Concept Museum of Art Vol. 11《 Pavlov Chan Chan》 CHEN Pin-Hua Solo Exhibition．

 

◙ 展覽介紹 ◙

「帕夫洛夫舞曲」試圖將金融市場轉變為聲響體驗，基於「效率市場假說」和「隨機漫步假說」的辯證性表演，依據真實的市場行情進行演出並即時呈現藝術家因身處市場，而上下波動的帳戶餘額。展場播放由市場因素或價格信號觸發的電子實驗音樂，以及透過遊蕩的散戶漫遊者收集得到的聲景。

這些矛盾觀念產生的聲響是餘音繞樑或鬼哭神號？市場的轉化是否會演變成一種誘惑？

讓我們走著聽。

 

◙ 關於藝術家 ◙

陳斌華

目前就讀於政大國際金融學院碩士學位學程，喜好經由自身日常生活的檔案生產探討社會議題。早期以巨幅社會地景影像創作為主，自 2016 年起進行 CC0 作品的發表，並推展至著作權、言論自由、經濟、金融與交易等領域的多媒介探討。(www.chenpinhua.com)

◙ 關於「概念美術館」 ◙

概念美術館聚焦於「作品在歷史脈絡中的真實性」。立基於數位時代網絡思維及觀看與體感技術，企圖以文化分層的歷史架構補充類比式物質典藏方式的不足，創造新數位敘事經驗。
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◙ Introduction ◙

This exhibition, Pavlov Chan Chan, attempts to convert the financial markets into sounds.Dialectical performances based on Efficient-market hypothesis and Random walk hypothesis will be practiced according to the real-world market condition, together with the fluctuating account balance which exposes artist’s presence in the market.Electronic experimental music triggered by market factors or pricing signals, and soundscapes collected from a noise-trading flaneur wandering around, will be played in the venue.

Would the voices from conflicting concepts be harmonic or insufferable? Could this conversion of market provide behavior seduction?

Let’s listen.
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◙ Artist ◙

CHEN Pin-Hua

Currently a master student of Science in Global Banking and Finance at NCCU, Chen reflects on social issues by making archives through daily life experiments.

His early artistic practices focused on large-scale images of social landscapes. Since 2016, Chen has published his works with CC0 license and further extended his multi-media practices towards aspects including copyright, freedom of speech, economics, finance and trading.
(www.chenpinhua.com)