《Kinetoscope》活影活現動畫展

ꕥ 展期 Duration：2010/06/19 (六) – 2010/07/25 (日)

ꕥ 地點 Venue：台北數位藝術中心

ꕥ 地址 Address：111台北市士林區福華路180號；近捷運淡水線芝山捷運站二號出口

ꕥ 展覽介紹

執行長序

台北數位藝術中心繼2009年魔幻動畫展，今年邀請了旅居台灣非常關心台灣文化發展的法籍動畫導演Karim Turbez和台灣動畫創作者張正霖攜手策劃KINETOSCOPE－活影活現動畫展，原初的策展理念以偶動畫和一部動畫片的製作過程為展覽軸心，藉由兩位策展人對於台灣動畫產業的熟悉，嘗試性邀請台灣動畫創意公司參與展出，由於動畫製作須投入龐大資源和許多商業性的行銷策略，因此在台灣屬於個人獨立創作比較少見，但出乎意料地多數動畫公司對此展覽有著正面的肯定與參與意願，促成了這次動畫產業首度結合在台灣數位藝術的領域之下，聯合發表作品，添增了KINETOSCOPE－活影活現動畫展的特殊性，這次的展覽不但可以讓觀眾進一步了解台灣的動畫產業，並且搶先觀賞多部尚未公開播映的影片。
KINETOSCOPE－活影活現動畫展共分為「台灣動畫產業」、「獨立動畫創作」和「丹麥動畫學院」三大主軸，除了包括台灣十間動畫創意公司的原創作品之外，「獨立動畫創作」共邀集了國內外六位獨立創作者，其中四部偶動畫的創作者分別來自於美國、德國和台灣等國家，雖然風格迥異，但皆存有顯著的個人特色。此三大主軸之動畫影片其內容構思、媒材運用、創作風格形成三大鮮明色塊，也凸顯了活影活現動畫展的獨特性。
台北數位藝術中心在暑假期間將舉辦多場動畫導覽、論壇和工作坊，為了使觀眾進一步了解偶動畫的製作過程，還特地邀請日本偶動畫師比嘉兄弟(Higa bros.)來台參與創作論壇和偶動畫研習營，此次展覽不僅跨足動畫產業界，並與學界和社區共同合作推廣台灣動畫，台北數位藝術中心歡迎大眾進入偶動畫的奇幻世界。

Foreword from the CEO
Followed by the “ANIMA” Exhibition 2009 held at Digital Art Centre, Taipei Karim Turbez, the famous French animation director, who resides in Taiwan and has constantly been concerned about the development of Taiwan culture, is invited by the organizer, to work with Taiwan animation creator, Cheng-Lin CHANG, for the planning of KINETOSCOPE Animation Festival 2010. The original design is to choose puppets animation and production process of a certain animation as the core of exhibition, furthermore, several Taiwan animation creation companies are expected to participate under the invitation of both organizers with rich experiences and know-how in the area. Since numerous resources and commercial marketing strategies are required by animation production, the individual creations are relatively rare in Taiwan. However, beyond our expectation, quite a few animation companies confirm the accomplishment of exhibition and express their enthusiasm for participation, which facilitates the first joint display of Taiwan animation industry of digital art, also enhances the uniqueness of KINETOSCOPE Animation Festival. The visitors are not only allowed to better understand Taiwan animation industry, but also to be the spectators enjoying several films before the public display.
Three major sections constitute the KINETOSCOPE Animation Festival, namely, Taiwan animation industry, Individual Animation Works, and Denmark Animation Workshop, apart from the original works of ten Taiwan animation companies, the section of individual animation works includes the partaking of six domestic and international individual creators; four of their works are from the US, Germany, and Taiwan respectively, although highly different in style, but personal characteristics are well kept. The animations of these three sections are strong distinguished in terms of content conception, media materials application, and creation style, forming the uniqueness of KINETOSCOPE Animation Festival.
Digital Art Centre, Taipei schedules a number of animation exhibition guides, forums and workshops during the summer vacation. In order to let visitors further realize the production process of puppets animation, the Centre especially invites Higa brothers, the eminent puppets animation masters in Japan to Taiwan for taking part in the creation forum and puppets animation seminar. The exhibition 2010 broadly covers the animation industry, with the aim to promote Taiwan animation in collaboration with academic domain and community. Digital Art Centre, Taipei enthusiastically welcome each one of you to join us and enter the fantastic world of puppets animation.

黃文浩 Huang,Wen-Hao

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致理技術學院校長序

數位藝術於現在已不是個陌生詞彙，它更是凸顯科技時代所演化的新生活模式。日常生活中一些便利的微小科技一旦成為創作元素，都可讓藝術更貼近生活經驗，喚起大眾的共識，原創性的動畫更是如此。台灣從七○年代動畫代工角色至今轉變成為具有原創性的動畫大國，整個動畫界逐漸改變型態，將牽動著台灣動畫教育。
過去台灣統一性的教育無形中扼殺了學生許多的創意和想像力。為了增添台灣藝術圈、設計業界或文化相關產業新血，培育具有創意的動畫人才，一直是本校多媒體設計系的教育目標之一，本校多媒體設計系旨在培養學生具有數位內容應用之設計能力，敏銳地觀察週遭環境的能力，並能關注藝術在數位時代的持續發展，在技與術兼具之下，孕育新一代的藝術家、設計師或文化人。
在本校多媒體設計系林育弘主任的策劃下，本校首次和台北數位藝術中心合作協辦KINETOSCOPE－活影活現動畫展，期能讓有志於數位藝術發展的業界人士或學生透過此展覽，更瞭解未來動畫產業的發展方向，或是各種小型工作室的創作機會等。為了結合產學界的多元面向，在本校所舉辦的「國際偶動畫研習營」也特別邀請日本動畫師比嘉兄弟、法國動畫導演Karim Tubez和產業人士擔任演講人，透過論壇、研習營或工作坊，與業界大師相互切磋，讓與會人士與學生的美學視野和專業，有所精進。

致理技術學院 校長 尚士昌 博士

Foreword by President of Chihlee Institute of Technology
Digital art is no more a strange term and it punctuates a new living model evaluated with technology era. In our daily life, once convenient and micro technology become creation elements, art will be closer to our living experience and the public awareness will also be improved. This also applies to animation film creation. Since the 1980s, Taiwan gradually transformed itself from an OEM maker to original animation creator and the gradual changes of the whole industry also led animation education in Taiwan.
In the past, Taiwan’s uniform education system killed creativity and imagination. Cultivating creative animation talents for the art circle, design industry or culture related industry has long been the education goal of the Department of Multimedia Design of the Institute which aims to equip students with the design ability to apply digital contents, to observe the surrounding environment, and to care for the continuous development of art in digital era, the next generation artists, designers, or cultural workers with technology and art literacy.
Planned by Director of the Department of Multimedia Design of the Institute, Mr. Yu-Hong Lin, we, for the first time, cooperate with Digital Art Center, Taipei to organize KINETOSCOPE for the participation of talents and students interested in art development, the understanding of future development of animation industry, or provision of creation opportunities for small scale studios. In order to facilitate diversified academic and industrial cooperation, the Institute also organizes the “Workshop” and invites Higa Brothers from Japan, French animation director, Karim Tubez, and industrial leaders to be presenters. Through forum, workshop, or study session, participants are able to learn from these gurus and that will definitely benefit their aesthetic vision and profession.

