Mention大賞。2007年6月接受藝術界最高榮譽威尼斯雙年展邀請，2008年8月亦代表日本出席西班牙世界博覽會。2009年曾參與知名節目「SMAP×SMAP」演出。在知性，甚至嚴謹的作品充斥媒體藝術界的同時，他的作品卻中包含著通俗，粗野，甚至低級的娛樂性。目前他正透過Vestaxs公司及CACIO公司等提供的器材製作完成度極高的「DORAnome3」。

http://doravideo.net/

Developed by Yoshimitsu Ichiraku, DoraVideo is a computer system controlling drums as well as a solo of him. Having been suffering from waist pain , Ichiraku resigned as a drummer and restarted his music career when Tkrworks released DORAnome, a real-time remixing instrument of music image. Unlike the music from other musical instrument, Ichiraku composed is unique music with his own ideas. With DoraVideo, Ichiraku are well-received in rock music festivals, Jazz festivals, media art festivals, movie festivals, and art festivals worldwide. In 2005, nominated by the digital music department, he won the Honorary Mention in Ars Electronica. In June 2007, he was invited to participated in La Biennale di Venezia, and attended World Expo in Spain on behalf of Japan in August, 2008. In 2009, he took part in the performance in SMAP x SMAP. In the field of new media art with overwhelming serious works, Ichiraku’s works incorporate common, coarse, and even vulgar entertainment. Currently, with the instruments sponsored by Vestaxs and Cacio, he is making DORAnome3, a highly completed work.