President
Chihlee Institute of Technology
Dr. Shin-Chang Shan

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策展理念

動畫的概念，從千年以前的古埃及壁畫上，可以看出古人已經具有豐富的想像力，能使用有意義的連續圖像來表達事物的變化。19世紀時出現了一種稱為幻影箱(Zoetrope)的觀賞玩具，透過一條纖細的窄縫觀看旋轉的圓筒紙，能讓觀賞者產生繪畫在運動的錯覺。
19世紀末期，動畫和攝影產生結合，從手繪的信手塗鴉，到任何能夠移動、運動的各種媒材，經過攝影連續的播放之後，都能成為傳達動畫想像力的表現方式，活動電影放映機的出現「KINETOSCOPE」，使得動態影像正式進入了大眾娛樂與想像的世界。21世紀的今天，動畫的呈現方法、其媒材多樣性與題材深度，已經成為一種體現文化、結合商業與藝術應用，超脫現實與虛幻的表演形式。
連續的圖片在高速轉動下，所造成的視覺暫留，是動畫藝術的基礎概念，故本次展覽以「KINETOSCOPE」這款早期的活動式電影放映機為題，象徵動畫藝術家憑藉豐富想像力與靈巧雙手，逐格打造出部部經典的堅定美學，更期望從觀者內心開啟對動畫藝術的肯定。
國內動畫同業的多年辛勤耕耘，卻鮮少有機會曝光於台灣民眾面前，一般社會大眾對動畫的印象多半還停留在歐美與日本動畫，今年有幸能夠邀請到國內具代表性的動畫公司共襄盛舉，希望能夠透過這次展出的機會，讓國人對於台灣本土產業在動畫創意上的專業及努力有更深一層的瞭解；另外也囊括了國際知名的丹麥動畫學院以及獨立創作人參與展出，透過宣傳優秀的國內外動畫作品，讓一般民眾以及未來想從事相關行業的新鮮人，體會到動畫的無窮魅力。

Concept of the Exhibition
The idea of animation can be found in ancient Egypt cave paintings which revealed the abundant imagination of people at that time and their attempt to convey the perception of change through series of drawings. In the 19th century, zoetrope was a toy consisting of a cylinder with slits cut vertically in the sides. As the cylinder spins, the user sees a rapid succession of images producing the illusion of motion.
In the late 19th century, with the combination of animation and photography, from hand-drawn sketches to any movable devices, by applying the theory of continuous photographic display, all become ways for artistic performance. Today in the 21st century, with unique production styles, varieties of media available, along with exploration of themes in depth, animation has become a form of cultural experience. It links up business and art application; meanwhile transcends reality and illusion as well.
The optical phenomenon of persistence of vision made by continuous moving images at a fast speed is the principle of animation art. The exhibition 2010, therefore chooses KINETOSCOPE, the forerunner of film projector as subject, signifying the animation artists creates classic permanent esthetics one partition after another, with their rich imagination and skillful hands, for directing the viewers to recognize the achievement of animation art from the bottom of heart.

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策展人

Karim Turbez
1974年出生於法國北部瓦朗謝訥市
現職插畫家、腳本寫作、影片及動畫前期製作

動畫作品：
東森電視影集《森林總動員》
「肯德基」年度3D廣告製作
幻想曲”蝕憶巨獸” 3D模型製作參與創意發想
“GARB’AGE”創意發想與3D模型製作
“STAR SHOW”電影動畫製作
“HARICOT VERT”導演
“LOST” 動畫導演及製片
資策會計畫”THE BOY AND THE SEA” 導演及製片
“AIRA”動畫導演及編劇
Karim Turbez was born in Valenciennes, French in 1974
Specialize as Illustrator, scrip writer, film and animation Pre-Production
Animation Works：
ETTV animation series “Samiyam”
Annual 3D ad of KFC
Creative thinking, 3D model making of “GARB’AGE”, 幻想曲”蝕憶巨獸”
“STAR SHOW” animation movie
Director of “HARICOT VERT”, “LOST”, ”THE BOY AND THE SEA” and “AIRA”.wan

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張正霖 Chang Cheng-Lin (Will Chang)

1982年生於台北
2006 畢業於銘傳大學 數位媒體設計系

多媒體製作
影片及動畫後期製作
製作系統整體規劃整合
製作流程規劃

2009 “AIRA”短片動畫 副導演及技術指導
2007-10中國技大學線上互動課程 後期製作剪輯
2010 “Olympos” 預告片 副導演及技術指導

Chang Cheng-Lin (Will Chang)
born in Taipei, Taiwan in 1982

Special in video/animation production, post production,
intergration and design of production system,
production workflow.

2007-10 Post production of online course video, China University of Technology
2009 Co-Director&TD of AIRA shortfilm
2010 Co-Director&TD of Olympos Trailer

ꕥ 台灣動畫產業 Taiwan Animation Industry

ꕥ 作品介紹 1

《卡滋幫 Katz Fun》頑石創意

長度/Length：10 min 特別剪輯版
年份/Year：2010
技術/Technique：高清3D電腦動畫 / FULL HD 3D Animation

影片介紹：

【故事簡介】

在一個充滿想像的世界裡，

一種能激發孩子們無限潛能的神奇力量，

它的名字就叫做

——「卡滋」！

【卡滋幫】是一個關於友情、發揮潛能和團隊合作的故事，【卡滋】則代表著能夠激發小朋友潛能的神奇力量，以充滿活力的小老虎形象呈現。

【卡滋】珍貴而又強大的神力，讓黑暗使者燃起了熊熊野心，不斷出奇招進行奪寶行動，因此一群視卡滋為好朋友的小孩們，便組成了「卡滋幫」，誓言保護卡滋！在一連串的事件裡，卡滋幫的孩子們紛紛透過卡滋力量讓潛能覺醒，並運用各自的天賦一同解決各種困難，不但加深了彼此的友誼，也在這段冒險旅程中肯定自己。

【本次參展動畫故事簡介】

第九集 虎姑婆的紙偶戲(特別剪輯版)

愛鬥嘴的酷兒和黑兒把虎姑婆故事編得亂七八糟，但他們說著、說著，故事竟然成真了！酷兒和黑兒都變成小老虎，卡滋還變成了虎姑婆！蝶兒發現這是黑暗使者拿「黑暗音樂盒」使出的把戲，她該怎麼幫大家恢復原狀呢？

Synopsis:
The series revolves around Katz, a magical creature, and his group of friends from Bent-Boo Village. In the midst of all their fun, The Dark Messenger uses different evil tools to try to steal Katz and disturb the tranquility of the Village. In order to keep Katz away from the Dark Messenger, his friends form the energetic Katz Fun!

Katz inspires everyone’s potential to fight the Dark Messenger. Although they sometimes quarrel with one another, the Katz Fun members ultimately become united when facing the Dark Messenger.

Episode Length : 13 episodes x 22 minutes

Synopsis of the Special Edition for this Exhibition

Tiger Auntie’s Paper Puppet

Special Edition

One of Luke’s and Heavy’s stories gets out of hand as it becomes reality. Is this the work of Dark Messenger?

頑石創意(Bright Ideas Design)
「頑石創意」是一個執著於文化藝術推廣的創意團隊，自1999年開創以來，便擅長以新穎、活潑的科技語言與設計， 透過多媒體、動畫、遊戲、虛擬實境等娛樂科技重新詮釋文化內涵，將無形的文化資產帶入流行的設計風潮，讓這些傳統的藝術更貼近社會大眾生活，
並積極向世界發聲，打造台灣藝術多媒體的第一品牌，贏得法國博物館最高成就獎，可以說是華人世界中最令國際期待與感動的創意團隊。

“Bright Ideas Design” is one of the finest digital content development companies in Taiwan. For years, we have been endeavoring in combining art and humanities with digital technology.

Engaging in the development of multimedia CD-ROM titles with creative ideas and humanistic touch, we attempt to show you the beauty of art and humanity. Established in 1999, Bright Ideas CD-ROM Series have won many important awards for digital content both in Taiwan and abroad, earning global acclaim. For example, Whisked Tea of Sung Dynasty has won the Japan Digital Content Grand Prix 2002.

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ꕥ 作品介紹 2

《Jokes,Mr.EQ,PeePeeDog》青禾動畫

Jokes,Mr.EQ,PeePeeDog

長度/Length：5min 40sec
年份/Year：2009
技術/Technique：2D 電腦動畫 2D animation

影片介紹：

2006年“Jokes”動畫系列短片，贏得法國MIPCOM Mobile TV Awards 最佳原創內容獎 (2006 MIPCOM Mobile TV Awards- Best Original Made for Mobile Film or Video Content)的殊榮，以一系列充滿爆笑搞怪的角色、豐富的內容及多元的題材，提供紓壓的管道、學習幽默的人際溝通及情感表達，透過精采有趣的動畫，使人與人之間更加融洽。

Synopsis:

In 2006, the short animated film titled “Jokes ” took the Mobile TV Awards for 「Best Original Made-for-Mobile Film or Video Content」at MIPCOM in Cannes, France . The award is the most honorable and encouraging achievement for the studio .

青禾動畫(Green Paddy Animation Studio)
青禾動畫成立於1991年，主要業務為原創動畫內容開發及衍生產品授權。
2005~2006年“微笑的魚”動畫電影短片，獲得包括亞太影展最佳動畫、柏林影展國際評審團特別獎等十多項國際影展的肯定。
2006年“Jokes”動畫系列短片， 贏得法國MIPCOM Mobile TV Awards 最佳原創內容獎的殊榮，以一系列充滿爆笑搞怪的角色、豐富的內容及多元的題材，提供紓壓的管道、學習幽默的人際溝通及情感表達，透過精采有趣的動畫，使人與人之間更加融洽。

Green Paddy Animation Studio founded in 1991, and the studio aimed at :
1. Creating and developing animation contents.
2. Executing authorization of digital contents and derivatives.
During 2005-2006, the short animated film titled“A Fish With Smile”won lots of international awards including 「The Best Animation of 51st Asia-Pacific Film Festival」、「The Special Prize of the Deutsches Kinderhilfswerk」…etc .

In 2006, the short animated film titled “Jokes ” took the Mobile TV Awards for 「Best Original Made-for-Mobile Film or Video Content」at MIPCOM in Cannes, France . The award is the most honorable and encouraging achievement for the studio .

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ꕥ 作品介紹 3

《OOPS!惡搞兔勢力 》創意核

長度/Length：6min
年份/Year：2010
技術/Technique：3D電腦動畫3D animation

影片介紹：

OOPS! 惡搞兔勢力：關於住在同一個屋簷下的4隻寵物兔之間發生的趣事。主角搗蛋鬼OB發揮創意將家中的日常生活用品改裝成搞笑武器，來對抗他的死對頭–驕傲的姊妹花DOMO2。精力旺盛的搗蛋鬼OB是個創意無限的發明王，他和死黨GAMA在浪跡街頭多年後終於被人收養了，但沒想到同一個屋簷下居然住了寵物界的當紅明星DOMO2姐妹花！目中無人的DOMO2讓OB忍不住想要捉弄她們一番。而財力雄厚的DOMO2則購買了許多高科技武器、在屋子裡設下重重機關，打算給一天到晚惡作劇的OB一點教訓！問題是，OB真的能靠他的無厘頭創意打敗他的死對頭嗎？

Synopsis:
Oops! is a character-driven comedy about how OB the troublemaker turns everyday household items into crazy weapons to battle DOMO2, the rival twin sisters who live in the same house! Mischievous, curious, and energetic, OB is full of crazy ideas on playing pranks and invention! With his creativity, OB turns household items into unconventional lethal weapons, and even forks, toothbrush, and ketchup can become hazardous materials! The battle between the pets is about to begin; yet, can OB defeat DOMO2 using the funny weapons he creates with ordinary household items?

創意核(iNEXT creator)
創意核：成立於2004年，核心專長是卡通角色設計與3D動畫製作，並致力於發展以卡通角色為核心的多元內容與衍生產品。創意核將自己定位為數位內容的創意引擎，扮演整合關鍵創意、動畫技術和市場開發策略的核心角色，發揮其核心專長，開發具有市場魅力的卡通角色以及感動人心的動畫故事，以授權的模式積極與國內外優秀廠商策略合作，全方位地開發跨平台的內容與商品。

iNEXT creator, a creator-driven animation studio based in Taipei, is committed to develop multi-platform contents based on characters with strong merchandise appeal. Our core expertise is 3D animation and we have produced about 600 minutes of original TV series for our clients. With creativity, technology and strategy, we will tell the world our story and are looking forward to working with creators, producers, and distributors worldwide.

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ꕥ 作品介紹 4

《姆姆抱抱 MuMu Hug》首映創意

長度/Length：4 min 20 sec
年份/Year：2006
技術/Technique：3D電腦動畫 3D Animation

影片介紹：

姆姆是一隻生活在小小島嶼上的可愛生物，有著光滑的皮膚，以及圓圓軟軟的身體，最喜歡給朋友來個大大的擁抱了﹗可愛的姆姆隨著小小島嶼，在海面上不斷四處漂流。在變化萬千的壯麗大海，總有各種不同的奇異生物會出現，造訪姆姆和他的島嶼，姆姆總是張開雙臂熱情的大喊一聲姆姆~！歡迎對方的到來

Synopsis:

MuMuHug is a fun, exciting animated series that takes its global audience on a heartwarming journey through MuMu’s adventures. Popular, friendly MuMu sees the world at its best, which makes him a great, loyal friend. MuMu loves to explore and discover new things all across Muwa Island, with friends of many shapes, sizes, and personalities. Whenever there is a problem, count on MuMu to find the bright side – which always makes solving things easier and fun!!

首映創意 SOFA Studio

首映創意「SOFA Studio 」意旨在為提供全球觀眾有創意、高水準的優良原創動畫，所推出的「MuMuHug姆姆抱抱」已行銷全世界超過80個國家。目前除了開發MuMuHug新系列產品，還有多部作品與國際廠商共同開發製作中。作品亦獲得世界各地的眾多獎項肯定！

Based in Taipei, Taiwan, SOFA Studio is an award-winning computer animation house devoted to producing quality animation for a global audience. SOFA Studio has quickly established a reputation for delivering high quality production values from concept development to rendering, as well as for its appealing characters and original stories, since its inception in 2004. SOFA Studio also successfully fosters an international community of animators, writers, filmmakers and talent through its workshops and collaborations.

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ꕥ 作品介紹 5

《小太陽 The Little Sun 》studio2

長度/Length：22min
年份/Year：2009
技術/Technique：3D電腦動畫 3D Animation

影片介紹：

《小太陽》動畫影集，由中國知名作家林良原著《小太陽》改編。《小太陽》是林良最膾炙人口的散文集，並獲得許多文藝創作獎項。他在這本書中記錄了人生中的許多可貴的「第一次」，結婚、成家、生子，到成為一個三個女娃的父親，這些生活中不能重來、可貴感人的片段，林良以他特有流暢的文筆，詼諧幽默的筆觸，栩栩如生地一一刻畫出來，紀錄了一個小家庭在點點滴滴的生活瑣事中，耐人尋味的幸福。

Synopsis:
The animation serials, “Little Sun” is adopted from the story, “Little Sun,” written by famous Taiwan writer Linliang. “Little Sun” is Linliang’s most popular prose collection. It has earned many literature awards. In the book, he records many “first times in his life,” including getting married, establishing a family, having child and becoming a father of three little girls. These touching moments that are not re-curable has been written vividly into the book by Linliang with his unique and fluent style, humorous attitude to mark the happiness of the daily routine in a little family.

studio2
studio2 是以動畫創作開發為主要形式的動畫原創公司，除了自行開發之外，業務同時也包含數位化後製作、電影特效合成等。studio2多年來致力於動畫影片的製作與企劃，導演邱立偉並於2007年獲美國政府邀請至紐約市法拉盛藝術村舉行錄影藝術展覽。studio2動畫作品多次於國內外影展獲獎與展出，包括提名2007金馬獎最佳視覺效果、2005金馬獎最佳創作短片，30屆與35屆金穗獎最佳動畫片、臺北電影節城市影展首獎、2009臺灣經濟部評選年度最佳動畫片、韓國首爾國際動畫影展競賽片入圍、經濟部國際級動畫電影雛型獎總決選..等等，以及西班牙、法國、德國等歐洲各國動畫影展競賽片。

studio 2 is a creative team that focuses on animation feature films, including TV, DVD, and 35mm Film. Works from Studio 2 have taken part in domestic and international film exhibitions and been nominated as the Best Creative Movies in Taipei Golden Horse Film Festival, Model Movie in Pusan Asian Short Film Festivals, Movie of Contest in Animadrid International Animation Festival, and Movie of Contest in Rio De Janeiro Short Film Exhibition. In addition, works from Studio 2 have won prizes like Champion in Taipei Film Festival and the Best Animation in The Golden Harvest Award for Short Film and Video. Operations in Studio 2 also cover digital post-production, special effects combinations, and so on.

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ꕥ 作品介紹 6

《小森巴的禮物》明日工作室

長度/Length：2min 8 sec
年份/Year：2010
技術/Technique：3D動畫/2D動畫 3D/2D Animation

影片介紹：

小森巴穿上媽媽送的紅外套、藍褲子，拿著爸爸給的綠傘出門探險。 有四隻黃色老虎要吃小森巴，可是小森巴把身上的紅外套、藍褲子、藍鞋、紅傘送給那四隻老虎，求他們不要吃他。後來，四隻老虎碰見了，展開一場森林爭霸戰，彼此互不相讓，在一棵樹下轉圈追逐互咬，結果越跑越快，黃色的身體逐漸溶化成黃色的奶油。小森巴躲在樹後目睹一切經過，森巴爸爸剛好經過，就用手上提的水桶，裝滿老虎奶油得意洋洋地回家，讓媽媽用老虎奶油煎了香噴噴、呈現老虎條紋的煎餅，小森巴一口氣就吃掉169片。

Synopsis:
The little Samba put on the red coat and blue pants that his mum gave to him, took the green umbrella given by his daddy with him, he is ready for a fantastic exploration. There are four tigers eager to taste the little Samba, but the little fellow offered the four tigers his red coat, blue pants, blue shoes, and red umbrella and begged them not to eat him. Later on, a horrible fight was launched in the forest as the four beasts run into each other; it was surely an earth-shattering fight, the fierce animals circled around, chased and snapped one other, as they ran faster and faster, the yellow body melted gradually into milky cream. Hiding behind a tree, the little Samba saw everything, at this instant, the daddy of little Samba passed by, he came with a bucket in his hand and filled it with tiger cream, then they went home proudly together. The mummy of Samba used tiger cream for frying pancakes with tiger stripes on them; the little Samba ate 169 pieces in one breath.

明日工作室

明日工作室創辦人為溫世仁先生和蔡志忠先生，致力於人文與科技的結合，以企業化的經營方式，整理並開發人類最珍貴的創意資產。以深度的知識獲得更有趣、讓優質內容的傳播更便捷為主要目標。

Tomorrow Studio Corp., founded by Mr. Sayling Wen and Mr. Tsai Chih-Chung, devotes chiefly to the integration of humanity and technology, with enterprise project management, to classify and develop the most valuable creative assets of humankind. The main operation goal of Tomorrow is to facilitate the acquirement of in-depth knowledge in an interesting fashion and to allow the dissemination of high-quality contents in a prompt way.

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ꕥ 作品介紹 7

《鏡花緣之女兒國》明日工作室

長度/Length：3 min 49sec
年份/Year：2009
技術/Technique：2D電腦動畫 2D Animation

影片介紹：

改編中國古典小說《鏡花緣》之女兒國單元，結合地方皮影與墨影動畫的特色。描述主角唐敖因不得志而對人生失去信心，隨林之洋與多九公出海散心，遊歷天下，途中見識了女兒國的奇風異俗。林之洋落難被女兒國國王綁架，迎娶為王妃，唐敖苦思計量排除困難，進而帶領人民解除水患，成功營救林之洋歸來，重新找回人生的自信與方向。這是一部富有中國風味與幽默的的劇情動畫。

Synopsis:
Adapted from the “Country of Women” in a famous Chinese classical novel- -Flowers in the Mirror, the work combines characteristics of both local shadow-play and ink-shadow animation. Tang Ao, protagonist of the story, lost gradually his confidence in life because of being not successful; he then went out to sea with Lin Zhiyang and Duo Jiugong for travelling all around the world, experienced various exotic customs in the Country of Woman. After that, Lin Zhiyang met with adversities and was kidnapped by king of the Country of Women, who wanted to take him as an imperial concubine. After careful deliberation, Tang Ao eliminated every difficulty, not only resolved the problem of flood disaster, but successfully rescued Lin Zhiyang and sent him back home, the leading role was therefore able to find self-confidence and direction of life again. This creation is a story animation rich with Chinese culture essence and humor.

明日工作室
明日工作室創辦人為溫世仁先生和蔡志忠先生，致力於人文與科技的結合，以企業化的經營方式，整理並開發人類最珍貴的創意資產。以深度的知識獲得更有趣、讓優質內容的傳播更便捷為主要目標。

Tomorrow Studio Corp., founded by Mr. Sayling Wen and Mr. Tsai Chih-Chung, devotes chiefly to the integration of humanity and technology, with enterprise project management, to classify and develop the most valuable creative assets of humankind. The main operation goal of Tomorrow is to facilitate the acquirement of in-depth knowledge in an interesting fashion and to allow the dissemination of high-quality contents in a prompt way.

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ꕥ 作品介紹 8

《騎鵝歷險記》明日工作室

長度/Length：29 min
年份/Year：2008
技術/Technique：2D電腦動畫 2D Animation

影片介紹：

改編自諾貝爾文學獎唯一得獎童話《騎鵝歷險記》。看尼爾斯與大白鵝和雁群共同經歷一場遊歷冒險後，怎麼從一個頑皮的小孩，變成愛護動物、體諒人的好孩子。

Synopsis:

Adapted from The Wonderful Adventures of Nils, the only fairy tale awarded the Nobel Prize in Literature. The reader would enjoy the venturous journey made by Nils, white geese, and flock of wild geese, also learn how this naughty kid turns into a courageous and considerate boy caring for animals as well as people.

明日工作室
明日工作室創辦人為溫世仁先生和蔡志忠先生，致力於人文與科技的結合，以企業化的經營方式，整理並開發人類最珍貴的創意資產。以深度的知識獲得更有趣、讓優質內容的傳播更便捷為主要目標。

Tomorrow Studio Corp., founded by Mr. Sayling Wen and Mr. Tsai Chih-Chung, devotes chiefly to the integration of humanity and technology, with enterprise project management, to classify and develop the most valuable creative assets of humankind. The main operation goal of Tomorrow is to facilitate the acquirement of in-depth knowledge in an interesting fashion and to allow the dissemination of high-quality contents in a prompt way.

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ꕥ 作品介紹 9

《POPA Family》文瀾資訊

長度/Length：20min 2sec
年份/Year：2010
技術/Technique：2D電腦動畫2D Animation

影片介紹：

POPA Family由魔術師爸爸POPA、女兒YIMA和兒子DUMA所組成，是專為針對學齡前至國小之間年紀的兒童所設計的電視動畫影集，以默劇形式，完全透過畫面、音樂與音效來呈現劇情，主題取材自現代生活中常見的小故事及跨越文化限制的國際性節日中發想，以溫馨感人的故事、幽默風趣的畫面，呈現日常生活中常見的人與事，教導兒童學習面對成長過程的許多問題； POPA Family中充滿了許多魔術、奇幻的場景與巧思，別具創意的情節內容，可刺激小朋友的想像力與創造力，且具有豐富的教育意涵，非常適合父母親與孩子們一起欣賞，讓父母親為孩子們解說故事內容，或者與孩子們一起討論各種生活創意。

Synopsis:

“POPA Family” is a television animation series that is specifically designed for preschoolers. The series present what happens in general daily life through touching stories and humorous content and teach children to learn how to face problems while growing up. Each theme of “POPA Family” is to inspire and develop children’s imagination, creativity and wisdom of life.

POPA, a wise magician and a single father living with YIMA and DUMA, his daughter and younger son, always solves problems of daily life with his little magic. Sometimes, DADA and NANA, the dark magician and his assistant, show up to disturb the situation. However, there’s nothing POPA Family cannot handle. The magical POPA Family brings you surprises and laughter in every lovely story.

文瀾資訊(Winland Multimedia)
文瀾資訊自2000年成立以來，始終專注於生活藝術與教育學習的結合，期望透過我們的設計與產品，提供人們更平易近人的生活美感、更方便有趣的數位學習以及更新奇特別的創意產品。

Since establishment, Winland Multimedia has been specializing in combination of living art and educational learning and expects to provide our clients greater living aesthetics through our multimedia and product design.

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ꕥ 作品介紹 10

《轉輪聖王─阿育王 》慧元數位媒體

長度/Length：3 min
年份/Year：2007
技術/Technique：2D電腦動畫2D Animation

影片介紹：

佛教的創立始於釋迦牟尼，但它的大規模的傳播，則要歸功於印度孔雀王朝的阿育王，這位印度國王曲折離奇的一生成為古文明與現代科技融合的最佳創作題材，阿育王終其一生以武力征戰沙場，厥功甚偉，但是在一場戰役中，突然傷感戰爭的殘酷，最後在高僧的感召下，以弘揚佛法終老其生，發揚佛學，善導人心步入正軌，並將佛教教義與法令刻於石柱上，致力於宣化慈悲為懷的佛學意念。

Synopsis:

Buddhism was established by Sakyamuni. Buddhism’s spread on a large scale because of Ashoka of Maurya Dynasty. The India king‘s incredible life becomes the best creative theme which combined ancient civilization and modern technology. He fought with other countries with the armed force all his life and had a great achievement. One day after the war was over, Ashoka was sick of the brutality of the war all of a sudden. Which led him to adopt Buddhism by a eminent monk and he delivered Budha dharma the rest of his life. He ropagated the Buddhidm and led people looking toward the good side of their heart. He also carved the Buddhism doctrine and law on a stone pillar. He devoted himself to the preservation and transmission of Buddhism.

慧元數位媒體(The Wisdom Digital Media Co., Ltd.)
慧元數位媒體公司長期致力於佛教內容現代化的表現與傳達，於2002年結合禪宗公案與網路媒體，創作「大慧集」www.thewisdom.com.tw 網路動畫推動心靈娛樂，希望透過生動活潑的影音表現與現代網路科技將佛教思想普及各年齡層，目前已製作完成的作品計有大慧集禪畫100則(包含書籍、DVD)、謢生故事100則(DVD)、十八羅漢鼓之目蓮救母60分鐘動畫(DVD)、聖嚴法師108自在語動畫25則、心五四兒童生活教育動畫11則及自在神童動畫30則

The Wisdom Digital Media Co., Ltd. is focus in modernize Buddhism spirit by creative content. In 2002 published 「Zen Wisdom」products with multimedia and internet. Through animation to drive joyfully mind. Wish through lively video and internet tech to popularize the power of Buddha, and promote to in all ages. At present cinema has 「Zen Wisdom」100 units(Including Books and DVD), Healthy Life Series 100 units(DVD), 18LuoHan Drum: Mu Lian save mother animation( 60 minutes DVD), Master Sheng Yen: 108 Adages of Wisdom animation 25 units and New Five four Child life education animation 10 units.

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ꕥ 作品介紹 11

《超毛星 Choobies》酷分仔多媒體

長度/Length：2min
年份/Year：2010
技術/Technique：3D電腦動畫 3D Animation

影片介紹：
此部「超毛星球電腦動畫影集」是酷分仔整合上下游資源，全新規劃開發的原創3D電腦動畫影集，其內容是親子寓教於樂的可愛故事，完全以國際化的幼教娛樂市場需求為導向。毛粒子及他們來自魯魯星球的朋友們共同生活在奇幻的超毛星球中，對於這些可愛的毛茸茸小東西來說，每天都是個新的冒險 ，生活中總是有新的學習及有趣好玩的事情發生；從鬧哄哄的超毛星市集到刺激的遊戲競賽，大夥兒互相幫助彼此學習在這個充滿愛與冒險的世界裡！

Synopsis:
The Choobies and their friends from Lulu Island share a fantastic world they call Choobie-land. Every day is an adventure for the adorable fuzzy characters and they learn valuable life lessons on a daily basis. From the hustle and bustle of the Choobie Marketplace to the excitement of the Choobie-Games, the group of friends is all about having fun while learning new things from the wonderful world around them.

酷分仔多媒體（Coolframes Digiworks）
成立於2004年，並於台灣及亞太地區中快速崛起成知名的CG動畫及視覺效果公司。我們所擁有的電腦動畫和電影製作專業, 能為國際市場上製造出具高品質娛樂和教育的產品。目前系列產品已包括為當地電影和電視製作的特效，也有獨立製作原創的CG動畫內容了。此外,我們積極發展不同媒體、平台、類型的3D編排，也期待能和來自不同領域的夥伴們有一起共同合作的機會。

Coolframes Digiworks was founded in 2004 and has quickly grown to be one of the most recognized CG animation and visual effects companies in Taiwan and the Asia-Pacific. With a team of experts in both computer animation and film production, Coolframes persists in the quest to produce high caliber entertainment and educational content for the international market. Current portfolio includes work for local film and television and independent animation productions. Coolframes continues to develop 3D services for various media platforms and looks forward to business opportunities with partners world-wide.

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ꕥ 作品介紹 12

《魔蹤傳奇 Traces》冉色斯創意影像

長度/Length：25min 26 sec, 26min 5 sec ,13min 14 sec
年份/Year：2010
技術/Technique：3D動畫 3DAnimation

影片介紹：

「Traces 魔蹤傳奇」是一部以時光旅行的方式，帶領小朋友去探索多元文化與奇幻世界的冒險故事，在第一季的台灣版裏，我們將帶領觀眾們穿越時空，來到四百年前的台灣。
十七世紀的台灣居住著荷蘭人、原住民、漢人…並充滿著各種文化特色與奇幻色彩。
故事的主角東東與凱莉在一個偶然的機緣下，經由考古遺跡的隧道穿越了時空，與正義的鬥士─「貓女歐娜」，一起對抗邪惡的總督─「烏鴉寇布」。
東東和凱莉必須協助歐娜結合動物們的力量對抗寇布的邪惡魔法，以保護原住民與大自然不被惡勢力所迫害。
Follow the Traces，觀眾們將與東東和凱莉經歷一場場緊張刺激的奇幻冒險； Follow the Traces，觀眾們將與東東和凱莉一起學習以智慧解決危機，一起親身體悟多元文化的美麗，並開始懂得尊敬大自然，及保護環境生態的重要性。

Synopsis:

TRACES is a time traveling fantasy adventure.
Everyone dreams about time travelling.
Everyone wants to be the master of time.
Going back and forth in time is a dream as old as mankind itself.
TRACES takes you on an amazing time traveling adventure that’s full of surprises from present time to the past and back again.

How will archeological mysteries in the present being revealed in the past? How will the two children form the present follow the traces of the past to find their way back to present? The whole story is divided into 13 individual episodes of 22 minutes each. Each episode is standalone and yet connected with other episodes. TRACES invites you to join Toni and Carla on a great time travelling adventure.

冉色斯創意影像(Xanthus)

冉色斯致力於開發全3D的動畫影片與角色設計，專心編導與製作每一部動畫影片，讓我們手中的卡通動畫人物，能達到最精采的表演與劇情詮釋，期望將我們最富有創意的想法，與撼動人心的動畫內容，經由各媒體走進每一個家庭。除了高效率的專案製作流程和最優秀的3D動畫技術外，我們更著重於動畫內容的開發與前期策劃能力，期望能有一天與您合作，創造出市場長紅的經典動畫作品。

Xanthusfocuses on developing and producing full 3D animations and character designs. We are dedicated to make every one of our animated works great, to give our animated characters the best performances, and to achieve the most exciting result of storytelling.
We hope to make our creative ideas and affecting stories enter every household through all means of media. We provide high efficiency and excellence in 3D animation production. We also put a strong emphasis on pre-production and the development of creative stories. We are looking for oppotunities to collaborate and create animation that appeal to global market.

ꕥ 丹麥動畫學院 The Animation Workshop

簡介
丹麥動畫學院，是丹麥與教育、文化、溝通交流和商業活動的主要動畫製作機構。動畫學院隸屬於VIA大學獨立經營管理的機構單位，富有紮實的國際人脈，和公司、藝術家及教育機構皆有往來。動畫學院的名聲顯赫，源自於我們提供比學校更甚一籌、頂級的教育服務予國際影業。動畫學院是培養國際動畫(相關領域)的專業知識和商業活動的中心。

Introduction
Center for Animation is Denmark’s leading animation institution with activities within the areas of education, culture, communication and business. The Animation Workshop is an independent management unit under VIA University College, and has a strong network of international companies, artists and educations.
The Animation Workshop enjoys a strong and wide reputation due to the top educations we provide for the international film industry, yet we are much more than a school. The Animation Workshop is an international centre of knowledge and development for animation (and related) professions and businesses.

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ꕥ 作品介紹 1

《 Pig Me》(愛的小豬) 2009 2D動畫 2D Animation

豬從屠宰場逃走，牠走著走著找到一家寵物店，驚喜的發現店裡主人買走寵物、寵物被主人帶走的美好與溫暖，牠也渴望被買賣。但是，牠發現沒有人會想要得到一隻豬，唯一的方法就是把自己打扮成寵物店裡的另一隻動物。

A pig that escapes from a slaughter house. He finds his way to a pet shop and discovers the nice and warmth atmosphere between the customers and the animals getting bought. He also wants to get bought, but he realizes that nobody wants to buy a pig. The only solution he can find to that problem is to dress up as the other animals in the pet shop.

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ꕥ 作品介紹 2

《Out of a Forest》(逃離森林) 2010 偶動畫 Puppetry

年輕的兔子被邀請參加森林裡的午夜晚餐派對，許多華麗的盞燈和水晶吊燈參差著弦在樹上，月亮被簇擁在繁星的天空中，年輕兔子年長的兄長們圍繞在牠身旁啜飲著葡萄酒。

A young rabbit who, gets invited to a late night dinner party in a forest. With lamps and chandeliers in the trees, the moon in the starry sky, and his elders around him sipping wine.

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ꕥ 作品介紹 3

《Dinorider》(騎龍少年) 2010 2D動畫 2D Animation

壓抑著自己情緒的孩子在口袋裡放著一隻被大人們惹惱的恐龍。搖滾動畫簡短的宣告一個重點：「不要愛你的鄰居。」

A kid with a pent-up anger and a dinosaur in his pocket gets fed up with adults. A rock n´ roll animation short about not loving your neighbor.

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ꕥ 作品介紹 4

《Project Alpha》(起源計畫) 2009 3D動畫 3D Animation

到外太空的競賽開始了。在國與國的相互競爭中，我們記錄著入選外太空計畫的單身猩猩的成長，結果也許會證明牠可以帶給人類好處……牠，可以成功嗎？

The race to space is on. As nations compete, we follow the progress of a single chimpanzee who’s been recruited into the Space Program. His results might prove influential for the better of all mankind. …will he be up to it?

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ꕥ 作品介紹 5

《Trainbombing》(火車搗蛋客) 2009 3D動畫 3D Animation

年輕的塗鴉藝術家在一連串的偶然之中，創造出人生中的驚世之作。

A young graffiti artist who by an unlikely series of events accidently creates the masterpiece of his life.

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ꕥ 作品介紹 6

《Vegeterrible》(蔬菜驚魂) 2010 2D動畫 2D Animation

飢腸轆轆又腐蝕待盡的颚梨出現並破壞一場墨西哥美食盛宴派對，開始吞食賓客們… 《腐蔬》 (Vegeterrible) 是一部描述被留下的最後一顆番茄如何為自己的人生挺身而出的故事。

A swinging Mexican fiesta goes bad when a ravenous rotten avocado crashes the party and starts devouring the guests. Vegeterrible is a film about the last tomato standing’s race for his life.

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ꕥ 作品介紹 7

《Elk Hair Caddis》(魚餌) 2010 3D+偶動畫 3D + Puppetry Animation

一位父親帶著許多蝌蚪逃離自己充滿壓力的生活，到河邊一處他最喜愛的藏身處。但突然間，他的鄰居作勢要抓住他夢裡的大魚，屬於他的平和與寧靜，完全被打擾了。

A father escapes his stressful life with his many tadpoles to his favourite hideout by the river. His peace and quiet is suddenly disturbed by his neighbour’s attempt to catch the fish of his dreams.

ꕥ 獨立動畫創作 Individual Animation Works

ꕥ 作品介紹 1

《Pigeon Pilfer》Michael Stevenson

長度/Length：1min 13 sec
年份/Year：2008
技術/Technique：黏土動畫 clay animation

影片介紹：

麥克史蒂文森(Michael Stevenson)早期作品 “Pigeon Pilfer”是在舊金山州立大學歷經四個月，用了六磅重的黏土和數位SLR錄像機，在一間小又熱的房間裡製作出品。

Synopsis:

Pigeon Pilfer is Michael Stevenson’s senior film from San Francisco State University. It was completed in four months with sixty pounds of clay, a digital SLR camera, and one tiny hot room.

Michael Stevenson
麥克畢業於舊金山州立大學
國際獲獎：
2009 《Pigeon Pilfer》舊金山聯合電影節 入選、Animation Block Party 入選、Sundial電影節第二名

Michael Stevenson was graduated San Francisco State University.

international awards: “Pigeon Pilfer” official selection in San Francisco United Film Festival, Animation Block Party, runner up in Animation in Sundial Film Festival.

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ꕥ 作品介紹 2

《Sweet Dreams》Kristen Lepore

長度/Length：9min 56sec
年份/Year：2007
技術/Technique：黏土動畫 clay animation

影片介紹：

It’s about the adventure of a cupcake; there’s a nice moral behind the story…

這是一個關於杯子蛋糕的冒險；故事背後蘊含著良好的道德觀…

Synopsis:

It’s about the adventure of a cupcake; there’s a nice moral behind the story…

Kirsten Lepore

克里絲頓是一位來自洛杉磯獨立動畫導演
2007年畢業於馬里蘭大學藝術學院
目前就讀於加州藝術學院

Kirsten Lepore is a freelance animator and director based in the LA area.
She graduated summa cum laude in 2007 from the Maryland Institute College of Art with a BFA in Experimental Animation and is currently working towards an MFA at CalArts.

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ꕥ 作品介紹 3

《旅程Quest》 Thomas Stellmach

長度/Length：11min 23sec
年份/Year：1996
技術/Technique：偶動畫 Puppetry

影片介紹：

了追求「水」，沙偶人離開原本居住的沙世界，好奇的穿過其他紙、石頭、鐵的各種世界，循隨著滴水的聲響。最後，當沙偶人要碰觸到水的那刻……悲劇，產生了。

Synopsis:

In quest of water a sand puppet leaves the sand world in which it lives. It wanderes through other worlds made of paper, stone and iron, following the sound of dripping water. In the end the sand puppet manages to reach the water … in a very tragic way.

Thomas STELLMACH

湯瑪斯1965年出生於德國
國際獲獎：
1997年《QUEST》偶動畫獲得奧斯卡動畫類(AMPAS)獎項

Thomas STELLMACH was born in 1965 in Germany.
international awards:

The Oscarc of the Academy of Motion Picture Arts and Sciences (AMPAS) 1997 granted for the puppet animation film QUEST

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ꕥ 作品介紹 4

《Runner》林孟寬 洪立蓉

長度/Length：1 min
年份/Year：2010
技術/Technique：偶動畫 Puppetry

影片介紹：

RUNNER是一個居住在腦袋迷宮的跑者
他戴著頭燈
像個冒險家般地在迷宮幽道中檢視線索
在腦袋迷宮裡找尋出路
探索思緒所能達致的各種可能性
同時RUNNER也是個哲人
奔跑之餘
他也透過他的頭燈散發出來的溫暖光線
靜靜閱讀
寧謐思考

《RUNNER》的主題以思索為中心，思索原本是在腦中進行的抽象概念，而我們大膽的嘗試，以具體而微地模擬、呈現以及局部放大。為了能將此構想加以具體化，思考各種動畫表現形式，最後選擇偶動畫，以偶動畫連接「虛」、「實」的特性，能具象地創造出超現實的空間，又能創造特殊質感的角色，結合出具有個人風格的影像。

Synopsis:

RUNNER is a runner living in the labyrinth of brain
With a headlight on
Searches clues in the labyrinth as an adventurer
Tries to find the way out in the brain labyrinth
Explores all the possibilities that could be achieved by thinking
Moreover, RUNNER is also a philosopher
Besides running
Through the warm lights radiates from his headlight
He reads quietly
Thinks calmly

The central topic of “RUNNER” is thinking, which originally is an abstract conception operated in the brain; we made some courageous attempts, i.e. miniature simulation, presentation as well as partially magnification. In order to concretize this notion, various types of presentation form were taken into account, and the puppet animation was eventually chosen for its quality of combining “false” and “true”, so as to concretely create super-realistic space and conceive the roles of special nature, the image with personal style consequently produced by integrating them.

ChairStudio – 林孟寬/洪立蓉 Mong-Kuan Lin/Li-Jung Hung
ChairStudio(椅子工作室)成立於2008年，象徵每一個人都有屬於自己的一席之地。以創造不可能的可能性為目標，將心中的想法實現為實體。

Established in 2008, the objective of ChairStudio indicates that every individual has a place of one’s own; by setting the goal as creating possiblity of impossibility, to realize one’s idea into reality.

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ꕥ 作品介紹 5

《蘋果樹下的引力 Gravity》趙大威

長度/Length：2min 22 sec
年份/Year：2009
技術/Technique：2D電腦動畫 2D Animation

影片介紹：
生活中,總是有股不可違抗的力量 , 在阻止我們前進,我們好像逆境中的主角,永遠無法在引力的作用下獨自起飛,追求想像中的自由,彷彿生活就是不斷的和的地心引力戰鬥,就像十七世紀時的牛頓 先生一樣。但是就算樹上的蘋果再怎麼高不可攀,青澀綠色的也會漸漸轉紅,當我們不經意時,它已隨著地心引力落到促手可及地上了。

Synopsis:

In our life, there is always an irresistible force to impede us from progressing. By playing the leading role in an adverse circumstance, it seems that we can never fly independently against the power of gravitation while in searching of the imaginative freedom. For us, life is nothing more than an endless battle with gravity, just like Newton in the 17th century. Nonetheless, no matter how it is hard to reach the apple up high on the tree, the green apple will undoubtedly turn to red one day; at the moment as we are most careless, the apple, affected by the gravity, has fallen to the ground within reach.

趙大威 Chao, Ta-Wei
趙大威出生於台灣
2009年畢業於加州藝術學院（CalArts）
He graduated CalArts in 2009.

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ꕥ 作品介紹 6

《迷失Lost》Karim Turbez

長度/Length：6 min 47 sec
年份/Year：2005
技術/Technique：3D電腦動畫 3D Animation

影片介紹：

“Lost” take us again in his fantastic and amazing world catching our curiosity and interest.
你會發現男主角他的世界存在實體之外的時空，將超越你的想像。
具深層意涵的故事將喚起你的存在主義之涵義與個人意識。
《迷失》的導演將帶領我們進入他充滿奇幻與驚艷的世界，讓我們的興趣與好奇心完全被挑起。

Synopsis:

You will discover with our hero the existence of other entities outside of his own world and be ready to go beyond your imagination.
The deep layer of the story will bring you to the meaning of the existentialism and the emphasis of the individual.

Karim Turbez 陳逸剛

陳逸剛1974年出生於法國瓦朗謝訥市
2009年受聘於北京動畫學院榮譽教授

Karim Turbez, French, born in Valenciennes in 1974.
In 2009, he has been named honorary professor for the advanced course of animation director at the Animation School of Beijing Academy.

ꕥ 創作論壇

2010/06/26(Sat.)14:00 創作論壇 Artist Forum

特別來賓: 日本偶動畫師 比嘉兄弟

2010/07/24(Sat.)14:00 創作論壇 Artist Forum

特別來賓: 法國動畫導演 Karim Turbez

ꕥ 工作坊

活動內容
KINETOSCOPE－活影活現動畫展多部動畫以拍攝單張圖片的方式製作影片，因表現方式的不同，製作程序也有所改變。台北數位藝術中心藉由此展延伸相關活動，邀請業界塑偶專業人士蔣惠敏擔任講師，和策展人共同辦理6小時社區工作坊。由策展人講解偶動畫的製作流程，並將偶動畫多種製作方式介紹給學員，前半段課程由蔣老師教授如何運用骨架和塑偶，讓學生體驗動畫的角色設定和捏偶的樂趣，後半段則由張正霖策展人將偶與動畫結合，讓未受過專業訓練的學生，能集合團體分工的力量自製一部動畫短片。

• 時間：2010/7/10（六）& 2010/7/17（六）14：00~ 17：00
• 地點：台北數位藝術中心 2F 資源教室 | 台北市111士林區福華路180號
• 講師：蔣惠敏、張正霖
• 學員人數：30人

課程安排：

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講師簡介
人偶塑型教師
蔣惠敏
現職

娃娃老師工作室負責人禮品開發設計
ACART兒童五感教練、說故事老師

橘子泥兒童劇團演員

相關經歷
零售市場雜誌美編、惠台禮品公司、威駿貿易股份有限公司、禮品原型雕塑設計
信義區社會大學 美化生活-實用家具講師
歷史博物館兒童藝術夏令營指導老師
文化大學暑期兒童營隊粘土指導老師
東森幼幼台–幼幼DIY學員
中天電視台–生活起摩誌DIY單元指導老師
我的巧手DIY.DIY玩佈置/戀家誌/台灣工藝雜誌 企劃製作
93年手工藝研究中心 銀飾創作 入選
http://tw.myblog.yahoo.com/hm-design

動畫製作教師

張正霖
1982年生於台北
2006 畢業於銘傳大學 數位媒體設計系
多媒體製作
影片及動畫後期製作
製作系統整體規劃整合
製作流程規劃
2009AIRA短片動畫 副導演及技術指導

2007-10中國技大學線上互動課程 後期製作剪輯

2010 “Olympos” 預告片 副導演及技術指導

ꕥ 活動紀錄

KINETOSCOPE－活影活現偶動畫工作坊
2010/07/10(六)14：00~ 17：00

台北數位藝術中心於2010年7月10日舉辦活影活現偶動畫工作坊，課程一開始邀請到法國動畫導演Karim Turbez 講解偶動畫的基礎概念，以及動畫裡的角色設定，接續由塑偶專業人士蔣惠敏老師指導學員製作玩偶。將參與工作坊的學員以每組四到六人為一小組團隊，蔣老師在課堂上協同討論角色設定和示範玩偶捏製，Karim導演也參與其中。
這次的工作坊是以超輕土來捏製玩偶，使用超輕土和樹脂土混合而成，人形骨架為玩偶的身體，再以超輕土混色附著至玩偶軀幹，學員裡有小朋友、大學生和美術老師大家發揮創意，有人捏成粉紅兔、怪獸電力公司、河童、獨眼人、鴨子……等多樣造型， Karim導演也捏製了一個黃色小怪物，課程後半段由中心技術人員劉宜倫先生教導Stop Motion偶動畫拍攝軟體，首先，每一組需集思廣益發想影片的名稱和主題，以每秒15張的圖片拍攝片頭，下週的課程再將偶加入劇情中，串聯成一部屬於自己的小小偶動畫。

活影活現偶動畫工作坊藉由此次展覽，結合偶的製作課程，讓學員除了觀賞展出的動畫作品，可更進一步的拆解製作動畫的流程，即使小小的靈感和簡單的工具也可以製作出靈活靈現的動畫作品，深受大眾的喜愛。

介紹活影活現工作坊的講師，法國動畫導演Karim Turbez和蔣惠敏老師	蔣惠敏老師認真的講解超輕土的使用方式
學員創意成品	法國動畫導演Karim Turbez和蔣惠敏老師的作品合影
導演Karim Turbez熱情介紹動畫的製作原理	大家一起欣賞學員製作的小動畫
小朋友的創意作品	學員創意成品

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KINETOSCOPE－活影活現偶動畫工作坊
2010/07/10(六)14：00~ 17：00

偶動畫製作分為兩個星期舉辦，學員在上周六各自完成偶的捏塑，延續上周蔣惠敏老師的超輕土玩偶教學，本周邀請另一位策展人張正霖來指導學員完成一小段偶動畫。
張正霖老師自備小短影片來解說拍攝動畫的分隔畫面，以一分鐘擷取24張單張影像串連成玩偶的動作，因玩偶質料的差異性將產生不同肢體的表現，例如使用樂高製作的偶肢體較為簡化，反之，賦予偶的手腳關節則較能表現出細膩的情緒。
每組學員都依照玩偶的形象來編導一個故事，小朋友發揮天馬行空的想像力，無論在偶的造型或影片的呈現加入許多創意，作品更展現出小朋友的童趣。這次學習偶動畫製作的成員大多是第一次拍攝定格動畫，雖在角色的個性設定、肢體表現掌握較不精確，並非是專業的創作作品，但每一隻玩偶的造型卻令人感到驚艷，在沒有學院的束縛之下，呈現了顛覆傳統思維的精采的作品。每位學員最後可擁有自製的偶動畫影片，作為暑假難忘的學習經驗。

認真聽策展人張正霖老師講課的學員們	張正霖老師講解偶動畫的分鏡拍攝
學員的可愛成品	小朋友開始拍攝囉
拍攝過程小朋友玩得不亦樂乎	張正霖老師講解中
學員們正在修補自己的玩偶	蔣老師與學員討論玩偶的肢體表現